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Our Saviour Collection (#3)

"Our Saviour: A Journey Through Faith and Redemption" Step into the Spasskaya Church of Our Saviour, a sanctuary that echoes with centuries of devotion

Background imageOur Saviour Collection: Madonna and Child, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo

Madonna and Child, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Madonna and Child, mid 18th century, (1928). Pen with wash on white paper. Victoria & Albert Museum, London. Italian Venetian painter and printmaker Giovanni Battista Tiepolo (1696-1770)

Background imageOur Saviour Collection: The Madonna of the Tower, 1509-1511, (c1912). Artist: Raphael

The Madonna of the Tower, 1509-1511, (c1912). Artist: Raphael
The Madonna of the Tower, 1509-1511, (c1912). The Madonna and Child (The Mackintosh Madonna) painting in the National Gallery, London. Miss Eva Mackintosh presented it to the nation in 1906

Background imageOur Saviour Collection: The Madonna Della Sedia, c1514, (c1912). Artist: Raphael

The Madonna Della Sedia, c1514, (c1912). Artist: Raphael
The Madonna Della Sedia, c1514, (c1912). Madonna of the Chair with St. John the Baptist as a child, painting in the Galleria Palatina, Florence, Italy

Background imageOur Saviour Collection: The Madonna Del Gran Duca, 1505, (c1912). Artist: Raphael

The Madonna Del Gran Duca, 1505, (c1912). Artist: Raphael
The Madonna Del Gran Duca, 1505, (c1912). Madonna del Granduca, painting in the Galleria Palatina, Florence, Italy. The painting belonged to Ferdinand III, Grand Duke of Tuscany, hence its name

Background imageOur Saviour Collection: The Ansidei Madonna, 1505, (c1912). Artist: Raphael

The Ansidei Madonna, 1505, (c1912). Artist: Raphael
The Ansidei Madonna, 1505, (c1912). Painting in the National Gallery, London. Altar-piece commissioned by Niccolo Ansidei for his family chapel dedicated to Saint Nicholas in the church of San

Background imageOur Saviour Collection: The Infant Christ, 15th century, (c1909). Artist: Fra Angelico

The Infant Christ, 15th century, (c1909). Artist: Fra Angelico
The Infant Christ, 15th century, (c1909). Italian Early Renaissance painter Fra Angelico (born Guido di Pietro, c1395-1455) was a Dominican friar (his name means Angelic friar )

Background imageOur Saviour Collection: Christ as a Pilgrim Met by Two Dominicans, 15th century, (c1909). Artist: Fra Angelico

Christ as a Pilgrim Met by Two Dominicans, 15th century, (c1909). Artist: Fra Angelico
Christ as a Pilgrim Met by Two Dominicans, 15th century, (c1909). Italian Early Renaissance painter Fra Angelico (born Guido di Pietro)

Background imageOur Saviour Collection: A Figure of Christ, 15th century, (c1909). Artist: Fra Angelico

A Figure of Christ, 15th century, (c1909). Artist: Fra Angelico
A Figure of Christ, 15th century, (c1909). Italian Early Renaissance painter Fra Angelico (born Guido di Pietro, c1395-1455) was a Dominican friar (his name means Angelic friar )

Background imageOur Saviour Collection: La Belle Jardiniere, 1507, (c1912). Artist: Raphael

La Belle Jardiniere, 1507, (c1912). Artist: Raphael
La Belle Jardinie re, 1507, (c1912). Madonna and Child with Saint John the Baptist, painting in the Louvre, Paris, France

Background imageOur Saviour Collection: The Expulsion of the Moneylenders from the Temple, c1600, (1938). Artist: El Greco

The Expulsion of the Moneylenders from the Temple, c1600, (1938). Artist: El Greco
The Expulsion of the Moneylenders from the Temple, c1600, (1938). Detail from Christ driving the Traders from the Temple, painting in the National Gallery, London

Background imageOur Saviour Collection: Water into Wine at Cana, (19th century?). Artists: Weenix, N v d Linden

Water into Wine at Cana, (19th century?). Artists: Weenix, N v d Linden
Water into Wine at Cana, (19th century?). Biblical scene: Jesus performs the miracle of turning the water into wine during the Wedding at Cana

Background imageOur Saviour Collection: Suffer the little children, (19th century?). Artists: Weenix, N v d Linden

Suffer the little children, (19th century?). Artists: Weenix, N v d Linden
Suffer the little children, (19th century?). Illustration of bible verse: But Jesus said, Suffer little children, and forbid them not, to come unto me: for of such is the kingdom of heaven

