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Bodhisattva, between 960 and 1127. Creator: Unknown

Bodhisattva, between 960 and 1127. Creator: Unknown


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Bodhisattva, between 960 and 1127. Creator: Unknown

Bodhisattva, between 960 and 1127

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Media ID 36364206

© Heritage Art/Heritage Images

10th Century 11th Century Bodhisattva Bosatsu Buddha Buddhist Buddhists Eleventh Century Fotuo Hand Carved Handicraft Handicrafts Limestone Song Dynasty Tenth Century Typical


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> Arts > Sculpture

> Historic > Ancient artifacts and relics > Chinese antiquities

> Historic > Ancient artifacts and relics

> Historic > Ancient civilizations > Chinese Dynasties

> Historic > Chinese dynasties paintings

> Historic > Medieval architecture > Sculptures, reliefs, and carvings > Stone carvings

> North America > United States of America > Related Images


EDITORS COMMENTS
This exquisite Bodhisattva sculpture, dating between the 10th and 12th centuries, is a testament to the rich artistic heritage of ancient China during the Song Dynasty. The Bodhisattva, also known as a Bosatsu in Buddhist tradition, is depicted with a serene expression and graceful posture, his hands in the gesture of giving and receiving. Carved from a single piece of limestone, this handcrafted masterpiece showcases the intricate details and masterful craftsmanship of the time. The Bodhisattva's head is adorned with elaborate headdress and earrings, while his robes are delicately draped over his body, revealing the subtle folds and textures of the stone. The use of color and the subtle shading add depth and dimension to the sculpture, enhancing its beauty and spiritual significance. This rare and precious artifact, now on exhibit at the Los Angeles County Museum of Art (LACMA), offers a glimpse into the ancient culture and religious practices of China and the broader Asian continent. The Bodhisattva's timeless beauty and the intricacy of its carving continue to captivate and inspire visitors from around the world, serving as a reminder of the enduring influence of Buddhism on art and culture throughout history.

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