Rijn Rembrandt Harmensz Van Collection

Self-portrait wearing a hat and two Chains, 1642. Creator: Rembrandt Harmensz van Rijn
Self-portrait wearing a hat and two Chains, 1642

Christ driving the money changers from the Temple, 1635. Creator: Rembrandt Harmensz van Rijn
Christ driving the money changers from the Temple, 1635

Christ at Emmaus: the smaller plate, 1634. Creator: Rembrandt Harmensz van Rijn
Christ at Emmaus: the smaller plate, 1634

Joseph's coat brought to Jacob, c.1633. Creator: Rembrandt Harmensz van Rijn
Joseph's coat brought to Jacob, c.1633. The tragic consequences, when Joseph's brothers turned against him, are described in Genesis 37:12-35

Self-portrait etching at a window, 1648. Creator: Rembrandt Harmensz van Rijn
Self-portrait etching at a window, 1648

Clement de Jonghe, printseller, 1651. Creator: Rembrandt Harmensz van Rijn
Clement de Jonghe, printseller, 1651

A blind hurdy-gurdy player and family receiving alms, 1648. Creator: Rembrandt Harmensz van Rijn
A blind hurdy-gurdy player and family receiving alms, 1648

Beggar with a wooden leg, c.1630. Creator: Rembrandt Harmensz van Rijn
Beggar with a wooden leg, c.1630

Beggar in a high cap, standing and leaning on a stick, c.1629. Creator: Rembrandt Harmensz van Rijn
Beggar in a high cap, standing and leaning on a stick, c.1629

Peasant family on the tramp, c.1652. Creator: Rembrandt Harmensz van Rijn
Peasant family on the tramp, c.1652

Self-portrait in a cap and scarf with the face dark: bust, 1633. Creator: Rembrandt Harmensz van Rijn
Self-portrait in a cap and scarf with the face dark: bust, 1633. To some extent this work reflects Rembrandt's status, showing him wearing a cap and scarf

Old beggar woman with a gourd, c.1629. Creator: Rembrandt Harmensz van Rijn
Old beggar woman with a gourd, c.1629. Enveloped in partial darkness and clad in ragged clothes, the old beggar woman turns away from the viewer

The crucifixion: small plate, c.1635. Creator: Rembrandt Harmensz van Rijn
The crucifixion: small plate, c.1635. Presenting the viewer with a sensitive interpretation of Christ on the Cross, close attention has been paid to the intricate features on the figures

Menasseh ben Israel, 1636. Creator: Rembrandt Harmensz van Rijn
Menasseh ben Israel, 1636. Manoel Dias Soeiro (1604-57), better known by his Hebrew name Menasseh/ Manasseh ben Israel also, Menasheh ben Yossef ben Yisrael, was a Portuguese rabbi, kabbalist

Bearded old man in a high fur cap, with eyes closed, c.1635. Creator: Rembrandt Harmensz van Rijn
Bearded old man in a high fur cap, with eyes closed, c.1635. Sunken shadows follow the old man's weathered face, undulating over his aged skin and full beard

Self-portrait with Saskia, 1636. Creator: Rembrandt Harmensz van Rijn
Self-portrait with Saskia, 1636. The artist and his wife are shown wearing historical clothing. Rembrandt wears a fanciful 16th-century style plumed beret tilted at a jaunty angle

Man drawing from a cast, c.1641. Creator: Rembrandt Harmensz van Rijn
Man drawing from a cast, c.1641

The strolling musicians, c.1635. Creator: Rembrandt Harmensz van Rijn
The strolling musicians, c.1635. A sympathetic inquiry into the lives of impoverished people, including beggars. Two musicians, one playing a hurdy gurdy, and the other the bagpipes

Bust of an old man with flowing beard and white sleeve, c.1630. Creator: Rembrandt Harmensz van Rijn
Bust of an old man with flowing beard and white sleeve, c.1630. A bust-length image of an elderly man with a beard and large forehead, his body facing to the right

Betty Nansen, 1905. Creator: Anders Leonard Zorn
Betty Nansen, 1905. Betty Nansen (1873-1943) was a celebrated Danish actress (both stage and film) and director; one of Copenhagen's principal theatres - which she herself managed - bears her

Jan Lutma, goldsmith, 1656. Creator: Rembrandt Harmensz van Rijn
Jan Lutma, goldsmith, 1656. Although Jan Lutma (c. 1584-1669) was already an elderly man when he was portrayed, he was probably still working as a silversmith

The stoning of St Stephen, 1635, Netherlands. Creator: Rembrandt Harmensz van Rijn
The stoning of St Stephen, 1635, Netherlands

Christ healing the sick ('The hundred guilder print'), 1775. Creator: William Baillie
Christ healing the sick ('The hundred guilder print'), 1775

The stoning of St Stephen, 1635. Creator: Rembrandt Harmensz van Rijn
The stoning of St Stephen, 1635

