Supporting Collection (#7)

Humpty Dumpty, 1878 (1895). First rough pencil sketch for Punch cartoon Disraeli and Cyprus supporting a Humpty Dumpty figure representing the Ottoman Empire sitting on top of a wall representing

French Costume, (1885). A womans elaborate and heavy hairstyle is held up with a stick by her black servant. Illustration from 18th Century Institutions, Usages And Costumes, France 1700-1789

Atlas Supports the Heavens on his Shoulders, 1655. Artist: Michel de Marolles
Atlas Supports the Heavens on his Shoulders, 1655. A plate from Michel de Marolless Tableaux du Temple des Muses, Paris, 1655. Found in the collection of Jean Claude Carriere

Hungarian parliament, (5th July 1848), 1900. Artist: Paul Burde
Hungarian parliament, (5th July 1848), 1900

Atlas supports the heavens on his shoulders, 1733. Artist: Bernard Picart
Atlas supports the heavens on his shoulders, 1733. A plate from Le Temple des Muses, Amsterdam, 1733. Found in the collection of Jean Claude Carriere

They have flown, 1799. Artist: Francisco Goya
They have flown, 1799. Plate 61 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain The series is evidence of the artists political

The Death of Napoleon the Great, 5 May 1821, 1825. Napoleon Bonaparte (Napoleon I) (1769-1821), Emperor of France 1804-1815

Piazzi Madonna ( Virgin and Child ), 1420-1430s. Artist: Donatello
Piazzi Madonna ( Virgin and Child ), 1420-1430s. From the Staatliche Museum, Berlin

Madonna and Child ( Madonna of the Book ), 1483. Artist: Sandro Botticelli
Madonna and Child ( Madonna of the Book ), 1483. The Child is seated on the Virgins lap, looking questioningly into his mothers face. Round his wrist is a crown of thorns

Madonna and Child, 1230. Artist: Barone Berlinghier
Madonna and Child, 1230. This image shows a strong Byzantine influence. From the Metropolitan Museum, New York

Pieta of Saint-Germain-des-Pres, c1500. The scene is the deposition of the cross. The Virgin Mary supports the body of Christ on her lap. Behind her is St John the Apostle

Lamentation over Christ, early 16th century. Artist: Gerard David
Lamentation over Christ, early 16th century. The Virgin Mary kisses the head of the dead Christ whose forehead shows the wounds inflicted by the crown of thorns

The Trinity, 14th century. Artist: Robert Campin
The Trinity, 14th century. The Father, Son and the Holy Ghost, represented by the dove on Christs shoulder. Left wing of a triptych. From the Hermitage Museum, St Petersburg, Russia

The Madonna and Child with the Infant Baptist ( The Garvagh Madonna ), c1509-1510. Artist: Raphael
The Madonna and Child with the Infant Baptist ( The Garvagh Madonna ), c1509-1510. Jesus takes a pink from the hand of John the Baptist clothed in an animal skin. From the National Gallery, London

World War 2: Free French propaganda poster c1942-1944
World War 2: Free French propaganda poster c1942-44. The poster contains the Cross of Lorraine, the Free French symbol, and shows the French army fighting for France

The Dead Christ Supported by Angels, 1465-1470. Artist: Giovanni Bellini
The Dead Christ Supported by Angels, 1465-1470. From the National Gallery, London

The Three Maries ( The Dead Christ Mourned ), c1604. Artist: Annibale Carracci
The Three Maries ( The Dead Christ Mourned ), c1604. The Virgin Mary, lamenting, holds the body of the dead Christ in her lap

Altarpiece of the Moreel chantry, 1484. Artist: Hans Memling
Altarpiece of the Moreel chantry, 1484. In the centre St Christopher carries the Christ Child across the water. Also depicted are the Benedictine monk St Maurus (left)

Drunken Silenus, 1747. Artist: Carle Vanloo
Drunken Silenus, 1747. In classical myth, Silenus is the teacher and friend of Bacchus, god of wine. In Renaissance art he is depicted as fat, drunk and naked, a bloated lord of the revels

The Virgin and Child with Angels, 1512. Artist: Francesco dei Tatti
The Virgin and Child with Angels, 1512. From the Musee des Beaux-Arts de Nancy, France

Madonna and Child, c1510. Artist: Titian
Madonna and Child, c1510. From the Metropolitan Museum of Art, New York, USA

The Martyrdom of St Agatha, c1756. Artist: Giovanni Battista Tiepolo
The Martyrdom of St Agatha, c1756. From the Staatliche Museen, Berlin, Germany

Virgin of Humility, 15th century. Artist: Giovanni di Paolo
Virgin of Humility, 15th century

The Virgin and the Child, 15th century(?). From the Pushkin Museum of Fine Art, Moscow

The Three Ages of Man, allegory, late 16th century. Artist: Jacob de Backer
The Three Ages of Man, allegory, late 16th century. From the Hermitage Museum, Saint Petersburg, Russia

Madonna and Child, late 14th / early 15th century. Artist: Taddeo di Bartolo
Madonna and Child, late 14th/early 15th century

Madonna and Child with the Young Saint John the Baptist, c1497. Artist: Fra Bartolomeo
Madonna and Child with the Young Saint John the Baptist, c1497. From the Metropolitan Museum of Art, New York

