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Arhat, Japanese, late Kamakura period, 14th century, (1886)

Arhat, Japanese, late Kamakura period, 14th century, (1886)


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Arhat, Japanese, late Kamakura period, 14th century, (1886)

Arhat, Japanese, late Kamakura period, 14th century, (1886). In Buddhism, the term arhat can describe someone who has gained insight into the true nature of existence and has achieved nirvana, or someone far advanced along the path of Enlightenment, but who may not have reached full Buddhahood. 19th century reproduction of a painting on silk formerly attributed to Mincho, now attributed to a follower of Ryozen. Found in the collection of the British Museum, London. From The Pictorial Arts of Japan, [1886]

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Media ID 15464518

© The Print Collector / Heritage-Images

Anderson Arhat Buddhist Buddhists Enlightenment Kamakura Period Lion William Anderson


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> Arts > Artists > A > William Anderson

> Arts > Artists > J > Japanese School Japanese School

> Asia > Japan > Related Images

> Europe > United Kingdom > England > London > Art > Paintings

> Europe > United Kingdom > England > London > Museums > British Museum

> Europe > United Kingdom > England > London > Sights > British Museum


EDITORS COMMENTS
This 19th-century reproduction of a Japanese painting on silk showcases an Arhat, a significant figure in Buddhism during the late Kamakura period. The Arhat depicted here is believed to have gained profound insight into the true nature of existence and achieved nirvana, or enlightenment. While not yet reaching full Buddhahood, this individual is considered far advanced along the path of Enlightenment. The artwork, formerly attributed to Mincho but now credited to a follower of Ryozen, captures the essence of Japanese artistic school from the 14th century. Vibrant colors bring life to this image that can be found in the esteemed collection of London's British Museum. Intriguingly, this print portrays an angaja (a mythical creature resembling a lion) alongside the Arhat. This symbolizes strength and courage on one's spiritual journey towards enlightenment. William Anderson's publication "The Pictorial Arts of Japan" in 1886 introduced audiences to various masterpieces like this one. It serves as a testament to Japan's rich cultural heritage and its deep-rooted connection with Buddhism. As we admire this remarkable lithograph today, it allows us to appreciate not only its aesthetic beauty but also offers us a glimpse into ancient religious practices and beliefs that continue to shape Japanese society till date.

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