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The 19th Century Collection (#5)

"The 19th Century: A Tapestry of Art, Innovation, and Historical Reflections" Step into the enchanting world of the 19th century

Background imageThe 19th Century Collection: Portrait of the poet Aleardo Aleardi, c. 1850 (oil painting on canvas)

Portrait of the poet Aleardo Aleardi, c. 1850 (oil painting on canvas)
6200542 Portrait of the poet Aleardo Aleardi, c.1850 (oil painting on canvas) by Induno, Domenico (1815-78); Private Collection; (add.info.: Domenico Induno)

Background imageThe 19th Century Collection: Gale in the Gulf of Naples at moonlight, 1822 (oil on canvas)

Gale in the Gulf of Naples at moonlight, 1822 (oil on canvas)
6200540 Gale in the Gulf of Naples at moonlight, 1822 (oil on canvas) by Rebell, Joseph (1787-1828); Galleria Nazionale, Palazzo della Pilotta, Parma, Emilia-Romagna

Background imageThe 19th Century Collection: Moon rising over the sea (oil on canvas)

Moon rising over the sea (oil on canvas)
6200534 Moon rising over the sea (oil on canvas) by Friedrich, Caspar David (1774-1840); State Hermitage Museum, St. Petersburg, Russia; (add.info.: Caspar David Friedrich)

Background imageThe 19th Century Collection: Portrait of the painter Giuseppe Canella in his studio in Milan, 1837 (oil on canvas)

Portrait of the painter Giuseppe Canella in his studio in Milan, 1837 (oil on canvas)
6200527 Portrait of the painter Giuseppe Canella in his studio in Milan, 1837 (oil on canvas) by Canella, Carlo (b.1800); Galleria d Arte Moderna, Villa Reale, Milan

Background imageThe 19th Century Collection: The painters studio in Parma, 1812 (w / c and China watercoloured ink)

The painters studio in Parma, 1812 (w / c and China watercoloured ink)
6200526 The painters studio in Parma, 1812 (w/c and China watercoloured ink) by Gubernatis, Giovanni Battista (1774-1837); Galleria Civica d Arte Moderna di Torino, Turin

Background imageThe 19th Century Collection: Faith in God, 1835 (marble)

Faith in God, 1835 (marble)
6200525 Faith in God, 1835 (marble) by Bartolini, Lorenzo (1777-1850); Museo Poldi Pezzoli, Milan, Italy; (add.info.: Lorenzo Bartolini: " Fiducia in Dio", scultura in marmo)

Background imageThe 19th Century Collection: Preparatory Drawing (pencil on paper)

Preparatory Drawing (pencil on paper)
6336376 Preparatory Drawing (pencil on paper) by Mentessi, Giuseppe (1857-1931); Assicoop-Unipol Collection, Modena, Emilia Romagna, Italy; (add.info.: Giuseppe Mentessi (Ferrara)

Background imageThe 19th Century Collection: Bust of Carlo Pisa Faloppia, Modena teacher, 1855 (scagliola)

Bust of Carlo Pisa Faloppia, Modena teacher, 1855 (scagliola)
6336339 Bust of Carlo Pisa Faloppia, Modena teacher, 1855 (scagliola) by Cavazza, Alessandro (1824-73); 75 cm; Assicoop-Unipol Collection, Modena, Emilia Romagna

Background imageThe 19th Century Collection: Houses and a bridge in Chioggia (oil painting on canvas)

Houses and a bridge in Chioggia (oil painting on canvas)
6283606 Houses and a bridge in Chioggia (oil painting on canvas) by Martelli, Ugo (1881-1921); 60x60 cm; Assicoop-Unipol Collection, Modena, Emilia Romagna

Background imageThe 19th Century Collection: Psyche Fainted, Model, before 1838 (marble)

Psyche Fainted, Model, before 1838 (marble)
6200641 Psyche Fainted, Model, before 1838 (marble) by Tenerani, Pietro (1789-1869); State Hermitage Museum, St. Petersburg, Russia; (add.info.: Pietro Tenerani: " Psiche svenuta", modello)

