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Relief Carving Collection (#2)

Relief carving is an exquisite art form that has adorned various corners of the world throughout history

Background imageRelief Carving Collection: Cup with Handle, England, c. 1850. Creator: Unknown

Cup with Handle, England, c. 1850. Creator: Unknown
Cup with Handle, England, c. 1850

Background imageRelief Carving Collection: Relief of a Walking Lion, 1850 / 1900. Creator: Antoine-Louis Barye

Relief of a Walking Lion, 1850 / 1900. Creator: Antoine-Louis Barye
Relief of a Walking Lion, 1850/1900

Background imageRelief Carving Collection: Double-sided Relief Plaque Depicting a Lion and Birds, Egypt

Double-sided Relief Plaque Depicting a Lion and Birds, Egypt, Ptolemaic Period or earlier (about 305-30 BCE)

Background imageRelief Carving Collection: Relief Depicting a Calf-Bearer, Egypt, Ptolemaic Period (304-30 BCE). Creator: Unknown

Relief Depicting a Calf-Bearer, Egypt, Ptolemaic Period (304-30 BCE). Creator: Unknown
Relief Depicting a Calf-Bearer, Egypt, Ptolemaic Period (304-30 BCE)

Background imageRelief Carving Collection: Relief Plaque Depicting Hieroglyphic Signs, Egypt, Early Ptolemaic Period (about 300 BCE)

Relief Plaque Depicting Hieroglyphic Signs, Egypt, Early Ptolemaic Period (about 300 BCE)

Background imageRelief Carving Collection: Wall Fragment from a Tomb Depicting Offering Bearers, Egypt, Old Kingdom, Dynasty 6

Wall Fragment from a Tomb Depicting Offering Bearers, Egypt, Old Kingdom, Dynasty 6 (about 2400-2250 BCE)

Background imageRelief Carving Collection: Scene from the Legend of Saint Perpetua, 1350 / 1400. Creator: Unknown

Scene from the Legend of Saint Perpetua, 1350 / 1400. Creator: Unknown
Scene from the Legend of Saint Perpetua, 1350/1400

Background imageRelief Carving Collection: Urn Design, c. 1940. Creator: Charles Goodwin

Urn Design, c. 1940. Creator: Charles Goodwin
Urn Design, c. 1940

Background imageRelief Carving Collection: Over Door Panel, 1935 / 1942. Creator: Nicholas Amantea

Over Door Panel, 1935 / 1942. Creator: Nicholas Amantea
Over Door Panel, 1935/1942

Background imageRelief Carving Collection: Grand Temple d Isis aPhiloe, Toth Ibiocephale;Nubie, 1849 / 51

Grand Temple d Isis aPhiloe, Toth Ibiocephale;Nubie, 1849 / 51
Grand Temple d Isis a Philoe, Toth Ibiocephale; Nubie, 1849/51, printed 1852. A work made of salted paper print, plate 79 from the album " egypte, nubie, palestine et syrie" (1852)

Background imageRelief Carving Collection: Grand Temple d Isis aPhiloe, Proscynema (Acte d Adoration);Nubie, 1849 / 51

Grand Temple d Isis aPhiloe, Proscynema (Acte d Adoration);Nubie, 1849 / 51
Grand Temple d Isis a Philoe, Proscynema (Acte d Adoration); Nubie, 1849/51, printed 1852. A work made of salted paper print, plate 75 from the album " egypte, nubie

Background imageRelief Carving Collection: Gournah, Sculptures du Trone des Colosses;Thebes, 1849 / 51, printed 1852

Gournah, Sculptures du Trone des Colosses;Thebes, 1849 / 51, printed 1852
Gournah, Sculptures du Trone des Colosses; Thebes, 1849/51, printed 1852. A work made of salted paper print, plate 57 from the album " egypte, nubie, palestine et syrie" (1852)

Background imageRelief Carving Collection: Kalabscheh, Sculptures De La Facade Posterieure Du Temple;Nubie, 1849 / 51