Bearded man, in a furred oriental cap and robe, 1631. Creator: Rembrandt Harmensz van Rijn
Bearded man, in a furred oriental cap and robe, 1631. Bearded man, in a furred oriental cap and robe is traditionally said to be a portrait of the artist's father

Old man with beard, fur cap, and velvet cloak, c.1631. Creator: Rembrandt Harmensz van Rijn
Old man with beard, fur cap, and velvet cloak, c.1631. An old man, seen in half-length portrait, is sitting in a chair with a heavy velvet cloak draped around his shoulders

Man Reading, c1648. Creator: Rembrandt Harmensz van Rijn
Man Reading, c1648. For centuries, this painting was thought to portray an individual, but recent research suggests it may be a tronie--a type of image in which seventeenth-century Dutch artists

Vertumnus and Pomona. Creator: Rembrandt Harmensz van Rijn
Vertumnus and Pomona

Young man kneeling before a standing man in oriental dress. Creator: Rembrandt Harmensz van Rijn
Young man kneeling before a standing man in oriental dress

Two studies of one woman. Creator: Rembrandt Harmensz van Rijn
Two studies of one woman

Three cottages by a road, c.1640. Creator: Rembrandt Harmensz van Rijn
Three cottages by a road, c.1640

Three studies of a man seen in profile. Creator: Rembrandt Harmensz van Rijn
Three studies of a man seen in profile

Three studies of an archer. Creator: Rembrandt Harmensz van Rijn
Three studies of an archer

Three women in a landscape. Creator: Rembrandt Harmensz van Rijn
Three women in a landscape

Tobit and Anna with the goat. Creator: Rembrandt Harmensz van Rijn
Tobit and Anna with the goat

Tobias catches the fish. Creator: Rembrandt Harmensz van Rijn
Tobias catches the fish

"The Kitchen Maid", 1651. Creator: Rembrandt Harmensz van Rijn. "The Kitchen Maid", 1651
"The Kitchen Maid", 1651

St Peter, 1632. Creator: Rembrandt Harmensz van Rijn
St Peter, 1632

Sleeping lion. Creator: Rembrandt Harmensz van Rijn
Sleeping lion

Sleeping woman at an open window, c.1655. Creator: Rembrandt Harmensz van Rijn
Sleeping woman at an open window, c.1655

Seated youth. Creator: Rembrandt Harmensz van Rijn
Seated youth

Sitting old man, c.1630. Creator: Rembrandt Harmensz van Rijn
Sitting old man, c.1630

Selfportrait, 1630. Creator: Rembrandt Harmensz van Rijn
Selfportrait, 1630

Rebekah's departure. Creator: Rembrandt Harmensz van Rijn
Rebekah's departure

The presentation in the temple. Creator: Rembrandt Harmensz van Rijn
The presentation in the temple

Portrait of an Old Woman, 1655. Creator: Rembrandt Harmensz van Rijn
Portrait of an Old Woman, 1655

Portrait of an Old Man, 1655. Creator: Rembrandt Harmensz van Rijn
Portrait of an Old Man, 1655

Trumpeter. Creator: Manner of Rembrandt  (1606-1669)    
Trumpeter, Unknown date

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"Rijn Rembrandt Harmensz van: A Glimpse into the Artistic Brilliance of a Master" Step back in time and immerse yourself in the captivating world of Rijn Rembrandt Harmensz van, an extraordinary artist whose works continue to mesmerize audiences even centuries later. Born in 1606, this young prodigy would go on to become one of the most renowned painters in history. Although many details about his early life remain unknown, we catch a glimpse of Rembrandt as a young man through an enigmatic portrait created by an anonymous artist. The intensity in his eyes hints at the immense talent that would soon unfold. One masterpiece that showcases Rembrandt's artistic prowess is "Jacobs Farewell to Benjamin, " painted around 1650/60 by another unidentified creator. This poignant scene captures the emotional farewell between two brothers with remarkable depth and sensitivity. "The Raising of Lazarus, " painted between 1630 and 1635 by yet another unknown artist, transports us to biblical times. Through skillful brushstrokes and masterful use of light and shadow, this painting brings forth the miraculous resurrection with awe-inspiring realism. In "Young Man in a Turban, " circa 1650, we witness Rembrandt's ability to capture individuality and personality through portraiture. The subject's piercing gaze draws us into his world while showcasing Rembrandt's mastery over capturing human expression. Another notable work attributed directly to Rembrandt himself is "Old Man with a Gold Chain" from 1631. Here, he expertly portrays age and wisdom through meticulous attention to detail, particularly evident in every wrinkle etched upon the old man's face. Moving forward chronologically, we encounter "Young Woman at an Open Half-Door" from 1645 – another testament to Rembrandt’s unmatched talent for illuminating ordinary moments with extraordinary beauty.