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Tunic Collection (#9)

In the midst of battle, General Ulysses S. Grant dons a tunic that symbolizes his unwavering dedication to his country during The American Civil War

Background imageTunic Collection: Sister in Piazza della Signoria in Florence

Sister in Piazza della Signoria in Florence Florence Piazza della Signoria. Date of Photograph:06/1935

Background imageTunic Collection: The Redeemer, processional banner for the Holy Angel, kept in the Museo Nazionale of San Matteo in

The Redeemer, processional banner for the Holy Angel, kept in the Museo Nazionale of San Matteo in Pisa Pisa Museum of San Matteo Standard Early Renaissance, Renaissance

Background imageTunic Collection: Cloister of the Convent of S. Francesco. Fiesole (Florence)

Cloister of the Convent of S. Francesco. Fiesole (Florence) Fiesole convento di San Francesco, chiostro. Date of Photograph:1900 ca

Background imageTunic Collection: Monument to Girolamo Savonarola in Piazza Savonarola in Florence

Monument to Girolamo Savonarola in Piazza Savonarola in Florence. Florence Piazza Savonarola, Florence Statue Romanticism, Nineteenth century, 19th century, Europe, First and Second Millennium A.D

Background imageTunic Collection: Statue of an adoring angel of the Florentine school with flowing folds

Statue of an adoring angel of the Florentine school with flowing folds, dressed in a rich collar with a decorative band. Florence Statue Gothic, Middle Ages, Europe, First and Second Millennium A.D

Background imageTunic Collection: View of the apsidal area and the bell tower of the Parish Church of S. Pietro at Gropina

View of the apsidal area and the bell tower of the Parish Church of S. Pietro at Gropina. Loro Ciuffenna Gropina Church Early Middle Ages, Europe, First and Second Millennium A.D

Background imageTunic Collection: Saint Benedetto, statuette in glazed terracotta preserved in Sansepolcro Cathedral

Saint Benedetto, statuette in glazed terracotta preserved in Sansepolcro Cathedral Sansepolcro Cathedral Statuette High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe

Background imageTunic Collection: Group of Carthusian monks, drawing water from a well, in the Large Cloister of the Carthusian

Group of Carthusian monks, drawing water from a well, in the Large Cloister of the Carthusian Monastery of Galluzzo Florence Galluzzo, Carthusian Monastery, great cloister. Date of Photograph:1890 ca

Background imageTunic Collection: Scardione di Padova: portrait by Cristoforo dal Legname, in the Archaeological Museum in

Scardione di Padova: portrait by Cristoforo dal Legname, in the Archaeological Museum in the Doge's Palace in Venice Venice Doge's Palace, Archaeological Museum Bust Renaissance

Background imageTunic Collection: A parish priest of San Gimignano: portrait by Cristoforo dal Legname

A parish priest of San Gimignano: portrait by Cristoforo dal Legname, in the Archaeological Museum in the Doge's Palace in Venice Venice Doge's Palace, Archaeological Museum Bust Renaissance

Background imageTunic Collection: St. Bernardino of Siena, by Vecchietta, in the Museo Nazionale del Bargello, Florence

St. Bernardino of Siena, by Vecchietta, in the Museo Nazionale del Bargello, Florence Florence Museo Nazionale del Bargello Statue Early Renaissance, Renaissance

Background imageTunic Collection: Tondo with the Apostle St. Simon, work by Luca dell Robbia, Cappella dei Pazzi, Santa Croce

Tondo with the Apostle St. Simon, work by Luca dell Robbia, Cappella dei Pazzi, Santa Croce, Florence. Florence Santa Croce, Cappella dei Pazzi Relief Renaissance

Background imageTunic Collection: Saint Lazarus with his Sisters Martha and Mary

Saint Lazarus with his Sisters Martha and Mary
Master of Perea. Saint Lazarus with his Sisters Martha and Mary. Valencian School, early 16th century. Lazaro Galdiano Museum. Madrid. Spain

Background imageTunic Collection: German soldier and his wife, wedding photo, WW1

German soldier and his wife, wedding photo, WW1 Date: 1914-1918

Background imageTunic Collection: Soldiers of Acostamientos. Culveriner and crossbowman

Soldiers of Acostamientos. Culveriner and crossbowman
Soldiers of Acostamientos. The Acostamiento was a salary granted by the king to his vassals under which they were obliged to serve him in war. Culveriner (left). Crossbowman (right). Engraving