Background imageThe 19th Century Collection: Psyche Abandoned, Model, 1816 (marble)

Psyche Abandoned, Model, 1816 (marble)
6200640 Psyche Abandoned, Model, 1816 (marble) by Tenerani, Pietro (1789-1869); Private Collection; (add.info.: Pietro Tenerani: " Psiche abbandonata", modello, scultura in marmo)

Background imageThe 19th Century Collection: Spartacus, 1850 (marble)

Spartacus, 1850 (marble)
6200639 Spartacus, 1850 (marble) by Vela, Vincenzo (1820-91); MASI (Museo d arte della Svizzera italiana, Lugano, Switzerland; (add.info.: Vincenzo Vela: " Spartaco", scultura in marmo)

Background imageThe 19th Century Collection: Giorgio Cornaro, sent to Cyprus by the Republic of Venice, informs Queen Caterina Cornaro

Giorgio Cornaro, sent to Cyprus by the Republic of Venice, informs Queen Caterina Cornaro, one of his relatives
6200632 Giorgio Cornaro, sent to Cyprus by the Republic of Venice, informs Queen Caterina Cornaro, one of his relatives, that she is no longer owner of her reign as the Lion standard is waving

Background imageThe 19th Century Collection: As Leaves fall, 1858 (oil on canvas)

As Leaves fall, 1858 (oil on canvas)
6200628 As Leaves fall, 1858 (oil on canvas) by Induno, Domenico (1815-78); Palazzo Reale, Milan, Italy; (add.info.: Domenico Induno: " Al cader delle foglie", olio su tela)

Background imageThe 19th Century Collection: Young Fishermen, 1855 (oil on canvas)

Young Fishermen, 1855 (oil on canvas)
6200625 Young Fishermen, 1855 (oil on canvas) by Induno, Domenico (1815-78); Private Collection; (add.info.: Domenico Induno: " Giovani pescatori", olio su tela, 1855.); Ghigo Roli

Background imageThe 19th Century Collection: The tuna fish mattanza in Solanto at the presence of the royal family, 1819 (oil on canvas)

The tuna fish mattanza in Solanto at the presence of the royal family, 1819 (oil on canvas)
6200622 The tuna fish mattanza in Solanto at the presence of the royal family, 1819 (oil on canvas) by Albertis, Paolo de (1770-1844); Museo Nazionale di San Martino & Certosa, Naples, Campania

Background imageThe 19th Century Collection: Sad Vision, 1899 (mixed media)

Sad Vision, 1899 (mixed media)
5894159 Sad Vision, 1899 (mixed media) by Mentessi, Giuseppe (1857-1931); Assicoop-Unipol Collection, Modena, Emilia Romagna

Background imageThe 19th Century Collection: The Pearl Necklace (oil on canvas)

The Pearl Necklace (oil on canvas)
5894136 The Pearl Necklace (oil on canvas) by Reggianini, Vittorio (1858-1938); Assicoop-Unipol Collection, Modena, Emilia Romagna, Italy; (add.info.: Collezione Assicoop - Unipol, inv)

Background imageThe 19th Century Collection: Mother and Daughter in front of a Smal Temple (oil on canvas)

Mother and Daughter in front of a Smal Temple (oil on canvas)
5894117 Mother and Daughter in front of a Smal Temple (oil on canvas) by Muzzioli, Giovanni (1854-94); Assicoop-Unipol Collection, Modena, Emilia Romagna

Background imageThe 19th Century Collection: Narcissus (oil on canvas)

Narcissus (oil on canvas)
5894113 Narcissus (oil on canvas) by Malatesta or Malatesti, Adeodato (1806-91); Assicoop-Unipol Collection, Modena, Emilia Romagna, Italy; (add.info.: Collezione Assicoop - Unipol, inv)

