Parable Collection (#5)

The Return of the Prodigal Son, Mid of the 18th century. Found in the Collection of State Open-air Museum Pavlovsk Palace, St. Petersburg

The Baptism of Christ. The Raising of Lazarus (Manuscript illumination from the Matenadaran Gospel), 14th century. Found in the Collection of Mesrop Mashtots Institute of Ancient Manuscripts

The Good Samaritan, 1846 (oil on canvas)
NGW184222 The Good Samaritan, 1846 (oil on canvas) by Millet, Jean-Francois (1814-75); 41x32.7 cm; National Museum Wales; National Museums & Galleries of Wales

PARABLE OF RICH MAN
Jesus tells of a rich man who stores up huge quantities of goods - but dies before he can enjoy them. Date: 1st century

Tapestry panel depicting the Dishonest Miller, from Basel, 1460-80 (wool & linen)
3576080 Tapestry panel depicting the Dishonest Miller, from Basel, 1460-80 (wool & linen) by Swiss School, (15th century); 91.4x110.4 cm; Burrell Collection, Glasgow

The Return of the Prodigal Son, 1636 (Etching)
7393369 The Return of the Prodigal Son, 1636 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 15, 6 x 13, 6 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Diptych of Blessed Andrea Gallerani: The blessed host Gallerani receiving pelgrims and beggars, external panels, c
885774 Diptych of Blessed Andrea Gallerani: The blessed host Gallerani receiving pelgrims and beggars, external panels, c.1270 (painting on wood) by Guido da Siena

Diptych of Blessed Andrea Gallerani: St. Francis receives the stigmata and the blessed Gallerani, interior right panel
885776 Diptych of Blessed Andrea Gallerani: St.Francis receives the stigmata and the blessed Gallerani, interior right panel, c.1270 (painting on panel) by Guido da Siena

Parables, including the Raising of Lazarus. 19th century (Russian popular coloured woodcut)
542809 Parables, including the Raising of Lazarus. 19th century (Russian popular coloured woodcut) by Russian School, (19th century); Universal History Archive/UIG

Lazarus on his deathbed, from the parable of the rich man and Lazarus, 12th century
6166290 Lazarus on his deathbed, from the parable of the rich man and Lazarus, 12th century; Duomo (Cattedrale di Santa Maria Nuova), Monreale, Sicily

The rich man and Lazarus (oil on panel)
3930927 The rich man and Lazarus (oil on panel); 115x171 cm; National Museum, Stockholm, Sweden; (add.info.: Gospel according to St Luke)

Parable of the good shepherd, from the manuscript Le roman de la rose, 14th century (miniature)
AIS5346137 Parable of the good shepherd, from the manuscript Le roman de la rose, 14th century (miniature) by Unknown Artist, (14th century); Biblioteca de la Universidad de Valencia, Valencia

Good Samaritan, (oil on canvas)
7129935 Good Samaritan, (oil on canvas) by Forli, Melozzo da (1438-94); Pio Monte della Misericordia, Naples, Italy; (add.info.: Good Samaritan, Forli, oil on canvas, Pio Monte della Misericordia)

Return of the prodigal son, (painting)
7129334 Return of the prodigal son, (painting) by Guercino (Giovanni Francesco Barbieri) (1591-1666); Galleria Doria Pamphilj, Rome, Italy; (add.info.: Return of the prodigal son, Guercino)

Departure of the Prodigal Son, c. 1650 (oil on canvas)
7352689 Departure of the Prodigal Son, c.1650 (oil on canvas) by Wael, Cornelis de (1592-1667); 227x265 cm; Private Collection; (add.info.: Artist)

Return of the Prodigal Son, c. 1650 (oil on canvas)
7352688 Return of the Prodigal Son, c.1650 (oil on canvas) by Wael, Cornelis de (1592-1667); 227x265 cm; Private Collection; (add.info.: Artist)

Return of the prodigal son, 1656 circa, Mattia Preti (oil on canvas)
7064287 Return of the prodigal son, 1656 circa, Mattia Preti (oil on canvas) by Preti, Mattia (Il Calabrese) (1613-99); Museo di Capodimonte, Naples, Campania

The feast of the rich man, 17th century (painting)
7129443 The feast of the rich man, 17th century (painting) by Preti, Mattia (Il Calabrese) (1613-99); Galleria Nazionale d'Arte Antica, Rome, Italy; (add.info.: The feast of the rich man)

The parable of the laborers in the vineyard, c. 1500 (tapestry)
CUL4900107 The parable of the laborers in the vineyard, c.1500 (tapestry) by Coecke van Aelst, Pieter (1502-50) (studio of); 410x620 cm; Catedral de Zamora, Castilla y Leon

