Theatre Play Collection (#9)

The Winters Tale
LLM454976 The Winters Tale by Gilbert, John (1817-97); Private Collection; (add.info.: The Winters Tale. Illustration for Tales from Shakespeare by Charles Lamb (George Routledge)

Alls Well that Ends Well
LLM455205 Alls Well that Ends Well by Gilbert, John (1817-97); Private Collection; (add.info.: Alls Well That Ends Well. Illustration from The Library Shakespeare (William Mackenzie)

Hermione (litho)
2794941 Hermione (litho) by Copping, Harold (1863-1932); Private Collection; (add.info.: Hermione. Illustration for Tales from Shakespeare by Mary)

"Sleep, then, "said the Queen, "And I will wind you in my arms, oh, how I love you! how I dote upon you
2794920 " Sleep, then, " said the Queen, " And I will wind you in my arms, oh, how I love you! how I dote upon you

Helena on her knees now owned her love, and with shame and terror implored the pardon of her noble mistress (litho)
2794927 Helena on her knees now owned her love, and with shame and terror implored the pardon of her noble mistress (litho) by Copping

"I dare not say, my Lord, I take you"(litho)
2794843 " I dare not say, my Lord, I take you" (litho) by Rhead, Louis John (1857-1926); Private Collection; (add.info.: " I dare not say, my Lord)

The Comedy of Errors, Act V, Sc I (litho)
6022065 The Comedy of Errors, Act V, Sc I (litho) by Sullivan, Edmund Joseph (1869-1933); Private Collection; (add.info.: The Comedy of Errors, Act V, Sc I. Antipholus S)

The Trial Scene in "A Winters Tale, "at the Alexandra Theatre, Liverpool (engraving)
1616084 The Trial Scene in " A Winters Tale, " at the Alexandra Theatre, Liverpool (engraving) by English School

Miss Mary Anderson as Hermione in "A Winters Tale"(engraving)
1591386 Miss Mary Anderson as Hermione in " A Winters Tale" (engraving) by English School, (19th century); Private Collection; (add.info)

Loves Labours Lost (engraving)
1608828 Loves Labours Lost (engraving) by Pickersgill, Frederick Richard (1820-1900); Private Collection; (add.info.: Loves Labours Lost. Illustration for The Illustrated London News, 24 May 1856)

The Statue Scene from "The Winters Tale, "at the Princess Theatre (engraving)
1608787 The Statue Scene from " The Winters Tale, " at the Princess Theatre (engraving) by English School, (19th century); Private Collection; (add.info)

Shakespeare, Midsummer Nights Dream, Act IV, Scene 1 (chromolitho)
5213839 Shakespeare, Midsummer Nights Dream, Act IV, Scene 1 (chromolitho) by English School, (19th century); Private Collection; (add.info.: Midsummer Nights Dream, Act IV, Scene 1)

Launces Lecture to his Dog, Two Gentlemen of Verona (engraving)
5198153 Launces Lecture to his Dog, Two Gentlemen of Verona (engraving) by Dicksee, Thomas Francis (1819-95) (after); Private Collection; (add.info.: Launces Lecture to his Dog)

William Shakespeare, Alls Well That Ends Well (colour litho)
5219133 William Shakespeare, Alls Well That Ends Well (colour litho) by Scheiner, Artus (1863-1938); Private Collection; (add.info.: Alls Well That Ends Well)

William Shakespeare, The Comedy Of Errors (colour litho)
5219132 William Shakespeare, The Comedy Of Errors (colour litho) by Scheiner, Artus (1863-1938); Private Collection; (add.info.: The Comedy Of Errors)

William Shakespeare, The Winters Tale (colour litho)
5219113 William Shakespeare, The Winters Tale (colour litho) by Scheiner, Artus (1863-1938); Private Collection; (add.info.: The Winters Tale)

A Midummer Nights Dream. "Off"the stage at Drury Lane (colour litho)
3622467 A Midummer Nights Dream. " Off" the stage at Drury Lane (colour litho) by Maxwell, Donald (1877-1936) (after); Private Collection; (add.info.: A Midummer Nights Dream)

Illustration for The Winters Tale (chromolitho)
3642348 Illustration for The Winters Tale (chromolitho) by Andre, Richard (1834-1907); Private Collection; (add.info.: Illustration for The Winters Tale)

King Leontes accuses Queen Hermione of infidelity (chromolitho)
735949 King Leontes accuses Queen Hermione of infidelity (chromolitho) by European School, (19th century); Private Collection; (add.info.: King Leontes accuses Queen Hermione of infidelity)