Background imageThe 19th Century Collection: Hunting Scene

Hunting Scene
5894059 Hunting Scene by Boschi, Achille (1852-1930); Assicoop-Unipol Collection, Modena, Emilia Romagna, Italy; (add.info.: Collezione Assicoop - Unipol, inv)

Background imageThe 19th Century Collection: Portrait of a Musician (pastel)

Portrait of a Musician (pastel)
5974063 Portrait of a Musician (pastel) by Longanesi, Angelo (1860-1934); 39x45 cm; Assicoop-Unipol Collection, Modena, Emilia Romagna, Italy; (add.info.: Collezione Assicoop - Unipol, inv)

Background imageThe 19th Century Collection: Bust of Carlo Pisa Faloppia, Modena teacher, 1855 (scagliola)

Bust of Carlo Pisa Faloppia, Modena teacher, 1855 (scagliola)
5974057 Bust of Carlo Pisa Faloppia, Modena teacher, 1855 (scagliola) by Cavazza, Alessandro (1824-73); 75 cm; Assicoop-Unipol Collection, Modena, Emilia Romagna

Background imageThe 19th Century Collection: Bust of Francesco IV Este (marble)

Bust of Francesco IV Este (marble)
5974055 Bust of Francesco IV Este (marble) by Pisani, Giuseppe (1854-94); 60 cm; Assicoop-Unipol Collection, Modena, Emilia Romagna, Italy; (add.info.: Collezione Assicoop - Unipol, inv)

Background imageThe 19th Century Collection: Bust of Francesco IV Este (marble)

Bust of Francesco IV Este (marble)
5974053 Bust of Francesco IV Este (marble) by Pisani, Giuseppe (1854-94); 60 cm; Assicoop-Unipol Collection, Modena, Emilia Romagna, Italy; (add.info.: Collezione Assicoop - Unipol, inv)

Background imageThe 19th Century Collection: The Bride of the Songo of Songs, 1854 (marble)

The Bride of the Songo of Songs, 1854 (marble)
6200619 The Bride of the Songo of Songs, 1854 (marble) by Motelli, Gaetano (1805-1858); Private Collection; (add.info.: Gaetano Motelli: " La Sposa dei Sacri Cantici", scultura in marmo)

Background imageThe 19th Century Collection: Portrait of Alessandro Manzoni, (1841) 1874 (oil on canvas)

Portrait of Alessandro Manzoni, (1841) 1874 (oil on canvas)
6200598 Portrait of Alessandro Manzoni, (1841) 1874 (oil on canvas) by Hayez, Francesco (1791-1882); Accademia Di Belle Arti Di Brera Quadreria, Milan

Background imageThe 19th Century Collection: The cave of the Capichins in Amalfi, c. 1850 (oil on canvas)

The cave of the Capichins in Amalfi, c. 1850 (oil on canvas)
6200568 The cave of the Capichins in Amalfi, c.1850 (oil on canvas) by Volpe, Alessandro la (c.1820-87); Private Collection; (add.info.: Alessandro La Volpe)

Background imageThe 19th Century Collection: The Lake of Avernus, Aeneas, the Cumaean Sybil, 1814-15 (oil on canvas)

The Lake of Avernus, Aeneas, the Cumaean Sybil, 1814-15 (oil on canvas)
6200563 The Lake of Avernus, Aeneas, the Cumaean Sybil, 1814-15 (oil on canvas) by Turner, Joseph Mallord William (1775-1851); Yale Center for British Art, Paul Mellon Collection

Background imageThe 19th Century Collection: Masaniello, 1846 (marble)

Masaniello, 1846 (marble)
6200559 Masaniello, 1846 (marble) by Puttinati, Alessandro (1801-72); Galleria d Arte Moderna, Villa Reale, Milan, Italy; (add.info.: Alessandro Puttinati: " Masaniello", scultura in marmo)

Background imageThe 19th Century Collection: View of Duomo with the Coperto of Figini, detail, 1838 (oil on canvas)

