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Annunciation to the Virgin, 1660-1680. Creator: Bartolomé Esteban Murillo
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Annunciation to the Virgin, 1660-1680. Creator: Bartolomé Esteban Murillo
Annunciation to the Virgin, 1660-1680. Other Title(s): Annunciation to the Virgin
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Media ID 36317068
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1660s 1670s 1690s Announcement Announcing Bartolomé Esteban Murillo Bartolome Murillo Murillo Bartolome Murillo Bartolome Esteban The Annunciation To The Virgin Mary
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EDITORS COMMENTS
This stunning 17th century oil painting, titled "Annunciation to the Virgin" or "The Annunciation to the Virgin Mary," is a masterpiece by the renowned Spanish artist Bartolomé Esteban Murillo. Created between 1660 and 1680, this artwork is a prime example of the artist's exceptional talent and his unique interpretation of biblical stories. The scene depicts the moment when the angel Gabriel announces to the Virgin Mary that she will conceive and bear the Son of God, Jesus Christ. The painting showcases the serene and contemplative expression on Mary's face, as she listens intently to the angel's announcement. The angel, with his wings spread wide, gazes down at Mary with a gentle and reverent expression. The color palette of this painting is rich and warm, with the use of deep blues, warm yellows, and earthy browns creating a sense of depth and texture. The artist's skillful use of light and shadow adds to the painting's overall effect, drawing the viewer's attention to the central figures and creating a sense of intimacy and reverence. This painting is a testament to the artistic heritage of Europe, specifically the Low Countries, during the 17th century. It is a prime example of the allegorical and religious themes that were popular during this period, and is a reminder of the enduring influence of Christianity on art and culture. The "Annunciation to the Virgin" is currently housed in the Rijksmuseum in Amsterdam, Netherlands, and is a must-see for any art lover or history buff. It is a reminder of the power of art to transport us to another time and place, and to inspire wonder and awe.
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