King Leontes, Queen Hermione and King Polyxenes (chromolitho)
735948 King Leontes, Queen Hermione and King Polyxenes (chromolitho) by European School, (19th century); Private Collection; (add.info.: King Leontes, Queen Hermione and King Polyxenes)

Puck (litho)
2794946 Puck (litho) by Copping, Harold (1863-1932); Private Collection; (add.info.: Puck. Illustration for Tales from Shakespeare by Mary and Charles Lamb with introductions by F J Furnivall)

This poor deserted baby was found by a shepherd (litho)
2794930 This poor deserted baby was found by a shepherd (litho) by Copping, Harold (1863-1932); Private Collection; (add.info.: This poor deserted baby was found by a shepherd)

"How comes it now, my husband, "said she, "O how comes it that I have lost your love?"(litho)
2794919 " How comes it now, my husband, " said she, " O how comes it that I have lost your love?" (litho) by Copping

The picturesque evocation of the glories of the House of Savoy in the Turin Carousel (colour litho)
2777857 The picturesque evocation of the glories of the House of Savoy in the Turin Carousel (colour litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info)

Titania, A Midsummer Nights Dream (chromolitho)
729908 Titania, A Midsummer Nights Dream (chromolitho) by English School, (19th century); Private Collection; (add.info.: Titania, A Midsummer Nights Dream. From a Shakespeare card game)

Autolycus, the Winters Tale (engraving)
727458 Autolycus, the Winters Tale (engraving) by Leslie, Charles Robert (1794-1859) (after); Private Collection; (add.info.: Autolycus, the Winters Tale)

Illustration for Loves Labours Lost (engraving)
725320 Illustration for Loves Labours Lost (engraving) by Ralston, J.M.L. (19th century); Private Collection; (add.info.: Illustration for Loves Labours Lost)

Oberon and Titania, Midsummer Nights Dream, Act II, Scene III (engraving)
727160 Oberon and Titania, Midsummer Nights Dream, Act II, Scene III (engraving) by English School, (19th century); Private Collection; (add.info.: Oberon and Titania, Midsummer Nights Dream, Act II)

Florizel and Perdita, Winters Tale, Act IV, Scene III (engraving)
727154 Florizel and Perdita, Winters Tale, Act IV, Scene III (engraving) by Watson, James Dawson (1832-92); Private Collection; (add.info.: Florizel and Perdita, Winters Tale, Act IV, Scene III)

The Winters Tale (colour litho)
726759 The Winters Tale (colour litho) by German School, (19th century); Private Collection; (add.info.: Scene from the play The Winters Tale, by William Shakespeare.); © Look and Learn

Christopher Sly, Taming of the Shrew, c. 1880 (engraving)
702467 Christopher Sly, Taming of the Shrew, c.1880 (engraving) by Orchardson, William Quiller (1832-1910); Private Collection; (add.info)

Marseilles (engraving)
3649995 Marseilles (engraving) by English School, (18th century); Private Collection; (add.info.: Marseilles. Alls Well, That Ends Well. From an ancient French print)

"Alas, how fiery, and how sharp he looks!"Comedy of Errors, Act IV, Scene 4 (colour litho)
969860 " Alas, how fiery, and how sharp he looks!" Comedy of Errors, Act IV, Scene 4 (colour litho) by English School, (19th century); Private Collection; (add.info.: " Alas)

"But this exceeding posting, day and night, must wear your spirits low"Alls Well that Ends Well, Act V
969856 " But this exceeding posting, day and night, must wear your spirits low" Alls Well that Ends Well, Act V, Scene 1 (colour litho) by English School

Two Gentlemen of Verona, Act IV, Scene ii (etching)
969182 Two Gentlemen of Verona, Act IV, Scene ii (etching) by Meadows, Joseph Kenny (1770-1874) (after); Private Collection; (add.info.: Two Gentlemen of Verona, Act IV, Scene ii)

Alls Well That Ends Well, Act IV, scene ii (engraving)
971647 Alls Well That Ends Well, Act IV, scene ii (engraving) by Meadows, Joseph Kenny (1770-1874) (after); Private Collection; (add.info.: Alls Well That Ends Well, Act IV, scene ii)

Mrs Ternan and Mr Lewis Ball as the Countess Rousillon and her clown, Alls Well That Ends Well, Act I
971646 Mrs Ternan and Mr Lewis Ball as the Countess Rousillon and her clown, Alls Well That Ends Well, Act I, scene iii (engraving) by English School

