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Caricatures and deformities after Leonardo. The old man with curly hair, c.1645. Creator: Wenceslaus Hollar
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Caricatures and deformities after Leonardo. The old man with curly hair, c.1645. Creator: Wenceslaus Hollar
Caricatures and deformities after Leonardo. The old man with curly hair, c.1645. A profile of an old man, facing left. He has a mane of curly hair, very prominent neck muscles (heightenedthe absence of drapery) and a hooked nose
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Media ID 38689139
© Heritage Art/Heritage Images
1640s Bohemian Chin Curly Hair Czech Czechoslovakia Czechoslovakian Da Vinci Leonardo Deformed Deformity Double Chin Elderly Man Hollar Wenceslaus Leonardo Da Vinci Leonardo De Vinci Leonardo Di Ser Piero Da Vinci Museum Of New Zealand Nose Old Man Old Men Piero Da Vinci Leonardo Di Ser Stubborn Te Papa Tongarewa Vaclav Hollar Vinci Leonardo Da Vinci Leonardo Di Ser Piero Da Wenceslas Hollar Wenceslaus Hollar Wenceslaushollar Wenceslaus hollar Wenzel Hollar Winceslaus Hollar
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EDITORS COMMENTS
**Unveiling the Unconventional: Caricatures and Deformities after Leonardo**
In this fascinating print, Czech artist Wenceslaus Hollar (1607-1677) pays homage to the masterful works of Leonardo da Vinci. The image depicts an elderly man with a distinctive mane of curly hair, prominent neck muscles, and a hooked nose - all characteristic features that would have been considered unconventional in 17th-century Europe.
Hollar's etching is not only a tribute to Da Vinci's style but also a commentary on the societal norms of his time. The old man's double chin and sturdy build are exaggerated for comedic effect, highlighting the absurdity of beauty standards that emphasized youthfulness and slender physiques.
This print showcases Hollar's skill in capturing the subtleties of human expression and form. His use of bold lines and shading creates a sense of depth and dimensionality, drawing the viewer into this whimsical world where caricatures meet deformities.
As part of Heritage Images' collection, this rare gem offers a unique glimpse into the artistic traditions of Europe during the Baroque era. It is an opportunity to appreciate not only Hollar's mastery but also Da Vinci's enduring influence on art and culture.
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