Background imageTunic Collection: God Pluto. Roman sculpture, 2nd century AD

God Pluto. Roman sculpture, 2nd century AD
Sculpture of God Pluto. 2nd century AD. Marble. From the Roman Theatre of Merida (Emerita Augusta), Spain. National Museum of Roman Art. Merida, Badajoz province, Extremadura, Spain. Date: 2014

Background imageTunic Collection: Caricature illustration, The Starting Price by Rene Vincent. Showing fashionable woman in tunic

Caricature illustration, The Starting Price by Rene Vincent. Showing fashionable woman in tunic and scarf, with blushing gentleman standing behind her

Background imageTunic Collection: A towelling tunic for the beach, complete with a pattern to make it oneself. Date: 1954

A towelling tunic for the beach, complete with a pattern to make it oneself. Date: 1954

Background imageTunic Collection: Greek art. Grave relief of Mnesarete. About 380 BC. Glyptoth

Greek art. Grave relief of Mnesarete. About 380 BC. Glyptoth
Greek art. Grave relief of Mnesarete. About 380 BC. The dead woman is seated in front of a sorrowing girl. The name is recorded on the pediment Mnesarete (daughter) of Socrates. Glyptothek. Munich

Background imageTunic Collection: Greek Art. Gravestone. Attica. 400-350 BC. Greece

Greek Art. Gravestone. Attica. 400-350 BC. Greece
Greek Art. Gravestone. Relief crowned by palmette ornament. The dead girl, Sosilla, daughter of Straton from Kollytos in Attica, takes leave of Chaireas from Kedoi in Attica. 400-350 BC. Greece

Background imageTunic Collection: Tunic dress by Redfern with a draped tango skirt with a train

Tunic dress by Redfern with a draped tango skirt with a train, a jade green fur trimmed tunic & skullcap. A long tassel descends from the back of the dress. Date: 1914

Background imageTunic Collection: Dress, 1879-80 (silk, cotton and wool)

Dress, 1879-80 (silk, cotton and wool)
2959446 Dress, 1879-80 (silk, cotton and wool) by English School, (19th century); Manchester Art Gallery, UK; (add.info.: Annotated in Cunnington lists as Worn by Madame Canziani)

Background imageTunic Collection: The shelter on the Longchamps Race Course, 1868. Woman in tunic over a white crinoline

The shelter on the Longchamps Race Course, 1868. Woman in tunic over a white crinoline
5913098 The shelter on the Longchamps Race Course, 1868. Woman in tunic over a white crinoline, and woman in pink crinoline dress with train. The Hippodrome de Longchamp racetrack opened in 1857

Background imageTunic Collection: Female statue with Chiton (marble)

Female statue with Chiton (marble)
2562012 Female statue with Chiton (marble) by Roman; Musei Capitolini, Rome, Italy; (add.info.: M.C. inv.1122 Parian marble)

Background imageTunic Collection: Story of Gideon, late 16th century (silk and wool)

Story of Gideon, late 16th century (silk and wool)
CUL4904828 Story of Gideon, late 16th century (silk and wool) by Heemskerck, Maerten van (1498-1574); 371x403 cm; Museo Diocesano, Albarracin, Teruel

Background imageTunic Collection: General Viktor Dankl von Krasnik, c. 1916 (oil on canvas)

General Viktor Dankl von Krasnik, c. 1916 (oil on canvas)
XOT366523 General Viktor Dankl von Krasnik, c.1916 (oil on canvas) by Nedomansky Studio, Vienna (fl.1914-18); Museo della Guerra di Rovereto, Trento

Background imageTunic Collection: General Franz Graf Conrad von Hotzendorf, c. 1916 (oil on canvas)

General Franz Graf Conrad von Hotzendorf, c. 1916 (oil on canvas)
XOT366519 General Franz Graf Conrad von Hotzendorf, c.1916 (oil on canvas) by Nedomansky Studio, Vienna (fl.1914-18); Museo della Guerra di Rovereto, Trento

Background imageTunic Collection: Prince Leopold of Bavaria, c. 1916 (oil on canvas)

Prince Leopold of Bavaria, c. 1916 (oil on canvas)
XOT366522 Prince Leopold of Bavaria, c.1916 (oil on canvas) by Nedomansky Studio, Vienna (fl.1914-18); Museo della Guerra di Rovereto, Trento

Background imageTunic Collection: Grand Vizier Said Halim Pasha, c. 1916 (oil on canvas)

