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Madonna of the Holy Belt (Madonna della cintura), c.1600-1605. Creator: Cavagna, Giovan Paolo (1550-1627)
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Madonna of the Holy Belt (Madonna della cintura), c.1600-1605. Creator: Cavagna, Giovan Paolo (1550-1627)
Madonna of the Holy Belt (Madonna della cintura), c.1600-1605. Found in the collection of the Accademia Carrara, Bergamo
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Media ID 36244995
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Accademia Carrara Bergamo Mannerism School Of Bergamo Holy Belt
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EDITORS COMMENTS
This exquisite painting, titled "Madonna della Cintura" or "Madonna of the Holy Belt," is a masterpiece by the renowned Italian artist Giovan Paolo Cavagna, created between 1600 and 1605. Housed in the esteemed collection of the Accademia Carrara in Bergamo, Italy, this oil on canvas artwork is a prime example of the Mannerist style that dominated Italian art during the late 16th century. The painting depicts the Virgin Mary, dressed in rich blue robes, holding the infant Jesus in her arms. The most striking feature of the artwork is the golden girdle, or cintola, encircling her waist. This girdle is said to have belonged to the Virgin Mary and was brought to Europe by Saint Thomas the Apostle. According to legend, the girdle was discovered in the Holy Land and was later brought to Orvieto, Italy, where it was enshrined in the Basilica of San Giovenale. The presence of the Holy Belt in the painting is significant as it symbolizes Mary's purity and her role as the new Eve, who through her obedience and purity, reversed the curse of the original Eve. The intricate design of the girdle, adorned with precious stones and gold, further emphasizes Mary's divine status. Cavagna's use of color, light, and texture in this painting is truly remarkable. The soft, delicate hues of Mary's robes contrast beautifully with the rich, vibrant colors of the girdle and the golden background. The lifelike expressions on the faces of Mary and Jesus, as well as the intricate details of their clothing and surroundings, demonstrate Cavagna's exceptional skill as a painter. Overall, the "Madonna della Cintura" is a stunning work of art that not only showcases Cavagna's artistic talent but also highlights the deep religious beliefs and traditions of the Italian people during the Mannerist period.
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