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Sombre Collection (#4)

In the heart of Italy's Siena lies Piazza de Il Campo, a place that exudes a sombre atmosphere

Background imageSombre Collection: Still Life with Books, c. 1627-28 (oil on panel)

Still Life with Books, c. 1627-28 (oil on panel)
3704098 Still Life with Books, c.1627-28 (oil on panel) by Lievens, Jan the Elder (1607-74); 91x120 cm; Rijksmuseum, Amsterdam

Background imageSombre Collection: Study for a Funerary Monument, 1750 (black chalk, pen and brown ink

Study for a Funerary Monument, 1750 (black chalk, pen and brown ink
3071613 Study for a Funerary Monument, 1750 (black chalk, pen and brown ink, brown and gray washes, white heightening on two joined sheets) by Pajou

Background imageSombre Collection: La colère du dragon

La colère du dragon
Sebastien DEL GROSSO

Background imageSombre Collection: Harold MacMillan leaving London for his World Tour January 1958 Prime Minister

Harold MacMillan leaving London for his World Tour January 1958 Prime Minister Harold MacMillan accompanied by a government official walking to the Britannia aircraft at London Heathrow airport

Background imageSombre Collection: Eine Mutter II (A Mother II), 1883. Creator: Max Klinger

Eine Mutter II (A Mother II), 1883. Creator: Max Klinger
Eine Mutter II (A Mother II), 1883

Background imageSombre Collection: Eine Mutter, 1882. Creator: Max Klinger

Eine Mutter, 1882. Creator: Max Klinger
Eine Mutter, 1882

Background imageSombre Collection: Queen Victoria in Mourning, 1862. Creator: William Samuel Bambridge

Queen Victoria in Mourning, 1862. Creator: William Samuel Bambridge
Queen Victoria in Mourning, 1862

Background imageSombre Collection: On sombre Lake Olden, between cloud-covered mountains, to Maelkevold glacier, Norway, 1905

On sombre Lake Olden, between cloud-covered mountains, to Maelkevold glacier, Norway, 1905
On sombre Lake Olden, lying deep between cloud-covered mountains, to Maelkevold glacier, Norway, 1905. From " The Underwood Travel Library - Norway". [Underwood & Underwood, London, 1905]

Background imageSombre Collection: Two Women, 1901 or 1902 (oil on canvas)

Two Women, 1901 or 1902 (oil on canvas)
3468944 Two Women, 1901 or 1902 (oil on canvas) by Gauguin, Paul (1848-1903); 73.7x92.1 cm; Metropolitan Museum of Art, New York, USA; French, out of copyright

Background imageSombre Collection: Portrait of an Elderly Woman, traditionally called Mevrouw Bodolphe, 1643 (oil on canvas)

Portrait of an Elderly Woman, traditionally called Mevrouw Bodolphe, 1643 (oil on canvas)
3366982 Portrait of an Elderly Woman, traditionally called Mevrouw Bodolphe, 1643 (oil on canvas) by Hals, Frans (1582/3-1666); 122.4x97.5 cm; Yale University Art Gallery, New Haven, CT

Background imageSombre Collection: Self-Portrait, 1857 (etching)

Self-Portrait, 1857 (etching)
3247905 Self-Portrait, 1857 (etching) by Degas, Edgar (1834-1917); 23.2x14.3 cm; Yale University Art Gallery, New Haven, CT, USA; French, out of copyright

Background imageSombre Collection: Self Portrait, c. 1857 (etching)

Self Portrait, c. 1857 (etching)
3247771 Self Portrait, c.1857 (etching) by Degas, Edgar (1834-1917); 23.2x14.4 cm; National Gallery of Art, Washington DC, USA; French, out of copyright

Background imageSombre Collection: Self-portrait, 1857-8 (oil on paper, laid down on canvas)

Self-portrait, 1857-8 (oil on paper, laid down on canvas)
3077101 Self-portrait, 1857-8 (oil on paper, laid down on canvas) by Degas, Edgar (1834-1917); 21x16.2 cm; J. Paul Getty Museum, Los Angeles, USA; French, out of copyright

