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Le Tub, 1878. Creator: Manet, Édouard (1832-1883)
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Le Tub, 1878. Creator: Manet, Édouard (1832-1883)
Le Tub, 1878. Found in the collection of the Musee d'Orsay, Paris
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Media ID 36232905
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After A Bath Bath Bathing Bathroom Beauty Boudoir Colourfulness Edouard 1832 1883 Genrenude Painting Impression Impressionists In The Bed Manet Morning Musee Dorsay Nude Painting Nude Woman Pastel Pastel On Canvas Toilet Toilette
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Le Tub
EDITORS COMMENTS
is a captivating pastel on canvas painting created by the renowned French Impressionist artist Édouard Manet in 1878. This masterpiece is currently housed in the prestigious Musée d'Orsay in Paris, France. The painting depicts a sensual and introspective moment as a nude woman, with an air of elegance and nonchalance, leans back in a bathtub, her eyes closed in relaxation. The scene is set in a boudoir, with the soft morning light filtering in through the window, casting a warm glow over the woman's body. Manet's use of color and light in "Le Tub" is truly remarkable. The pastel hues of the woman's skin contrast beautifully with the cooler tones of the bathroom, creating a harmonious balance. The artist's brushstrokes are loose and expressive, adding to the painting's impressionistic style. This genre painting, often referred to as a nude or bathing scene, is a testament to Manet's innovative approach to art. At a time when nudity in art was often considered taboo, Manet boldly depicted the female form in all its natural beauty. "Le Tub" is not only a celebration of the female body but also a reflection of the private and intimate moments of daily life. The painting's title, "Le Tub," is a reference to the bathtub in which the woman is relaxing. The word "tub" also has connotations of comfort and relaxation, adding to the overall sense of tranquility and serenity in the painting. Overall, "Le Tub" is a stunning example of Manet's mastery of color, light, and form. It is a beautiful and thought-provoking work of art that continues to captivate audiences and inspire artists to this day.
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