Background imageOur Saviour Collection: Christs entry into Jerusalem, (19th century?). Artists: Weenix, N v d Linden

Christs entry into Jerusalem, (19th century?). Artists: Weenix, N v d Linden
Christs entry into Jerusalem, (19th century?). Biblical scene: Jesus riding a donkey, surrounded by followers with palm fronds

Background imageOur Saviour Collection: La Sagrada Cena, (he Last Supper), 1562, (c1934). Artist: Juan De Juanes

La Sagrada Cena, (he Last Supper), 1562, (c1934). Artist: Juan De Juanes
La Sagrada Cena, (The Last Supper), 1562, (c1934). commissioned for the high altar of the church of San Esteban of Valencia

Background imageOur Saviour Collection: Christ with St Paul and St Peter (right), Mosail detail, Church of Santa Costanza, Rome, 350 BC

Christ with St Paul and St Peter (right), Mosail detail, Church of Santa Costanza, Rome, 350 BC. Detail of mosaic in Apse of North Aisle of Santa Costanza

Background imageOur Saviour Collection: Head of the Redeemer, c15th century, (1932). Artist: Leonardo da Vinci

Head of the Redeemer, c15th century, (1932). Artist: Leonardo da Vinci
Head of the Redeemer, c15th century, (1932). From the collection of the Pinacoteca of Brera, Milan. From Master Draughtsmen No. 2 - Leonardo Da Vinci 1452-1519

Background imageOur Saviour Collection: The Adoration of the Magi, c1455, (1939). Artist: Jean Fouquet

The Adoration of the Magi, c1455, (1939). Artist: Jean Fouquet
The Adoration of the Magi, c1455, (1939). The illustration is part of the manuscript Livre d heures d Etienne Chevalier by Jean Fouquet

Background imageOur Saviour Collection: Head of the Infant Jesus - Virgin and Child with St. Anne and Infant St. John, c1480 (1945)

Head of the Infant Jesus - Virgin and Child with St. Anne and Infant St. John, c1480 (1945). Artist: Leonardo da Vinci
Head of the Infant Jesus - Virgin and Child with St. Anne and Infant St. John, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageOur Saviour Collection: Adoration of the Kings: Composition Sketch, 1478-1481 (1945). Artist: Leonardo da Vinci

Adoration of the Kings: Composition Sketch, 1478-1481 (1945). Artist: Leonardo da Vinci
Adoration of the Kings: Composition Sketch, 1478-1481 (1945). The drawing is held by the Musee du Louvre, Paris. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageOur Saviour Collection: Jesus Y El Centurio De Cafarnaun, (Jesus and the Centurion), 1571, (c1934). Artist: Paolo Veronese

Jesus Y El Centurio De Cafarnaun, (Jesus and the Centurion), 1571, (c1934). Artist: Paolo Veronese
Jesus Y El Centurio De Cafarnaun, (Jesus and the Centurion), 1571, (c1934). From the Book of Matthew, the encounter between two groups of characters

Background imageOur Saviour Collection: El Pasmo de Sicilia, (Christ Falling on the Way to Calvary), c1515, (c1934). Artist: Raphael

El Pasmo de Sicilia, (Christ Falling on the Way to Calvary), c1515, (c1934). Artist: Raphael
El Pasmo de Sicilia, (Christ Falling on the Way to Calvary), c1515, (c1934). Christ Carrying the Cross to his crucifixion, at the moment when he falls, his mother kneels in agony, and devotion

Background imageOur Saviour Collection: Noli Me Tangere, 1523-1524, (c1934). Artist: Correggio

Noli Me Tangere, 1523-1524, (c1934). Artist: Correggio
Noli Me Tangere, 1523-1524, (c1934). On a road, in the shade of a tree, Christ reveals himself to Mary Magdalene, raising an arm

Background imageOur Saviour Collection: Cristo En Brazos Del Padre Eterno, (Christ in Arms of the Eternal Father), 1577, (c1934)

Cristo En Brazos Del Padre Eterno, (Christ in Arms of the Eternal Father), 1577, (c1934). Artist: El Greco
Cristo En Brazos Del Padre Eterno, (Christ in Arms of the Eternal Father), 1577, (c1934). El Greco painted his only version of the Trinity, with the semi-nude corpse of Christ being supported