Kalabscheh, Sculptures De La Facade Posterieure Du Temple;Nubie, 1849 / 51
Kalabscheh, Sculptures De La Facade Posterieure Du Temple; Nubie, 1849/51, printed 1852. A work made of salted paper print, plate 91 from the album " egypte, nubie

Background imageRelief Carving Collection: Medinet-Habou, Galerie du Palais de Ramses-Meiamoun;Thebes, 1849 / 51

Medinet-Habou, Galerie du Palais de Ramses-Meiamoun;Thebes, 1849 / 51
Medinet-Habou, Galerie du Palais de Ramses-Meiamoun; Thebes, 1849/51, printed 1852. A work made of salted paper print, plate 52 from the album " egypte, nubie, palestine et syrie" (1852)

Background imageRelief Carving Collection: Grand Temple d Isis aPhiloe, Second Pylone;Nubie, 1849 / 51, printed 1852

Grand Temple d Isis aPhiloe, Second Pylone;Nubie, 1849 / 51, printed 1852
Grand Temple d Isis a Philoe, Second Pylone; Nubie, 1849/51, printed 1852. A work made of salted paper print, plate 74 from the album " egypte, nubie, palestine et syrie" (1852)

Background imageRelief Carving Collection: Grand Temple de Denderah (Teutyres), Sculptures de la Facade Posterieure

Grand Temple de Denderah (Teutyres), Sculptures de la Facade Posterieure; Haute-Egypte, 1849/51, printed 1852. A work made of salted paper print, plate 19 from the album " egypte, nubie

Background imageRelief Carving Collection: Landscape carved in low relief, Qing dynasty, 1735-1796. Creator: Unknown

Landscape carved in low relief, Qing dynasty, 1735-1796. Creator: Unknown
Landscape carved in low relief, Qing dynasty, 1735-1796

Background imageRelief Carving Collection: Seated Buddha (Shakyamuni) with bodhisattvas, monks, and lions, Period of Division

Seated Buddha (Shakyamuni) with bodhisattvas, monks, and lions, Period of Division, Dated 549 CE

Background imageRelief Carving Collection: Seated bodhisattva, Period of Division, 550-577. Creator: Unknown

Seated bodhisattva, Period of Division, 550-577. Creator: Unknown
Seated bodhisattva, Period of Division, 550-577

Background imageRelief Carving Collection: Seated Buddha with bodhisattvas (obverse); Seated Buddha

Seated Buddha with bodhisattvas (obverse); Seated Buddha and Prabhutaratna (reverse), Period of Division, dated 548 CE

Background imageRelief Carving Collection: Seated Buddha (fragment), Period of Division, 534-555. Creator: Unknown

Seated Buddha (fragment), Period of Division, 534-555. Creator: Unknown
Seated Buddha (fragment), Period of Division, 534-555

Background imageRelief Carving Collection: Buddhist stele, Period of Division, Dated 564 C. E Creator: Unknown

Buddhist stele, Period of Division, Dated 564 C. E Creator: Unknown
Buddhist stele, Period of Division, Dated 564 C. E

Background imageRelief Carving Collection: Relief statuette of seated Buddha with nine miniature Buddhas

Relief statuette of seated Buddha with nine miniature Buddhas around in low relief on wide mandorla, Period of Division, 5th century

Background imageRelief Carving Collection: Square fragment: showing Buddhist procession, Northern Wei dynasty, early 6th century

Square fragment: showing Buddhist procession, Northern Wei dynasty, early 6th century

Background imageRelief Carving Collection: Seated Buddha with a standing monk, Tang dynasty, first half 8th century

Seated Buddha with a standing monk, Tang dynasty, first half 8th century

Background imageRelief Carving Collection: Head of Bodhisattva in high relief, with high headdress... Period of Division, 386-535

Head of Bodhisattva in high relief, with high headdress... Period of Division, 386-535
Head of Bodhisattva in high relief, with high headdress containing Amida figure, Period of Division, 386-535

