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Caricatures and deformities after Leonardo. Two distorted heads, 1645. Creator: Wenceslaus Hollar
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Caricatures and deformities after Leonardo. Two distorted heads, 1645. Creator: Wenceslaus Hollar
Caricatures and deformities after Leonardo. Two distorted heads, 1645. Depicts two deformed heads. The man on the left seems to be a caricature of Dante. He wears a cap with ear-flaps, a fold of which falls onto his right shoulder in three serrated ends. The woman on the right has her hair in a bag and has prominent neck muscles, and wears a decollete dress
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Media ID 38690265
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1640s Aligheri Dante Alighieri Dante Bohemian Cleavage Czech Czechoslovakia Czechoslovakian Da Vinci Leonardo Dante Dante Aligheri Dante Alighieri Deformed Deformity Distorted Distortion Face To Face Fool Grinning Hollar Wenceslaus Jester Jesters Hat Leonardo Da Vinci Leonardo De Vinci Leonardo Di Ser Piero Da Vinci Museum Of New Zealand Piero Da Vinci Leonardo Di Ser Position Te Papa Tongarewa Ugly Vaclav Hollar Vinci Leonardo Da Vinci Leonardo Di Ser Piero Da Wenceslas Hollar Wenceslaus Hollar Wenceslaushollar Wenceslaus hollar Wenzel Hollar Winceslaus Hollar
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EDITORS COMMENTS
**Caricatures and Deformities: A Distorted Reflection**
In this striking black-and-white etching, Czech artist Wenceslaus Hollar pays homage to Leonardo da Vinci's fascination with the human form. Two deformed heads stare back at us, their features exaggerated in a manner both humorous and unsettling.
The man on the left appears as a caricature of Dante Alighieri, his face contorted into an eerie grin beneath ear-flapped headgear that cascades down his shoulder like three serrated wings. His companion to the right sports a hairdo resembling a sack or bag, her prominent neck muscles giving her an otherworldly appearance.
Hollar's masterful etching and wash technique imbues these distorted visages with a sense of depth and dimensionality, drawing us in despite their grotesque nature. The artist's use of chiaroscuro adds to the dramatic effect, casting long shadows across the faces like dark tentacles reaching out from beyond the frame.
This piece is not only a testament to Hollar's skill as an engraver but also a reflection on humanity's enduring fascination with deformity and caricature. As we gaze upon these two deformed heads, we are forced to confront our own perceptions of beauty and normalcy - or rather, what lies beyond the boundaries of both.
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