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The Holy Mountain, folio 3 from The Holy Mountain (Monte Sancto di Dio), 1477. Creators: Baccio Baldini, Antonio Bettini

The Holy Mountain, folio 3 from The Holy Mountain (Monte Sancto di Dio), 1477. Creators: Baccio Baldini, Antonio Bettini


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The Holy Mountain, folio 3 from The Holy Mountain (Monte Sancto di Dio), 1477. Creators: Baccio Baldini, Antonio Bettini

The Holy Mountain, folio 3 from The Holy Mountain (Monte Sancto di Dio), 1477

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Media ID 36216196

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Baccio Baldini Baldini Baccio Baldini Bartolomeo Baldini Bartolommeo Bartolomeo Baldini Bartolommeo Baldini Climbing Demon Devil Heaven Hell Holy Ladder Letterpress Lucifer Satan The Devil Virtue Virtues Hellfire


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> Animals > Mammals > Pitheciidae > Lucifer

> Arts > Artists > B > Baccio Baldini

> Arts > Realistic drawings > Figure drawing > Fine art portraits

> Europe > Italy > Umbria > Foligno


EDITORS COMMENTS
Folio 3 from The Holy Mountain (Monte Sancto di Dio), created by Baccio Baldini and Antonio Bettini in 1477, presents a captivating and intricately detailed depiction of the ascent to heaven and descent into hell. This engraving in black with letterpress on ivory laid paper is a testament to the artistic mastery of the 15th century. The image opens with a figure, believed to represent Saint Benedict, standing at the foot of a mountain, gazing upwards. Above him, a demon, perhaps symbolizing temptation or the allure of worldly desires, attempts to hinder his climb. The saint, undeterred, begins his ascent, using a ladder to traverse the steep and treacherous terrain. As he ascends, the landscape transforms from a barren, rocky terrain to lush, verdant hills, signifying the spiritual growth and enlightenment that comes with the journey towards heaven. At the summit, the saint is greeted by angels and the saints Peter and Paul, symbolizing the reward of the faithful. On the reverse side, the descent into hell is depicted in equally intricate detail. The demon, now in control, leads the figure down a winding path towards the fiery depths of hell. The landscape is filled with grotesque figures and demonic creatures, representing the tortures and punishments that await the damned. This engraving, now housed at the Art Institute of Chicago, is a powerful reminder of the contrasting realms of heaven and hell, and the spiritual journey that lies between them. It is a testament to the artistic vision of Baccio Baldini and Antonio Bettini, and a valuable addition to the rich cultural heritage of Italian art.

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