Old Man Playing with Child, 1635-1640. Artist: Rembrandt Harmensz van Rijn
Old Man Playing with Child, 1635-1640. From the British Museum, London

David and Jonathan, 1642. Artist: Rembrandt Harmensz van Rijn
David and Jonathan, 1642

Ancient Egyptian cosmos, c1025 BC. Nut (heaven), stretches over the Earth, represented by her brother Geb, who lies below her

Image of the Egyptian creative myth from the Papyrus of Anhai, showing Shu (the god of air) supporting the boat of Khefri (the scarab-headed god of creation)

Poster paying tribute to the war effort, French, World War I, 1914-1918. A wounded French soldier saying that civilians are also supporting the war effort by making their individual financial

Egyptian goddess Nut supporting the sky, New Kingdom, Ancient Egypt, 14th-13th century BC. Wall painting from the tomb of Horemheb, last king of the 18th dynasty, who reigned from c1319-c1292 BC

Ivory headrest supported by a figure, Ancient Egyptian, 18th Dynasty, c1325 BC. From the Treasure of Tutankhamun (ruled 1333-1323 BC)

Eponine et Sabinus, 1802. Artist: Nicolas Andre Monsiau
Eponine et Sabinus, 1802

Virgin and Child with Saint Dominic and Saint Hyacinth, 1740-1750. Artist: Giovanni Battista Tiepolo
Virgin and Child with Saint Dominic and Saint Hyacinth, 1740-1750. From the Art Institute of Chicago, Illinois, USA

The Deliverance of Arsinoe, after 1560-1594. Artist: Jacopo Tintoretto
The Deliverance of Arsinoe, after 1560-1594. From the Gemaeldegallerie Alte Meister, Dresden, Germany

The Virgin and Child, c1570-1576. Artist: Titian
The Virgin and Child, c1570-1576. From the National Gallery, London

The Supporters of the Working Man, 1859. Disraeli introduced his Reform Bill to the House early in 1859. However, because it was seen as a blatant attempt to conjure up extra Conservative votes

Disabled man wearing electronic walking aid
Disabled man wearing an electronic walking aid known as a Pulser or Electronic Stimulator, designed to help him walk unaided. Date: circa 1980s

Infantry and supporting tanks advancing along the Argenta ro
Lantern slide showing infantry and supporting tanks advancing along the Argenta road, Italy, April 1945. From a collection of British official war photographs relating to the 78th Division that were

Turkish Soldiers scale a training climbing wall Date: 1909

Theatrical Troupe supporting Womens Suffrage Movement
A Theatrical Troupe performing a play supporting Womens Suffrage Movement Date: circa 1908

Big Grape Vine near Santa Barbara, California, USA
Men stand on top of a wooden frame supporting the branches of a single large grape vine near Santa Barbara, California. Date: circa 1895

First Duke Devonshire
WILLIAM CAVENDISH, first Duke of DEVONSHIRE influential statesman, serving Charles II and the protestant cause, supporting William III. He also wrote good verses. Date: 1640 - 1707

James Dk Chatelherault
JAMES HAMILTON, second earl of ARRAN, duke of CHATELHERAULT Governor of Scotland, who vacillated between supporting an alliance with England or one with France. Date: 1515 - 1675

Advert for Churchs Archmoulded shoes 1948
Stylish, comfortable & practical heeled, lace-up womans shoe: unlined for lightness, perforated for coolness while supporting the arch in its natural place. Date: 1948

Common Market Poster
A poster supporting Britains entry to the Common Market. Date: 5 June 1975

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"Supporting the Artistic Narrative: From Hogarth's Beer Street to Pietro Lorenzetti's Madonna and Child" In a world filled with diverse artistic expressions, supporting various forms of creative endeavors becomes paramount. Just like William Hogarth depicted in his iconic painting "Beer Street, " we must acknowledge the power of art to reflect societal issues such as drinking and intemperance. But let us not forget the strokes of genius that emerge from unexpected places, much like an innovative swimming stroke that leaves spectators in awe. Whether it is through a whimsical etching titled "A Man Loaded with Mischief, or Matrimony, " or the towering presence of an electricity pylon symbolizing progress and connectivity, supporting artistic ventures means embracing all forms of expression. From grand celebrations like the "Decorations for the Coronation - Singapore" to intimate moments captured by artists throughout history, such as a pregnant woman immortalized on canvas or chess pieces strategically placed on a board, each artwork tells its own unique story. Even when faced with danger lurking beneath calm waters, just as depicted in "Crocodiles of a Squadron, " we find ourselves drawn into narratives that challenge our perceptions. And what better way to support creativity than by recognizing our place within this vast universe? As seen in portrayals like "The Earth, " we are reminded of our interconnectedness and responsibility towards preserving nature's beauty. Yet amidst these thought-provoking works lies room for lightheartedness too – imagine witnessing a common council beast returning from a turtle feast. Such playful scenes remind us that art can bring joy even during challenging times. Finally, let us not overlook timeless masterpieces such as Pietro Lorenzetti's "Madonna and Child between St Francis and St John the Evangelist. " By supporting these treasured artworks across generations, we ensure their preservation for future audiences to appreciate. Supporting artistic endeavors encompasses more than just the artists themselves.