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Meng Zong (Mo So), from the series "Twenty-four Paragons of Filial Piety in...", c. 1848/50. Creator: Utagawa Kuniyoshi. Meng Zong (Mo So), from the series "Twenty-four Paragons of Filial Piety in...", c. 1848/50
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Meng Zong (Mo So), from the series "Twenty-four Paragons of Filial Piety in...", c. 1848/50. Creator: Utagawa Kuniyoshi. Meng Zong (Mo So), from the series "Twenty-four Paragons of Filial Piety in...", c. 1848/50
Meng Zong (Mo So), from the series "Twenty-four Paragons of Filial Piety in China (Morokoshi nijushiko)", c. 1848/50
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Media ID 36208735
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Carrying On Shoulders Chuban Duty Filial Piety Ichiyusai Kuniyoshi Kuniyoshi Utagawa Legend Legendary Obedience Tools Utagawa Kuniyoshi Utagawa School Virtue Youth
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Meng Zong, also known as Mo So, is depicted in this stunning woodblock print by Utagawa Kuniyoshi from the series "Twenty-four Paragons of Filial Piety in China." This iconic image from the Edo period (1603-1868) of Japan showcases the deep-rooted Chinese legend of filial piety, a concept emphasizing obedience and respect towards one's parents and ancestors. Meng Zong is shown carrying his elderly father on his back through heavy snow during the wintry season. The father, with a contented expression, rests comfortably on his son's broad shoulders. The artist masterfully captures the intricacies of the scene through intricate color woodblock printing, with each brushstroke and line conveying a sense of warmth and deep emotion. The Twenty-four Paragons of Filial Piety series served as a mirror for children in Japan, instilling the values of duty, obedience, and respect towards one's elders. The series was a popular artistic school during the Tokugawa period (1603-1868), with Kuniyoshi being one of the most renowned artists of the Utagawa school. This print showcases the rich heritage of Asian art, with its intricate calligraphy, vivid colors, and meticulous attention to detail. The use of chuban (medium-sized) format and the obedient expression of Meng Zong towards his father highlights the importance of filial piety in both Chinese and Japanese cultures. The woodblock print is a testament to the enduring legacy of Ukiyo-e art, which continues to inspire and captivate audiences around the world.
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