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The Miracle of the Desecrated Host (Predella Panel for the church of Corpus Domini in... 1465-1469. Creator: Uccello, Paolo (1397-1475)

The Miracle of the Desecrated Host (Predella Panel for the church of Corpus Domini in... 1465-1469. Creator: Uccello, Paolo (1397-1475)


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The Miracle of the Desecrated Host (Predella Panel for the church of Corpus Domini in... 1465-1469. Creator: Uccello, Paolo (1397-1475)

The Miracle of the Desecrated Host (Predella Panel for the church of Corpus Domini in Urbino), 1465-1469. Found in the collection of the Galleria nazionale delle Marche, Urbino

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Media ID 36224021

© Fine Art Images/Heritage Images

Florentine School Galleria Nazionale Delle Marche Paolo 1397 1475 Tempera On Panel Uccello Urbino


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> Historic > Renaissance art > Italian Renaissance art

> Historic > Renaissance art

> Italian renaissance art

> Renaissance art


The Miracle of the Desecrated Host,

EDITORS COMMENTS
a masterpiece by the renowned Florentine artist Paolo Uccello, dates back to 1465-1469 and is housed in the prestigious Galleria nazionale delle Marche in Urbino, Italy. This exquisite predella panel, which originally formed part of a larger polyptych dedicated to the Corpus Domini, showcases Uccello's exceptional skill in the use of tempera on panel. The painting depicts a miraculous event that occurred in the town of Bolsena, Italy, in 1263. According to the legend, during a Mass, a priest, doubtful of the reality of the Eucharist, began to harbor doubts. As he raised the Host for the consecration, it began to bleed, staining the corporal below. This event is depicted in the painting, with the priest, dressed in red, holding the Host aloft, while the blood drips onto the white corporal below. The painting is a testament to Uccello's mastery of perspective and his ability to create a sense of depth and three-dimensionality. The intricate details, such as the folds of the priest's robes and the drops of blood, are rendered with meticulous precision. The use of light and shadow adds to the drama and intensity of the scene, drawing the viewer's attention to the miraculous event unfolding before their eyes. The Miracle of the Desecrated Host is a prime example of the Florentine School of painting during the Renaissance period. Its intricate details, masterful use of perspective, and dramatic composition make it a must-see for any art enthusiast or history buff. The painting's preservation in the Galleria nazionale delle Marche ensures that future generations can continue to marvel at Uccello's artistic genius and the miraculous event it depicts.

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