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Intermezzi, Opus Iv, Bl. 12: Amor, Tod Und Jenseits (Love, Death And Beyond), 1881. Creator: Max Klinger

Intermezzi, Opus Iv, Bl. 12: Amor, Tod Und Jenseits (Love, Death And Beyond), 1881. Creator: Max Klinger


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Intermezzi, Opus Iv, Bl. 12: Amor, Tod Und Jenseits (Love, Death And Beyond), 1881. Creator: Max Klinger

Intermezzi, Opus Iv, Bl. 12: Amor, Tod Und Jenseits (Love, Death And Beyond), 1881

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Media ID 38688243

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Allegorical Amorini Art Museum Cherubim Clark Art Institute Coffin Coffins Cupid Grim Reaper Intermezzo Klinger Max Max Klinger Museum Of Art Symbolist Wheel Allegorical Figure Angelic Aquatint Cherubs Putti Symbolism


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> Arts > Art Movements > Art Nouveau

> Arts > Artists > K > Max Klinger

> Arts > Realistic drawings > Figure drawing > Fine art portraits


EDITORS COMMENTS
In 'Love', Death And Beyond' (1881), German artist Max Klinger masterfully weaves a poignant allegory in his Intermezzi series. This striking aquatint and etching on paper print presents an otherworldly scene, where the personification of Love - Cupid-like amorini with angelic features - rides majestically upon a coffin-drawn chariot, accompanied by cherubic putti. The Grim Reaper's somber presence looms in the background, serving as a poignant reminder of mortality. Klinger's use of symbolism and artistic license creates a thought-provoking commentary on the human experience. Love is depicted as both powerful and ephemeral, while Death stands steadfastly beside it. This haunting yet beautiful print invites viewers to ponder the mysteries of life, love, and beyond. As part of Klinger's Intermezzi series - Opus IV: Bl. 12 - this work showcases his innovative use of aquatint and etching techniques to create a dreamlike atmosphere. The artist's unique blend of Romanticism and Symbolism has captivated audiences for centuries, solidifying 'Love', Death And Beyond' as an iconic representation of the human condition.

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