Background imageSombre Collection: Sir David Salomans. c1856. Artist: Solomon Alexander Hart

Sir David Salomans. c1856. Artist: Solomon Alexander Hart
Sir David Salomans. c1856. Full length portrait in ceremonial dress

Background imageSombre Collection: Warren Stormes Hale. 1853. Artist: John Robert Dicksee

Warren Stormes Hale. 1853. Artist: John Robert Dicksee
Warren Stormes Hale. 1853. Originator and Chairman of the City of London Freemans Orphans School. He is shown here in his robe and holding a letter

Background imageSombre Collection: Sir James Shaw. 1834. Artist: Mary Martha Pearson

Sir James Shaw. 1834. Artist: Mary Martha Pearson
Sir James Shaw. 1834. Full length portrait showing him holding a letter in his right hand

Background imageSombre Collection: A nurse tries to get a view of the Queen during the opening of The Princess Diana

A nurse tries to get a view of the Queen during the opening of The Princess Diana Hospital. 29th October 1998

Background imageSombre Collection: In north-east Coventry hope pounds 50million of New Deal money will breathe new life into

In north-east Coventry hope pounds 50million of New Deal money will breathe new life into their communities. But with 300 derelict properties blighting the streets, there is a long way to go

Background imageSombre Collection: Painting, title unknown, mid 19th century. Artist: Jean Pierre Alexandre Antigna

Painting, title unknown, mid 19th century. Artist: Jean Pierre Alexandre Antigna
Painting, title unknown, mid 19th century

Background imageSombre Collection: Peeling Potatoes (oil on canvas)

Peeling Potatoes (oil on canvas)
XYC281175 Peeling Potatoes (oil on canvas) by Holl, Frank (1845-88); 35.6x45.4 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright

Background imageSombre Collection: Art Nouveau Floral

Art Nouveau Floral
Two trees, bending in an art nouveau manner, form a striking if sombre surround

Background imageSombre Collection: Chilian Ladies in Church Attire (Manto), 1911

Chilian Ladies in Church Attire (Manto), 1911. From Chile, by G. F. Scott Elliot, M.A. F.R.G.S. [T. Fisher Terrace, London, 1911]

Background imageSombre Collection: Intombi Cemetery, Ladysmith, Natal, South Africa. Artist: Excelsior Stereoscopic Tours

Intombi Cemetery, Ladysmith, Natal, South Africa. Artist: Excelsior Stereoscopic Tours
Intombi Cemetery, Ladysmith, Natal, South Africa. The graves of casualties of the Siege of Ladysmith (October 1899 - February 1900) during the Boer War. Stereoscopic card detail

Background imageSombre Collection: St Michaels Church and the grave of Benjamin Disraeli (1804-1881), late 19th century

St Michaels Church and the grave of Benjamin Disraeli (1804-1881), late 19th century

Background imageSombre Collection: Ethel, 1897, (1912). Artist: Ralph Peacock

Ethel, 1897, (1912). Artist: Ralph Peacock
Ethel, 1897, (1912). A colour print from Famous Paintings, with an introduction by Gilbert Chesterton, Cassell and Company, (London, New York, Toronto, 1912)

Background imageSombre Collection: French Foreign Legion cemetery, Taourirt, Algeria, 20th century

French Foreign Legion cemetery, Taourirt, Algeria, 20th century. French postcard

Background imageSombre Collection: Portrait of a Young Girl, c1460. Artist: Petrus Christus

Portrait of a Young Girl, c1460. Artist: Petrus Christus
Portrait of a Young Girl, c1460. From the collection of the Staatliche Museen, Berlin, Germany

Background imageSombre Collection: Woman seated in blue, 1902-1906. Artist: Paul Cezanne

Woman seated in blue, 1902-1906. Artist: Paul Cezanne
Woman seated in blue, 1902-1906. From the collection of the Pushkin State Museum of Fine Arts, Moscow

