Wolgemut Collection

Ordo templatorum from Liber Chronicarum, 1493. Creator: Wolgemut, Michael (1434-1519)
Ordo templatorum from Liber Chronicarum, 1493. Private Collection

Genealogia divi heinrici imperatoris. The family tree of Emperor Henry II... ca 1493
Genealogia divi heinrici imperatoris. The family tree of Emperor Henry II (from the Schedel's Chronicle of the World), ca 1493. Private Collection

Portrait of Michael Wolgemut (1434-1519), 1516. Creator: Dürer, Albrecht (1471-1528)
Portrait of Michael Wolgemut (1434-1519), 1516. Found in the Collection of the Germanisches Nationalmuseum, Nuremberg

De opere serte diei (from the Schedel's Chronicle of the World), ca 1493. Creator: Wolgemut, Michael (1434-1519)
De opere serte diei (from the Schedel's Chronicle of the World), ca 1493. Private Collection

De sanctificatione septime diei (from the Schedel's Chronicle of the World), ca 1493. Private Collection

The Dance of Death (1493) by Michael Wolgemut, from the Liber chronicarum by Hartmann Schedel. Coloured engraving

Der Schatzbehalter oder Schrein der waren reichtümer des heils unnd ewyger seligkeit
Der Schatzbehalter oder Schrein der waren reichtumer des heils unnd ewyger seligkeit, 1491. [King and queens at a banquet]

Templum Salomonie (from the Schedels Chronicle of the World), ca 1493. Creator: Wolgemut
Templum Salomonie (from the Schedels Chronicle of the World), ca 1493. Private Collection

Meeting between Pope Pius II and Frederick III, Emperor of Germany, ca 1493. Creator: Wolgemut
Meeting between Pope Pius II and Frederick III, Emperor of Germany (from the Schedels Chronicle of the World), ca 1493. Private Collection

Jerusalem (from the Schedels Chronicle of the World), ca 1493. Creator: Wolgemut
Jerusalem (from the Schedels Chronicle of the World), ca 1493. Private Collection

Pope Joan (from the Schedels Chronicle of the World), 1493. Private Collection

The Death of the Virgin, ca 1490-1510. Private Collection

View of Venice. From: Liber chronicarum by Hartmann Schedel, 1493. Found in the collection of Bayerische Staatsbibliothek, Munich

(from the Schedels Chronicle of the World). Found in the Collection of Kasteel Huis Bergh

Dance of Death (from the Schedels Chronicle of the World). Artist: Wolgemut, Michael (1434-1519)
Dance of Death (from the Schedels Chronicle of the World). Found in the collection of Universalmuseum Joanneum

The City of Treviso with a Carrack, 1493. The Nuremberg Chronicle is an illustrated biblical paraphrase and world history that follows the story of human history related in the Bible; it includes

Illustration to the book Schatzkammer, 1490-1491. Artist: Wolgemut, Michael (1434-1519)
Illustration to the book Schatzkammer, 1490-1491. From a private collection

Portrait of Levinus Memminger, ca 1485. Artist: Wolgemut, Michael (1434-1519)
Portrait of Levinus Memminger, ca 1485. Found in the collection of the Thyssen-Bornemisza Collections

Page from the book The Nuremberg Chronicle, by Hartmann Schedel, 1493. Artist: Michael Wolgemut
Page from the book The Nuremberg Chronicle, by Hartmann Schedel, 1493. Also known as Schedels World History, the book is an illustrated history of the world, first published in 1493

Michael Wolgemut, Formerly Spelt Wohlgemuth; 1434A

Attributed to Michael Wolgemut (German, 1434 - 1519), The Crucifixion with Saint Mary Magdalene, c. 1490, hand-colored woodcut

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"Wolgemut: A Master of Artistic Expression in the Late 15th Century" Michael Wolgemut, a renowned German artist of the late 15th century, left an indelible mark on the world of art with his captivating works. One such masterpiece is "The Dance of Death, " created in 1493 and featured in the Libe. This haunting depiction showcases Wolgemut's ability to convey profound emotions through his brushstrokes. Another notable creation by Wolgemut is "Der Schatzbehalter oder Schrein der waren reichtümer des heils unnd ewyger seligkeit. " This intricate piece captures the burning of Jews at Deggendorf in 1338, as chronicled in Schedels Chronicle of the World. Through this artwork, Wolgemut sheds light on historical events while evoking empathy and contemplation. In "Templum Salomonie, " also from Schedels Chronicle, we witness Wolgemut's attention to detail as he brings to life Solomon's Temple. The architectural precision and vibrant colors transport viewers back to ancient times, showcasing both his technical skill and imagination. Wolgemut's talent extended beyond historical scenes; he also captured significant meetings between influential figures like Pope Pius II and Frederick III, Emperor of Germany. His portrayal exudes dignity and power, highlighting his ability to capture human interactions with depth and realism. Jerusalem holds a special place among Wolgemut's creations. In another piece from Schedels Chronicle, he presents Jerusalem as a majestic city filled with grandeur and spirituality. The meticulousness employed here demonstrates his commitment to accurately representing places that held great significance during that era. "Pope Joan" stands out for its controversial subject matter—a female pope who allegedly reigned during medieval times—depicted by Wolgemut in 1493. This thought-provoking artwork challenges societal norms and showcases the artist's willingness to explore unconventional themes.