View of Duomo with the Coperto of Figini, detail, 1838 (oil on canvas)
6200555 View of Duomo with the Coperto of Figini, detail, 1838 (oil on canvas) by Inganni, Angelo (1807-80); Palazzo Morando, Milano

Background imageThe 19th Century Collection: View of Duomo with the Coperto of Figini, 1838 (oil on canvas)

View of Duomo with the Coperto of Figini, 1838 (oil on canvas)
6200553 View of Duomo with the Coperto of Figini, 1838 (oil on canvas) by Inganni, Angelo (1807-80); Palazzo Morando, Milano

Background imageThe 19th Century Collection: Interior view of the Colosseum, 1855 (oil on canvas)

Interior view of the Colosseum, 1855 (oil on canvas)
6200551 Interior view of the Colosseum, 1855 (oil on canvas) by Caffi, Ippolito (1809-66); Galleria Internazionale d Arte Moderna, Ca Pesaro, Venice

Background imageThe 19th Century Collection: A Doric Tmeple with Castelmola and Taormina in the background, 1849 (oil on canvas)

A Doric Tmeple with Castelmola and Taormina in the background, 1849 (oil on canvas)
6200549 A Doric Tmeple with Castelmola and Taormina in the background, 1849 (oil on canvas) by Waldmuller, Ferdinand Georg (1793-1865); Collection of the Prince of Liechtenstein

Background imageThe 19th Century Collection: The ruins of the Greek theatre of Taormina, towards the strait of Messin, 1844 (oil on canvas)

The ruins of the Greek theatre of Taormina, towards the strait of Messin, 1844 (oil on canvas)
6200548 The ruins of the Greek theatre of Taormina, towards the strait of Messin, 1844 (oil on canvas) by Waldmuller, Ferdinand Georg (1793-1865); Collection of the Prince of Liechtenstein

Background imageThe 19th Century Collection: Landscape with hunt of centaurs, 1836 (oil on canvas)

Landscape with hunt of centaurs, 1836 (oil on canvas)
6200547 Landscape with hunt of centaurs, 1836 (oil on canvas) by Turpin de Crisse, Lancelot Theodore (1782-1859); Gallerie dell Accademia, Venice

Background imageThe 19th Century Collection: Nocturne in Capri, c. 1843 (oil on canvas)

Nocturne in Capri, c. 1843 (oil on canvas)
6200539 Nocturne in Capri, c.1843 (oil on canvas) by Fergola, Salvatore (1796-1874); Museo di Capodimonte, Naples, Campania, Italy; (add.info.: Raffaele Fergola: " Notturno a Capri")

Background imageThe 19th Century Collection: Landscape in the storm and castle, 1803 (pencil and w / c on paper)

Landscape in the storm and castle, 1803 (pencil and w / c on paper)
6200533 Landscape in the storm and castle, 1803 (pencil and w/c on paper) by Gubernatis, Giovanni Battista (1774-1837); Galleria Civica d Arte Moderna di Torino, Turin

Background imageThe 19th Century Collection: View from the artists studio, window on the left, 1805-06 (graphite and sepia on paper)

View from the artists studio, window on the left, 1805-06 (graphite and sepia on paper)
6200529 View from the artists studio, window on the left, 1805-06 (graphite and sepia on paper) by Friedrich, Caspar David (1774-1840); Belvedere, Vienna, Austria; (add.info.: Caspar David Friedrich)

Background imageThe 19th Century Collection: Colossal Bust of Leopoldo Cicognara, 1818-22 (marble)

Colossal Bust of Leopoldo Cicognara, 1818-22 (marble)
6343135 Colossal Bust of Leopoldo Cicognara, 1818-22 (marble) by Canova, Antonio (1757-1822); Palazzo Bonacossi, Ferrara, Italy; (add.info.: Busto colossale di Leopoldo Cicognara, 1818-22)

Background imageThe 19th Century Collection: Napoleon, 1804-09 (Carrara marble)