The parable of the laborers in the vineyard, c. 1500 (tapestry)
CUL4899493 The parable of the laborers in the vineyard, c.1500 (tapestry) by Coecke van Aelst, Pieter (1502-50) (studio of); 410x620 cm; Catedral de Zamora, Castilla y Leon

The parable of the laborers in the vineyard, c. 1500 (tapestry)
CUL4900168 The parable of the laborers in the vineyard, c.1500 (tapestry) by Coecke van Aelst, Pieter (1502-50) (studio of); 410x620 cm; Catedral de Zamora, Castilla y Leon

The parable of the laborers in the vineyard, c. 1500 (tapestry)
CUL4899701 The parable of the laborers in the vineyard, c.1500 (tapestry) by Coecke van Aelst, Pieter (1502-50) (studio of); 410x620 cm; Catedral de Zamora, Castilla y Leon

The parable of the laborers in the vineyard, c. 1500 (tapestry)
CUL4900099 The parable of the laborers in the vineyard, c.1500 (tapestry) by Coecke van Aelst, Pieter (1502-50) (studio of); 410x620 cm; Catedral de Zamora, Castilla y Leon

The parable of the laborers in the vineyard, c. 1500 (tapestry)
CUL4899624 The parable of the laborers in the vineyard, c.1500 (tapestry) by Coecke van Aelst, Pieter (1502-50) (studio of); 410x620 cm; Catedral de Zamora, Castilla y Leon

The parable of the laborers in the vineyard, c. 1500 (tapestry)
CUL4900124 The parable of the laborers in the vineyard, c.1500 (tapestry) by Coecke van Aelst, Pieter (1502-50) (studio of); 410x620 cm; Catedral de Zamora, Castilla y Leon

The parable of the laborers in the vineyard, c. 1500 (tapestry)
CUL4900000 The parable of the laborers in the vineyard, c.1500 (tapestry) by Coecke van Aelst, Pieter (1502-50) (studio of); 410x620 cm; Catedral de Zamora, Castilla y Leon

The parable of the laborers in the vineyard, c. 1500 (tapestry)
CUL4899812 The parable of the laborers in the vineyard, c.1500 (tapestry) by Coecke van Aelst, Pieter (1502-50) (studio of); 410x620 cm; Catedral de Zamora, Castilla y Leon

The willful blind and the cripple who want to teach a child to walk, 1917-18 (oil)
7333035 The willful blind and the cripple who want to teach a child to walk, 1917-18 (oil) by Woestyne, Gustave van de (1881-1947); Museum van Deinze en de Leiestreek, Deinze

Jesus and the Adulteress (grisaille on wood)
XIR390390 Jesus and the Adulteress (grisaille on wood) by Venne, Adriaen Pietersz. van de (1589-1662); 58.5x61.8 cm; Musee des Beaux-Arts, Caen

The Prodigal Son or The Reconciliation, 1895 (bronze)
7332591 The Prodigal Son or The Reconciliation, 1895 (bronze) by Meunier, Constantin Emile (1831-1905); Museum voor Schone Kunsten, Ghent, Belgium; (add.info.: Museum voor Schone Kunsten)

The Parable of the Great Supper, c. 1884 (Oil on canvas)
7212779 The Parable of the Great Supper, c.1884 (Oil on canvas) by Rich, William George (1857-after 1901); The Ms Gallery, London, UK; (add.info.: Rich)

The Parable of the Lost Sheep, c. 1884 (Oil on canvas)
7212778 The Parable of the Lost Sheep, c.1884 (Oil on canvas) by Rich, William George (1857-after 1901); The Ms Gallery, London, UK; (add.info.: Rich)

The Parable of the Prodigal Son, c. 1884 (Oil on canvas)
7212777 The Parable of the Prodigal Son, c.1884 (Oil on canvas) by Rich, William George (1857-after 1901); The Ms Gallery, London, UK; (add.info.: Rich)

Landscape with the Good Samaritan (oil on canvas)
6336927 Landscape with the Good Samaritan (oil on canvas) by Mostaert, Frans (1528-60); Koninklijk Museum voor Schone Kunsten, Antwerp

The Prodigal Son, 1618 (oil on panel)
471072 The Prodigal Son, 1618 (oil on panel) by Rubens, Peter Paul (1577-1640); 111x159 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

The Return of the Lost Son, 1878 (oil on canvas)
490079 The Return of the Lost Son, 1878 (oil on canvas) by Jans, Edouard de (1855-1919); 81.5x100.5 cm; Groeningemuseum, Bruges, Belgium; (add.info.: The Parable of the Prodigal Son, Luke 15:11-32)