Alls Well That Ends Well, Act II, scene i (engraving)
971645 Alls Well That Ends Well, Act II, scene i (engraving) by Meadows, Joseph Kenny (1770-1874) (after); Private Collection; (add.info.: Alls Well That Ends Well, Act II, scene i)

Comedy of Errors, Act III, scene ii (engraving)
971628 Comedy of Errors, Act III, scene ii (engraving) by Meadows, Joseph Kenny (1770-1874) (after); Private Collection; (add.info.: Comedy of Errors, Act III, scene ii)

The "Comedy of Errors"by the Elizabethan Stage Society at Grays Inn (litho)
1056824 The " Comedy of Errors" by the Elizabethan Stage Society at Grays Inn (litho) by Macquoid, Percy (1852-1925); Private Collection; (add.info)

Loves Labours Lost (engraving)
664685 Loves Labours Lost (engraving) by English School, (19th century); Private Collection; (add.info.: Loves Labours Lost. Illustration for The Library Shakespeare (William Mackenzie, c 1890)

Pale Primroses (gravure)
667667 Pale Primroses (gravure) by Parsons, Alfred (1847-1920); Private Collection; (add.info.: Pale Primroses. Illustration for A Tribute to the Genius of William Shakespeare (Macmillan, 1916)

Alls Well that Ends Well (engraving)
671457 Alls Well that Ends Well (engraving) by Selous, Henry Courtney (1811-90) (after); Private Collection; (add.info.: Alls Well that Ends Well)

Alls Well That Ends Well. Act I, Scene III (gravure)
671963 Alls Well That Ends Well. Act I, Scene III (gravure) by Darley, Felix Octavius Carr (1822-88) (after); Private Collection; (add.info.: Alls Well That Ends Well. Act I, Scene III)

Comedy of Errors. Act I, Scene II (gravure)
671941 Comedy of Errors. Act I, Scene II (gravure) by Darley, Felix Octavius Carr (1822-88) (after); Private Collection; (add.info.: Comedy of Errors. Act I, Scene II)

Miss Mary Anderson as Hermione (gravure)
671571 Miss Mary Anderson as Hermione (gravure) by English Photographer, (19th century); Private Collection; (add.info.: Miss Mary Anderson as Hermione)

Illustration for Shakespeares Alls Well That Ends Well (engraving)
5198797 Illustration for Shakespeares Alls Well That Ends Well (engraving) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825) (after); Private Collection; (add.info)

The Two Gentlemen of Verona, Act V, Sc 4 (litho)
6022061 The Two Gentlemen of Verona, Act V, Sc 4 (litho) by Sullivan, Edmund Joseph (1869-1933); Private Collection; (add.info.: The Two Gentlemen of Verona, Act V, Sc 4. Julia)

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"Theatre Play: A Journey Through Time and Artistic Expression" Step into the world of theatre, where imagination knows no bounds. From the vibrant colors of Renoir's "La Loge (The Theatre Box)" to the enchanting melodies of "Sheet Music for Garden of my Dreams Ziegfeld Follies, " every aspect captivates our senses. Shakespearean classics come alive on stage, as depicted in lithographs such as "Much Ado About Nothing" and "Titania and the Clown. " The brushstrokes of oil paintings like "The Merchant of Venice" transport us to a bygone era, evoking emotions that only live performances can elicit. Discover the mesmerizing beauty behind traditional Japanese theater with woodblock prints like "Perdita, The Winters Tale" and "The Actor Nakamura Nakazo I as Kakogawa Honzo in Komuso Attire in the Play Kanadehon Chushingura. " These intricate artworks showcase both skillful craftsmanship and rich cultural heritage. Delve deeper into theatrical artistry with captivating portrayals such as "The Actor Segawa Kikunojo III as the Spirit of Joro-gumo" and "The actors Ichikawa Danjuro V as a skeleton, spirit of the renegade monk Seigen. " These prints remind us that acting is not just about donning costumes but also embodying characters with passion and dedication. As we explore further, we encounter masterpieces like "The Genius of Shakespeare, " paying homage to one of history's greatest playwrights. Additionally, etchings such as "The Tragic Actor (Rouviere in the role of Hamlet)" reveal profound emotions conveyed through facial expressions alone. Finally, we are transported to Japan once again through a captivating woodcut titled "Hagoromo. " This artwork encapsulates gracefulness intertwined with folklore-inspired storytelling—a testament to how theatre transcends borders. In this collection of art, we witness the magic that unfolds on stage.