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Cutting the Gladdon, 1886. Creator: Peter Henry Emerson

Cutting the Gladdon, 1886. Creator: Peter Henry Emerson


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Cutting the Gladdon, 1886. Creator: Peter Henry Emerson

Cutting the Gladdon, 1886. Plate: Plate XXXII

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Media ID 36356792

© Heritage Art/Heritage Images

1880s Agricultural Labourer Balance Balancing Cutting Dr Peter Henry Emerson East Anglia England East Anglian Emerson Dr Peter Henry Emerson Peter Henry Fens Freesia Iridaceae Iris Irises Labourer Marsh Marshes Marshland Peter Henry Emerson Platinum Print Rowboat Rowing Boat Tools Agricultural Worker Farm Hand Farm Labourer Farm Worker Farmhand Farmworker Gladdon


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> Arts > Contemporary art > Landscapes > Nature landscapes

> Arts > Contemporary art > Photography > Landscape photography

> Arts > Contemporary art > Photography > Nature-inspired artwork

> Arts > Landscape paintings > Landscape art > Nature-inspired artwork

> Arts > Landscape paintings > Rural countryside paintings > Country landscapes

> Arts > Landscape paintings > Rural countryside paintings > Landscape paintings

> Arts > Landscape paintings > Rural countryside paintings > Nature art

> Arts > Landscape paintings > Waterfall and river artworks > Landscape paintings

> Arts > Landscape paintings > Waterfall and river artworks > Nature-inspired paintings

> Arts > Still life artwork > Landscape paintings


EDITORS COMMENTS
Cutting the Gladdon," an evocative platinum print by English photographer Peter Henry Emerson, captures the essence of rural labor and the natural beauty of the English countryside in the late 19th century. Taken in East Anglia, England, the image depicts a solitary farmhand skillfully balancing on a narrow boat, expertly cutting irises from the marshland with a scythe. The Gladdon, a traditional flat-bottomed boat, glides effortlessly through the shallow waters of the fens, a vast expanse of marshland and wetlands. The man's intense focus and the delicate, ethereal quality of the irises in full bloom create a striking contrast between the raw power of nature and the gentle touch of human hands. Emerson, a pioneer of the British documentary style, captured this moment in Plate XXXII of his influential series, "East Anglian Studies." The photograph, with its rich tonality and exquisite detail, transports us back to a time when agriculture was a labor-intensive, seasonal endeavor, and the simple pleasures of rural life were deeply intertwined with the rhythms of nature. The image is a testament to the enduring allure of the countryside, and the resilient spirit of the men and women who worked the land. This rare and captivating photograph is now part of the collection at the Los Angeles County Museum of Art (LACMA), a testament to its historical significance and artistic merit. The image continues to inspire and captivate audiences, offering a glimpse into a bygone era and a reminder of the enduring connection between human labor and the natural world.

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