Blind Monks Examining an Elephant (print)
528554 Blind Monks Examining an Elephant (print) by Itcho, Hanabusa (1652-1724); (add.info.: Illustration of Buddhist parable where each monk reached a different conclusion depending which part of)

The Imprisoned Servant, from The Parable of the Unmerciful Servant, bound in Thesaurus Sac... 1585. Creator: Anon
The Imprisoned Servant, from The Parable of the Unmerciful Servant, bound in Thesaurus Sacrarum historiarum Veteris et Novi Testamenti, 1585

The King Summoning the Servant, from The Parable of the Unmerciful Servant, bound in Thesa... 1585. Creator: Anon
The King Summoning the Servant, from The Parable of the Unmerciful Servant, bound in Thesaurus Sacrarum historiarum Veteris et Novi Testamenti, 1585

The King Cancelling his Servants Debt, from the Parable of the Unmerciful Servant, bound... 1585. Creator: Anon
The King Cancelling his Servants Debt, from the Parable of the Unmerciful Servant, bound in Thesaurus Sacrarum historiarum Veteris et Novi Testamenti, 1585

The Servant Sending his Fellow Servant to Prison, from The Parable of the Unmerciful Serva... 1585. Creator: Anon
The Servant Sending his Fellow Servant to Prison, from The Parable of the Unmerciful Servant, bound in Thesaurus Sacrarum historiarum Veteris et Novi Testamenti, 1585

Aimez-vous les uns les autres or La transgression du commandement
FIA5409560 Aimez-vous les uns les autres or La transgression du commandement by Danger, Henri-Camille (1857-1937); Private Collection; (add.info)

Fray Pedro Gocial museum in San Franciscos convent, Quito, Ecuador. Good shepherd statue (17th century)
7230067 Fray Pedro Gocial museum in San Franciscos convent, Quito, Ecuador. Good shepherd statue (17th century, anonymous)(photography) by Unknown Artist

The Prodigals Return
LLM462009 The Prodigals Return by Dudley, Robert Ambrose (1867-1951); Private Collection; (add.info.: The Prodigals Return)

The prodigal sons return (colour litho)
5224160 The prodigal sons return (colour litho) by Hassall, John (1868-1948); Private Collection; (add.info.: The prodigal sons return)

Khan, Scene of the Parable of the Good Samaritan (b / w photo)
5991128 Khan, Scene of the Parable of the Good Samaritan (b/w photo) by Grober, Karl (1885-1945); Private Collection; (add.info.: Khan, Scene of the Parable of the Good Samaritan)

The Sower
LLM462012 The Sower by Dudley, Robert Ambrose (1867-1951); Private Collection; (add.info.: The Sower. Simple Bible Stories for the Little Ones (Ernest Nister, c 1890).); © Look and Learn

Le retour du fils prodigue (Return of the Prodigal Son). Peinture de Jacopo Palma il Giovane le Jeune (1544-1628)
FIA5354344 Le retour du fils prodigue (Return of the Prodigal Son). Peinture de Jacopo Palma il Giovane le Jeune (1544-1628), apres 1600. Huile sur toile. Art italien, style manieriste

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"Unveiling the Hidden Truth: Exploring Parables through Art" Step into a world where art becomes a gateway to understanding profound parables. Rembrandt's masterpiece, "The Return of the Prodigal Son, " captures the essence of forgiveness and redemption in its tender brushstrokes. In contrast, Katsushika Hokusai's woodblock print, "The Blind Men and the Elephant, " invites us to question our limited perspectives. Like blind men feeling different parts of an elephant, we realize that truth can be subjective and fragmented. William John Wainwright's painting, "Parable Of The Wise And Foolish Virgins, " serves as a reminder to seize opportunities wisely. It depicts the importance of preparedness and vigilance in life's journey. Batoni's rendition of "Return of the Prodigal Son" transports us back to 1773 with its grandeur. This portrayal emphasizes reconciliation and unconditional love as key themes within this timeless parable. "The Good Shepherd" resonates deeply with its depiction of Jesus caring for his flock. This iconic image reminds us that compassion and guidance are essential qualities for leaders in any realm. Moving forward, we encounter another interpretation of "The Parable of the Sower. " Painted by an unknown artist in 1557, it illustrates how seeds fall on various types of soil symbolizing human hearts' receptiveness to divine teachings. Das Plenarium presents us with Martin Luther’s illustration titled "The Parable of the Sower and the Weeds. " Here we witness God’s wisdom in allowing both good and evil to coexist until judgment day—a thought-provoking concept indeed. Furthermore, let us not forget about “The Parable Of The Talents. ” A powerful message lies within this biblical narrative—each person possesses unique gifts meant to be nurtured rather than hidden away fearfully. As we delve deeper into these artworks spanning centuries, we uncover the universal truths encapsulated in parables.