Background imageRelief Carving Collection: Slab in low relief from mortuary chamber... Eastern Han dynasty, 25-220

Slab in low relief from mortuary chamber... Eastern Han dynasty, 25-220
Slab in low relief from mortuary chamber; design, in three registers, of horses, riders, and carts, Eastern Han dynasty, 25-220

Background imageRelief Carving Collection: Versailles, Vase par Ballin, 1901. Creator: Eugene Atget

Versailles, Vase par Ballin, 1901. Creator: Eugene Atget
Versailles, Vase par Ballin, 1901. A work made of albumen print

Background imageRelief Carving Collection: Versailles, Vase (Detail), 1906. Creator: Eugene Atget

Versailles, Vase (Detail), 1906. Creator: Eugene Atget
Versailles, Vase (Detail), 1906. A work made of albumen print

Background imageRelief Carving Collection: Sorra Shooting at a Mark [reverse], 1561. Creator: Antonio Abondio

Sorra Shooting at a Mark [reverse], 1561. Creator: Antonio Abondio
Sorra Shooting at a Mark [reverse], 1561

Background imageRelief Carving Collection: SocieteNationale des Beaux-Arts: Jean-Louis Ernest Meissonier and Pierre Puvis

SocieteNationale des Beaux-Arts: Jean-Louis Ernest Meissonier and Pierre Puvis
Societe Nationale des Beaux-Arts: Jean-Louis Ernest Meissonier and Pierre Puvis de Chavannes [obverse], 1890

Background imageRelief Carving Collection: Leonora, Wife of Giovanni Battista Cambi, called Bombarda, the Medallist

Leonora, Wife of Giovanni Battista Cambi, called Bombarda, the Medallist, late 16th century

Background imageRelief Carving Collection: The Porta Pia [reverse], 1561. Creator: Gian Federigo Bonzagna

The Porta Pia [reverse], 1561. Creator: Gian Federigo Bonzagna
The Porta Pia [reverse], 1561

Background imageRelief Carving Collection: Pius IV (Giovanni Angelo de Medici, 1499-1565), Pope 1559 [obverse], 1561

Pius IV (Giovanni Angelo de Medici, 1499-1565), Pope 1559 [obverse], 1561

Background imageRelief Carving Collection: Facade of Santa Caterina dei Funari, Rome [reverse], 1561

Facade of Santa Caterina dei Funari, Rome [reverse], 1561

Background imageRelief Carving Collection: Ippolito II d Este, 1509-1572, Son of Alfonso I d Este, Cardinal 1538, 1547 / 1575

Ippolito II d Este, 1509-1572, Son of Alfonso I d Este, Cardinal 1538, 1547 / 1575
Ippolito II d Este, 1509-1572, Son of Alfonso I d Este, Cardinal 1538, 1547/1575

Background imageRelief Carving Collection: Self-Portrait [obverse], 1458. Creator: Giovanni Boldu

Self-Portrait [obverse], 1458. Creator: Giovanni Boldu
Self-Portrait [obverse], 1458

Background imageRelief Carving Collection: Arion Riding on a Dolphin [reverse], 1457. Creator: Giovanni Boldu

Arion Riding on a Dolphin [reverse], 1457. Creator: Giovanni Boldu
Arion Riding on a Dolphin [reverse], 1457

Background imageRelief Carving Collection: Apollo with Lyre and Long Scroll [reverse], 1457. Creator: Giovanni Boldu

Apollo with Lyre and Long Scroll [reverse], 1457. Creator: Giovanni Boldu
Apollo with Lyre and Long Scroll [reverse], 1457

Background imageRelief Carving Collection: Filippo de Medici, Archbishop of Pisa, 1462-1474 [obverse]

Filippo de Medici, Archbishop of Pisa, 1462-1474 [obverse]

Background imageRelief Carving Collection: Felicitas Seated, Holding Ears of Corn and Waving Cornucopiae [reverse], 1494 or before