Grand Vizier Said Halim Pasha, c. 1916 (oil on canvas)
XOT366529 Grand Vizier Said Halim Pasha, c.1916 (oil on canvas) by Nedomansky Studio, Vienna (fl.1914-18); Museo della Guerra di Rovereto, Trento

Background imageTunic Collection: General Josias von Heeringen, c. 1916 (oil on canvas)

General Josias von Heeringen, c. 1916 (oil on canvas)
XOT366521 General Josias von Heeringen, c.1916 (oil on canvas) by Nedomansky Studio, Vienna (fl.1914-18); Museo della Guerra di Rovereto, Trento

Background imageTunic Collection: Aelfgyva with a priest, Bayeux Tapestry (wool embroidery on linen)

Aelfgyva with a priest, Bayeux Tapestry (wool embroidery on linen)
XIR183118 Aelfgyva with a priest, Bayeux Tapestry (wool embroidery on linen) by English School, (11th century); Musee de la Tapisserie, Bayeux

Background imageTunic Collection: General Archduke Franz Salvator of Austria, c. 1916 (oil on canvas)

General Archduke Franz Salvator of Austria, c. 1916 (oil on canvas)
XOT366524 General Archduke Franz Salvator of Austria, c.1916 (oil on canvas) by Nedomansky Studio, Vienna (fl.1914-18); Museo della Guerra di Rovereto, Trento

Background imageTunic Collection: Harold addresses William in the Great Hall of his castle in Rouen

Harold addresses William in the Great Hall of his castle in Rouen, Bayeux Tapestry (wool embroidery on linen)
XIR183117 Harold addresses William in the Great Hall of his castle in Rouen, Bayeux Tapestry (wool embroidery on linen) by English School, (11th century); Musee de la Tapisserie, Bayeux

Background imageTunic Collection: Archduke Joseph August of Austria, c. 1916 (oil on canvas)

Archduke Joseph August of Austria, c. 1916 (oil on canvas)
XOT366528 Archduke Joseph August of Austria, c.1916 (oil on canvas) by Nedomansky Studio, Vienna (fl.1914-18); Museo della Guerra di Rovereto, Trento

Background imageTunic Collection: General Helmuth von Moltke the Younger, c. 1916 (oil on canvas)

General Helmuth von Moltke the Younger, c. 1916 (oil on canvas)
XOT366526 General Helmuth von Moltke the Younger, c.1916 (oil on canvas) by Nedomansky Studio, Vienna (fl.1914-18); Museo della Guerra di Rovereto, Trento

Background imageTunic Collection: General Erich von Falkenhayn, c. 1916 (oil on canvas)

General Erich von Falkenhayn, c. 1916 (oil on canvas)
XOT366527 General Erich von Falkenhayn, c.1916 (oil on canvas) by Nedomansky Studio, Vienna (fl.1914-18); Museo della Guerra di Rovereto, Trento

Background imageTunic Collection: Duke William's envoys come to Count Guy de Ponthieu, Bayeux Tapestry (wool embroidery on linen)

Duke William's envoys come to Count Guy de Ponthieu, Bayeux Tapestry (wool embroidery on linen)
XIR183108 Duke William's envoys come to Count Guy de Ponthieu, Bayeux Tapestry (wool embroidery on linen) by English School, (11th century); Musee de la Tapisserie, Bayeux

Background imageTunic Collection: Hannibal Crossing the Mighty Alps, illustration from Newnes Pictorial Book of Knowledge

Hannibal Crossing the Mighty Alps, illustration from Newnes Pictorial Book of Knowledge (colour litho)
IL281072 Hannibal Crossing the Mighty Alps, illustration from Newnes Pictorial Book of Knowledge (colour litho) by Tennant, C

Background imageTunic Collection: Ecce Homo. 1st half 16th century (oil on wood)

Ecce Homo. 1st half 16th century (oil on wood)
CUL4934205 Ecce Homo. 1st half 16th century (oil on wood) by Mostaert, Jan (c.1475-c.1555); (add.info.: By MOSTAERT, Jan (1470-1556) Dutch school Burgos. Provincial Archaeological Museum); AIC

Background imageTunic Collection: Intaglio set in a gold ring depicting young male figure, 2nd century BC (gold & sard)

Intaglio set in a gold ring depicting young male figure, 2nd century BC (gold & sard)
FIT282731 Intaglio set in a gold ring depicting young male figure, 2nd century BC (gold & sard) by Roman; 26.5x1.8 cm; Fitzwilliam Museum, University of Cambridge

Background imageTunic Collection: John I, Duke of Brabant (oil on panel)