Background imageSombre Collection: Ralph Brownrig, Bishop

Ralph Brownrig, Bishop
RALPH BROWNRIG Bishop of Exeter, whose Calvinist views are reflected in his sombre facial expression... Date: 1592 - 1659

Background imageSombre Collection: Samuel Johnson / Bolt Ct

Samuel Johnson / Bolt Ct
DR SAMUEL JOHNSON English writers last home, at 8 Bolt Court, Fleet Street, London Date: 1709 - 1784

Background imageSombre Collection: FREE & EASY EDINBURGH

FREE & EASY EDINBURGH
A man sings very heartily as everyone sits listening attentively, at an Edinburgh working mens Free and easy. Date: 1883

Background imageSombre Collection: Comparison of Ascot

Comparison of Ascot
Photographs showing a royal Ascot and the Black Ascot in 1910- due to the recent death of Edward VII, racegoers at Ascot dress in black. Date: 1910

Background imageSombre Collection: German aircraft camouflage by G. H. Davis

German aircraft camouflage by G. H. Davis
German aircraft camouflage, showing how the sombre and mottled colours appear to merge into their surroundings. Date: 1941

Background imageSombre Collection: Picture No. 11671463

Picture No. 11671463
Sombre Bee-orchid. Date:

Background imageSombre Collection: Picture No. 11671462

Picture No. 11671462
Sombre Bee-orchid. Date:

Background imageSombre Collection: The Old Woman known as the crayfish from the Le Bosc Region, 1882 (oil

The Old Woman known as the crayfish from the Le Bosc Region, 1882 (oil
XIR901496 The Old Woman known as the crayfish from the Le Bosc Region, 1882 (oil on canvas) by Toulouse-Lautrec, Henri de (1864-1901); Musee Toulouse-Lautrec, Albi, France; (add.info.: Le Bosc)

Background imageSombre Collection: The Two Sisters, or Mesdemoiselles Chasseriau: Marie-Antoinette-Adele (1810-69) and Genevieve

The Two Sisters, or Mesdemoiselles Chasseriau: Marie-Antoinette-Adele (1810-69) and Genevieve
XIR83606 The Two Sisters, or Mesdemoiselles Chasseriau: Marie-Antoinette-Adele (1810-69) and Genevieve (Aline) (1822-71) sisters of the artist, 1843 (oil on canvas) by Chasseriau

Background imageSombre Collection: Portrait of Monsieur and Madame Auguste Manet, 1860 (oil on canvas)

Portrait of Monsieur and Madame Auguste Manet, 1860 (oil on canvas)
XIR74953 Portrait of Monsieur and Madame Auguste Manet, 1860 (oil on canvas) by Manet, Edouard (1832-83); 110x90 cm; Musee d Orsay, Paris, France; French, out of copyright

Background imageSombre Collection: Portrait bust of Anna G. Dostyevskaya (b / w photo)

Portrait bust of Anna G. Dostyevskaya (b / w photo)
XBH366615 Portrait bust of Anna G. Dostyevskaya (b/w photo) by Lorenkovich, N.A. (fl. 19th Century); Private Collection; (add.info)

Background imageSombre Collection: Jakob Fugger, the Rich (oil on canvas)

Jakob Fugger, the Rich (oil on canvas)
XPH350362 Jakob Fugger, the Rich (oil on canvas) by DAOErer or Duerer, Albrecht (1471-1528); Bayerische Staatsgemaelde-Sammlung, Augsburg

Background imageSombre Collection: Antonio Salieri (oil on canvas)

Antonio Salieri (oil on canvas)
XPH330609 Antonio Salieri (oil on canvas) by Mahler or Maehler, Willibrord Joseph (1778-1860); Gesellschaft der Musikfreunde, Vienna

Background imageSombre Collection: James Gambier, engraved by W. Holl, from National Portrait Gallery, volume V, published c