Felicitas Seated, Holding Ears of Corn and Waving Cornucopiae [reverse], 1494 or before

Background imageRelief Carving Collection: Minerva, Hercules, and Vice [reverse], c. 1571. Creator: Antonio Abondio

Minerva, Hercules, and Vice [reverse], c. 1571. Creator: Antonio Abondio
Minerva, Hercules, and Vice [reverse], c. 1571

Background imageRelief Carving Collection: Figure in Antique Armor [reverse]. Creator: Bertoldo di Giovanni

Figure in Antique Armor [reverse]. Creator: Bertoldo di Giovanni
Figure in Antique Armor [reverse]

Background imageRelief Carving Collection: Two Nude Men Carrying Baskets with Olive Branches [reverse], c. 1443. Creator: Pisanello

Two Nude Men Carrying Baskets with Olive Branches [reverse], c. 1443. Creator: Pisanello
Two Nude Men Carrying Baskets with Olive Branches [reverse], c. 1443

Background imageRelief Carving Collection: Pelican in Her Piety [reverse], c. 1446. Creator: Pisanello

Pelican in Her Piety [reverse], c. 1446. Creator: Pisanello
Pelican in Her Piety [reverse], c. 1446

Background imageRelief Carving Collection: Malatesta in Armor, Kneeling Before a Crucifix [reverse], c. 1445. Creator: Pisanello

Malatesta in Armor, Kneeling Before a Crucifix [reverse], c. 1445. Creator: Pisanello
Malatesta in Armor, Kneeling Before a Crucifix [reverse], c. 1445

Background imageRelief Carving Collection: Lion Being Taught by Cupid to Sing [reverse], 1444. Creator: Pisanello

Lion Being Taught by Cupid to Sing [reverse], 1444. Creator: Pisanello
Lion Being Taught by Cupid to Sing [reverse], 1444

Background imageRelief Carving Collection: Niccolo Piccinino, 1386-1444, Condottiere [obverse], c. 1441. Creator: Pisanello

Niccolo Piccinino, 1386-1444, Condottiere [obverse], c. 1441. Creator: Pisanello
Niccolo Piccinino, 1386-1444, Condottiere [obverse], c. 1441



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Relief carving is an exquisite art form that has adorned various corners of the world throughout history. From the Sheela-na-Gig on the church wall of Killinaboy in County Clare, Ireland, to the Sunrise with a Buddha Statue in Borobudur, Central Java, Indonesia, these intricate carvings have captivated viewers for centuries. One cannot help but marvel at the mausoleum relief depicting Hercules chaining Cerberus from the second century or admire the grandeur of Qutb Minar in India. The Behistun Inscription in Kermanshah, Iran tells ancient tales through its detailed relief work while images of deities on Kesava Temple's walls transport us to South India. The doorway inside Imperial Palace Citadel Hue Vietnam showcases relief carvings that narrate stories and traditions unique to their culture. Even Roman civilization left its mark with a stunning elephant relief sculpture. Traveling further back in time, we find ourselves standing before the awe-inspiring Relief carving in Egypt's Temple of Kom Ombo near Aswan. Its intricacy and symbolism speak volumes about ancient Egyptian beliefs and customs. In England's Lost Houses by Giles Worsley (1961-2006), we catch a glimpse of The Jezebel chimneypiece at Heath Old Hall Yorkshire—a testament to Britain's rich architectural heritage. Meanwhile, at Pergamon Museum stands a Sol Roman Sun-God chariot relief dating back to 400-370 BC—an artistic representation frozen in time. Lastly, French Renaissance ornaments carved meticulously into stone and wood showcase exceptional craftsmanship from 1898 whose creators remain unknown but appreciated nonetheless. These diverse examples highlight how relief carving transcends borders and eras as it continues to mesmerize us with its beauty and storytelling ability. Whether it be religious devotion or historical narratives etched into stone or wood—relief carving remains an enduring testament to human creativity across continents and centuries.