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Créüse consumée par la robe empoisonnée, between 1742 and 1743. Creator: Jean Francois de Troy
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Créüse consumée par la robe empoisonnée, between 1742 and 1743. Creator: Jean Francois de Troy
Creuse consumee par la robe empoisonnee, between 1742 and 1743. Creusa killed by the poisoned robe. Medea, having been repudiated by Jason, gave him a robe steeped in poison for his bride, Creusa of Corinth, daughter of King Creon. Creusa is consumed with fierce fire after putting on the robe which sticks to her
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Media ID 36259555
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Bridal Bride Brides Canvas Material De Troy Jean Baptiste Francois De Troy Jean Francois Detroy Detroy Jean Francois Dramatic Dying Envy Jason Jason And The Argonauts Jealousy Jean Baptiste Francois De Troy Jean François De Troy Jean Francois Detroy Poison Poisoned Poisonous Princess Suit Of Armour Troy Jean Baptiste Francois De Troy Jean Francois De Glauca Greek Mythology Paris Museums Petit Palais
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Creusa Consumed by the Poisoned Robe,
EDITORS COMMENTS
a captivating oil painting by Jean Francois de Troy, depicts a tragic scene from Greek mythology. The painting, created between 1742 and 1743, portrays the moment when Creusa, the daughter of King Creon of Corinth, is consumed by a fiery death after wearing a poisoned robe given to her by her former lover, Medea. Medea, jilted by Jason, sought her revenge by gifting the robe, which was steeped in a deadly poison. The painting captures the dramatic moment as the poison takes effect, the robe sticking to Creusa's skin, her body engulfed in flames. The canvas material is richly textured, the colors and hues of the painting vivid and intense, bringing the tragic scene to life. The painting is a testament to the 18th-century French artistic heritage and is now housed in one of Paris's esteemed museums, the Petit Palais. The painting's title, "Creusa Consumed by the Poisoned Robe," is a poignant reminder of the destructive power of jealousy and envy, themes that resonate even today. The painting's composition is masterful, with the figure of Creusa taking center stage, her expression one of shock and terror, surrounded by the ornate folds of her bridal gown and the intricate detail of the suit of armor in the background. The painting's historical and cultural significance is undeniable, making it a must-see for anyone interested in the art, mythology, or history of the 18th century. The painting's title in French is "Créüse Consommée par la Robe Empoisonnée," and it is also known as "Créüse" or "Créusa," and in Greek mythology, she is also known as Glauce. The painting is a powerful reminder of the destructive power of jealousy and the consequences of seeking revenge. It is a masterpiece of French art, a testament to the artistic talent of Jean Francois de Troy, and a valuable addition to the collections of the Petit Palais museum.
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