John I, Duke of Brabant (oil on panel)
471416 John I, Duke of Brabant (oil on panel) by Leys, Jan August Hendrik, Baron (1815-69); 107.1x35.8 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; (add.info.: John I of Brabant)

Background imageTunic Collection: Story of Cyrus II The Great, c. 1590 (tapestry)

Story of Cyrus II The Great, c. 1590 (tapestry)
CUL4906245 Story of Cyrus II The Great, c.1590 (tapestry) by Belgian School, (16th century); (add.info.: Story of Cyrus: Astyages recognizes Cyrus. ca. 1590. (343 x 316 cm)

Background imageTunic Collection: From the Tierra Caliente. ; A Ride Round the Valley of Mexico, 1875. Creator: Unknown

From the Tierra Caliente. ; A Ride Round the Valley of Mexico, 1875. Creator: Unknown
From the " Tierra Caliente." ; A Ride Round the Valley of Mexico, 1875. [An indigenous man carrying plant material]. From, Illustrated Travels by H.W. Bates

Background imageTunic Collection: Fragment (Possibly From a Tunic), Peru, 600 / 1532 A. D. Creator: Unknown

Fragment (Possibly From a Tunic), Peru, 600 / 1532 A. D. Creator: Unknown
Fragment (Possibly From a Tunic), Peru, 600/1532 A.D. Detail from a larger artwork

Background imageTunic Collection: St. Abdon and St. Sennen, martyrs who died in Rome, c. 303 through the persecution of Emperor

St. Abdon and St. Sennen, martyrs who died in Rome, c. 303 through the persecution of Emperor Diocletian
IND54423 St. Abdon and St. Sennen, martyrs who died in Rome, c.303 through the persecution of Emperor Diocletian (central panel of an altarpiece) c.1459/60 by Huguet

Background imageTunic Collection: Venetian man killing his wife, 16th century

Venetian man killing his wife, 16th century
5855270 Venetian man killing his wife, 16th century by Lechevallier-Chevignard, Edmond (1825-1902); (add.info.: Venetian man killing his wife, 16th century, from a fresco by Titian)

Background imageTunic Collection: Down from the heights of the air fell Perseus, illustration for How Perseus came to Ethiopia

Down from the heights of the air fell Perseus, illustration for How Perseus came to Ethiopia
IL193704 Down from the heights of the air fell Perseus, illustration for How Perseus came to Ethiopia, from The Heroes of Greek Fairy Tales, by Charles Kingsley (1819-75) (colour litho) by Davie

Background imageTunic Collection: Ancient Celtic warriors on a foray encounter a couple out hunting, c. 1800-18 (coloured engraving)

Ancient Celtic warriors on a foray encounter a couple out hunting, c. 1800-18 (coloured engraving)
468772 Ancient Celtic warriors on a foray encounter a couple out hunting, c.1800-18 (coloured engraving) by Italian School, (19th century); Private Collection; (add.info.: The topknot hairstyle)



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In the midst of battle, General Ulysses S. Grant dons a tunic that symbolizes his unwavering dedication to his country during The American Civil War. A vintage painting captures the regal essence of Frederick the Great of Prussia, adorned in an intricately designed tunic that reflects his powerful reign. Field Marshal Lord Roberts stands tall and proud in South Africa, clad in a commanding tunic that signifies his role as Commander in Chief of the forces. Amidst a festive atmosphere, a jester carries a wassail bowl while sporting a vibrant tunic that mirrors the joyous occasion. On Social/Cup Day at Ascot, fashion enthusiasts flaunt their stylish tunics as they revel in the excitement surrounding horse racing and social gatherings. A majestic shell fountain becomes even more enchanting when adorned with individuals dressed in elaborate costumes featuring ornate tunics. Ballet dancers gracefully move across the stage, their fluid movements accentuated by their elegant tunics which add an element of beauty to their performance. A bathing belle strolls along the pier wearing a fashionable tunic that exudes confidence and charm against the backdrop of crashing waves and salty air. In Northern Scandinavia, a young girl embraces her cultural heritage by wearing a traditional tunic passed down through generations - showcasing her pride for her ancestry. John Francis, chief of Passamaquoddy I tribe among American Indians proudly wears an intricately decorated tunic representing his leadership within his community. Men dressed as Chevalier 13 parade through streets donning striking tunics embellished with symbols reflecting bravery and chivalry from centuries past. In China's rich history, mandarins wore colorful tunics denoting rank and status - showcasing both authority and cultural significance within Chinese society.