Napoleon, 1804-09 (Carrara marble)
6343109 Napoleon, 1804-09 (Carrara marble) by Canova, Antonio (1757-1822); Pazzo Cusani, Milan, Italy; (add.info.: Napoleone, 1804-09, di Antonio Canova (1757 - 1822), marmo di Carrara.); Ghigo Roli

Background imageThe 19th Century Collection: Hebe, 1800-05 (marble)

Hebe, 1800-05 (marble)
6343034 Hebe, 1800-05 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St. Petersburg, Russia; (add.info.: Ebe, 1800-5, di Antonio Canova (1757 - 1822), marmo.); Ghigo Roli

Background imageThe 19th Century Collection: The entry of Alexander the Great into Babylon, 1818-1828, Detail of the dancers scattering flowers

The entry of Alexander the Great into Babylon, 1818-1828, Detail of the dancers scattering flowers (Carrara marble)
6343021 The entry of Alexander the Great into Babylon, 1818-1828, Detail of the dancers scattering flowers (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Musei Civici Del Castello Visconteo

Background imageThe 19th Century Collection: The entry of Alexander the Great into Babylon, 1818-1828, Detail of the procession with men

The entry of Alexander the Great into Babylon, 1818-1828, Detail of the procession with men and a horse (Carrara marble)
6343020 The entry of Alexander the Great into Babylon, 1818-1828, Detail of the procession with men and a horse (Carrara marble) by Thorvaldsen

Background imageThe 19th Century Collection: Princess Leopoldina Esterhazy while painting, 1805-18 (marble)

Princess Leopoldina Esterhazy while painting, 1805-18 (marble)
6343011 Princess Leopoldina Esterhazy while painting, 1805-18 (marble) by Canova, Antonio (1757-1822); Private Collection; (add.info.: La Principessa Leopoldina Esterhazy nell atto di dipingere)

Background imageThe 19th Century Collection: Flora, 1838-40 (marble)

Flora, 1838-40 (marble)
6343004 Flora, 1838-40 (marble) by Tenerani, Pietro (1789-1869); State Hermitage Museum, St. Petersburg, Russia; (add.info.: Flora, 1838-40, di Pietro Tenerani (1789 - 1869), marmo.); Ghigo Roli

Background imageThe 19th Century Collection: Young Dancer, before 1845 (marble)

Young Dancer, before 1845 (marble)
6343002 Young Dancer, before 1845 (marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen, Denmark; (add.info.: Giovane danzatrice, ante 1845)



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"The 19th Century: A Tapestry of Art, Innovation, and Historical Reflections" Step into the enchanting world of the 19th century, where artistry flourished and history unfolded. From the haunting allure of "The Walnut Tree in Benevento (the Witches Sabbath)" to the revolutionary might of "The Rocket" locomotive, this era captivated hearts and minds. In Ugo Foscolo's poignant portrait from 1813, brushstrokes on canvas immortalize a figure lost in contemplation, reflecting the spirit of an age defined by introspection. Meanwhile, Carrara marble comes alive with intricate details in "Dromedary, palm tree and young boys, " transporting us to Alexander the Great's grand entrance into Babylon. Through Francesco Ferrucci's tragic demise depicted on canvas in 1852 or Ricciardino Langosco's mother searching for her fallen son during Matteo Visconti's conquest of Pavia in 1315 - we witness historical events frozen in time. These artworks serve as windows into past struggles and triumphs that shaped our present. Marco Botzaris' death scene evokes heroism and sacrifice through vibrant oil strokes while a harem slave gazes out from an oil-painted canvas with eyes full of untold stories. The adolescent bronze sculpture captures fleeting moments of youthfulness amidst a rapidly changing world. As we delve further into this captivating era, a still life painting titled "Bowl of Fruit and a Tankard before a Window" invites us to savor simple pleasures amid bustling cityscapes. And finally, gazing upon Rome's Imperial Fora through an artist’s lens offers glimpses into architectural marvels that stood tall throughout centuries, not merely confined within its years but continues to resonate today—a testament to human creativity, progressiveness, resilience against adversity—captured forever within these masterpieces.