James Gambier, engraved by W. Holl, from National Portrait Gallery, volume V, published c
KW274235 James Gambier, engraved by W. Holl, from National Portrait Gallery, volume V, published c.1835 (litho) by Beechey

Background imageSombre Collection: Extreme Unction, c. 1637-40 (oil on canvas)

Extreme Unction, c. 1637-40 (oil on canvas)
XCF282068 Extreme Unction, c.1637-40 (oil on canvas) by Poussin, Nicolas (1594-1665); 95.5x121 cm; National Gallery, London, UK; French, out of copyright

Background imageSombre Collection: John Singleton Copley (1772-1863) engraved by D

John Singleton Copley (1772-1863) engraved by D
KW266603 John Singleton Copley (1772-1863) engraved by D.J. Pound from a photograph, from The Drawing-Room of Eminent Personages, Volume 2, published in London, 1860 (engraving) by Mayall

Background imageSombre Collection: James Prince Lee (1804-69) engraved by D

James Prince Lee (1804-69) engraved by D
KW266600 James Prince Lee (1804-69) engraved by D.J. Pound from a photograph, from The Drawing-Room of Eminent Personages, Volume 2, published in London, 1860 (engraving) by Mayall

Background imageSombre Collection: Portrait of the Poet Innokenty Annensky (1856-1909), 1904-09 (oil on canvas)

Portrait of the Poet Innokenty Annensky (1856-1909), 1904-09 (oil on canvas)
BAL266193 Portrait of the Poet Innokenty Annensky (1856-1909), 1904-09 (oil on canvas) by Kurbatov, Anton Nikolayevich (b.1865); 88x70 cm; State Central Literary Museum, Moscow, Russia; Russian

Background imageSombre Collection: Portrait of the author Nikolay Pomyalovsky, 1860 (oil on canvas)

Portrait of the author Nikolay Pomyalovsky, 1860 (oil on canvas)
BAL238847 Portrait of the author Nikolay Pomyalovsky, 1860 (oil on canvas) by Nevrev, Nikolai Vasilievich (1830-1904); 33.6x24.7 cm; State Central Literary Museum, Moscow, Russia; Russian

Background imageSombre Collection: Self Portrait (oil on canvas)

Self Portrait (oil on canvas)
XIR210436 Self Portrait (oil on canvas) by Cals, Adolphe-Felix (1810-80); 40x31 cm; Musee des Beaux-Arts Andre Malraux, Le Havre, France; French, out of copyright



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In the heart of Italy's Siena lies Piazza de Il Campo, a place that exudes a sombre atmosphere. As I stand here, surrounded by centuries-old buildings and cobblestone streets, I am reminded of the rich history that unfolded in this very spot. The Hon. Anne Fane's portrait from 1782 captures her with an air of solemnity, as if she carries secrets untold. Moving on to another canvas, Franz Liszt's 1839 painting reveals a deep introspection in his eyes, and is as if he is lost in thought, contemplating the weight of his musical genius. This image resonates with me and adds to the overall sombre ambiance. Flipping through old magazines, I stumble upon the front cover of Sphere Scott Memorial Number. The black and white photograph depicts mourners paying their respects at Sir Walter Scott's memorial service - a poignant reminder of loss and remembrance. A glimpse into history takes us to C19 when reading a will was often accompanied by heavy hearts and bated breaths. The room would be filled with anticipation as lives were forever altered by these legal documents. The Vietnam War patriotic poster catches my attention next; it showcases an indomitable spirit amidst adversity. A sense of determination emanates from the soldiers depicted – they carry themselves with stoicism despite facing unimaginable challenges. As my gaze falls upon a solitary candle flickering in darkness, its soft glow casts shadows on nearby objects creating an aura of melancholy solitude. It reminds me that even in our darkest moments, there is always hope for light to guide us forward. Her cross hangs delicately around her neck - a symbol of faith and solace during times of sorrow or hardship. Its presence brings comfort amidst life's trials and tribulations. Melampus and the Centaur painted in 1919 portrays an intense struggle between man and beast; it serves as a metaphor for internal battles we all face.