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The Earl of Warwick submits to Queen Margaret, 1470 (1864). Artist: James William Edmund Doyle
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The Earl of Warwick submits to Queen Margaret, 1470 (1864). Artist: James William Edmund Doyle
The Earl of Warwick submits to Queen Margaret, 1864. Richard Neville, 16th Earl of Warwick, (1428-1471) submits to Queen Margaret and solicits a pardon on his knees before her, thus allowing the marriage of her son, Prince Edward, with his daughter Lady Anne Neville. From A Chronicle of England B.C. 55 - A.D. 1485 by James E. Doyle. [Longman, Green, Longman, Roberts & Green, London, 1864]
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Media ID 14990805
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Alliance Chronicle Of England Doyle Earl Earl Of Earl Of Warwick James Doyle James William Edmund James William Edmund Doyle Longman Longman Co Nevill Neville Pardon Richard Richard Nevill Richard Neville Roberts Green Submission Warwick Warwick The Kingmaker Aristocrat
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EDITORS COMMENTS
The Earl of Warwick humbly submits to Queen Margaret, seeking forgiveness and paving the way for a momentous alliance. In this print by James William Edmund Doyle, we are transported back to the year 1470, witnessing a pivotal scene from English history. Richard Neville, known as the 16th Earl of Warwick or 'Warwick the Kingmaker, ' kneels before Queen Margaret in an act of profound submission. His plea is driven by his desire to secure a pardon that would allow his daughter Lady Anne Neville to marry Prince Edward, son of Queen Margaret. The vibrant red hues surrounding them symbolize both passion and power. Within these walls, amidst an opulent interior setting, two influential figures negotiate their futures and shape the destiny of England. This image captures not only a significant historical event but also encapsulates themes such as loyalty, sacrifice, and political maneuvering. Doyle's meticulous engraving brings every detail to life - from the expressions on their faces to the intricate clothing they wear. Published in 1864 as part of 'A Chronicle of England B. C. 55 - A. D. 1485, ' this artwork serves as a visual testament to centuries past. As we gaze upon this print today, we are reminded of the complex tapestry that is human history; where alliances were forged through unexpected means and destinies intertwined against all odds.
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