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Too Many for a Jew, September 20, 1785. September 20, 1785. Creator: Thomas Rowlandson

Too Many for a Jew, September 20, 1785. September 20, 1785. Creator: Thomas Rowlandson


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Too Many for a Jew, September 20, 1785. September 20, 1785. Creator: Thomas Rowlandson

Too Many for a Jew, September 20, 1785

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Media ID 19984598

© Heritage Art/Heritage Images

Alken Alken Samuel Alken Samuel Senior Anti Jewish Anti Semitic Anti Semitism Itinerant Jewish Judaism Peddler Pedlar Rowlandson Rowlandson Thomas Samuel Samuel Alken Samuel Alken Senior Sell Seller Selling Sepia Stealing Street Seller Street Trader Street Vendor Teasing Thomas Rowlandson Aquatint


FEATURES IN THESE COLLECTIONS

> Arts > Artists > C > Thomas Child

> Arts > Artists > R > Thomas Rowlandson

> Europe > United Kingdom > England > London > Sights > British Museum

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art


EDITORS COMMENTS
The captivating print titled "Too Many for a Jew, September 20,1785" by Thomas Rowlandson takes us back to the bustling streets of 18th century Britain. This thought-provoking image showcases the artist's satirical take on societal attitudes towards Jews during that era. In this scene, we see a Jewish peddler surrounded by a swarm of mischievous children. The etching highlights the challenges faced by those practicing Judaism in their daily lives. The peddler is depicted as an itinerant street seller, diligently trying to make a living while enduring constant teasing and mockery from the youngsters. Rowlandson's work sheds light on the prevalent anti-Semitic sentiments that existed at the time. Through his masterful use of aquatint and sepia tones, he captures both the resilience of this Jewish individual and society's discriminatory behavior towards him. This artwork serves as a reminder of how religious prejudice can manifest in everyday life. It prompts viewers to reflect upon historical injustices while encouraging empathy and understanding across different faiths and cultures. Displayed at The Metropolitan Museum of Art, this print stands as a testament to Rowlandson's artistic prowess in capturing social commentary through his detailed illustrations. It invites us to delve into our collective past with curiosity and compassion, ultimately fostering dialogue about tolerance and acceptance in our present-day world.

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