Background imageOur Saviour Collection: Ecce-Homo, 1660 - 1670, (c1934). Artist: Bartolome Esteban Murillo

Ecce-Homo, 1660 - 1670, (c1934). Artist: Bartolome Esteban Murillo
Ecce-Homo, 1660 - 1670, (c1934). Ecce homo (behold the man), are the Latin words used by Pontius Pilate when he presented Jesus Christ, bound and crowned with thorns

Background imageOur Saviour Collection: El Divino Pastor, (The Good Shepherd), 1660, (c1934) Artist: Bartolome Esteban Murillo

El Divino Pastor, (The Good Shepherd), 1660, (c1934) Artist: Bartolome Esteban Murillo
El Divino Pastor, (The Good Shepherd), 1660, (c1934). The image of the Good Shepherd was seen as a figure of Christ who saves and cares for his sheep, also an allegory of the Eucharist

Background imageOur Saviour Collection: La Sagrada Familia (The Holy Family with a Little Bird), c1650, (c1934)

La Sagrada Familia (The Holy Family with a Little Bird), c1650, (c1934). Artist: Bartolome Esteban Murillo
La Sagrada Familia (The Holy Family with a Little Bird), c1650, (c1934). A tender domestic scene showing Virgin Mary winding a skein of thread and watching the Christ Child

Background imageOur Saviour Collection: Jesus y Juan El Bautista Ninos, (Jesus and John the Baptist, children), 1670, (c1934)

Jesus y Juan El Bautista Ninos, (Jesus and John the Baptist, children), 1670, (c1934). The infant Christ holds a shell for his cousin John to drink

Background imageOur Saviour Collection: La Coronacion de la Virgen, (Coronation of the Virgin ), 1635-1648, (c1934). Artist: Diego Velasquez

La Coronacion de la Virgen, (Coronation of the Virgin ), 1635-1648, (c1934). Artist: Diego Velasquez
La Coronacion de la Virgen, (Coronation of the Virgin ), 1635-1648, (c1934). Probably commissioned for the oratory of the court of Elisabeth of France

Background imageOur Saviour Collection: The Obligations of Service and Sacrifice, c1900, (1917)

The Obligations of Service and Sacrifice, c1900, (1917). From Bibbys Annual 1917, [J. Bibby & Sons, Liverpool, 1917]

Background imageOur Saviour Collection: Come Unto Me, c1900, (1912). Artist: J Wencke

Come Unto Me, c1900, (1912). Artist: J Wencke
Come Unto Me, c1900, (1912). From Bibbys Annual 1912, [J. Bibby & Sons, Liverpool, 1912]

Background imageOur Saviour Collection: The Adoration of the Kings, c1510, (1912). Artist: Jan Gossaert

The Adoration of the Kings, c1510, (1912). Artist: Jan Gossaert
The Adoration of the Kings, c1510, (1912). Painting held at The National Portrait Gallery, London. From Bibbys Annual 1912, [J. Bibby & Sons, Liverpool, 1912]

Background imageOur Saviour Collection: Our Lady of Promise, c1918, (1919). Artist: Edward Reginald Frampton

Our Lady of Promise, c1918, (1919). Artist: Edward Reginald Frampton
Our Lady of Promise, c1918, (1919). From The Studio Volume 75. [London Offices of the Studio, London, 1919]

Background imageOur Saviour Collection: Christ on the Way to Calvary, c1530, (1907). Artist: Matthias Gerung

Christ on the Way to Calvary, c1530, (1907). Artist: Matthias Gerung
Christ on the Way to Calvary, c1530, (1907). From a German Translation of the New Testament. From The Worlds History, Volume VI. Edited by Dr. H. F. Helmolt [William Heinemann, London, 1907]

Background imageOur Saviour Collection: The Agony in the Garden, c1458, (1909). Artist: Andrea Mantegna

The Agony in the Garden, c1458, (1909). Artist: Andrea Mantegna
The Agony in the Garden, c1458, (1909). Painting held at The National Gallery, London. From The National Gallery, Vol. One [T. C. & E. C. Jack, London and Edinburgh, 1909]

Background imageOur Saviour Collection: Madonna of the Magnificat, 1481. Artist: Sandro Botticelli

Madonna of the Magnificat, 1481. Artist: Sandro Botticelli
Madonna of the Magnificat, 1481. Painting held The Uffizi Gallery, Florence. From The Outline of Art, edited by Sir William Orpen. [George Newnes Limited, London, c1924]

Background imageOur Saviour Collection: The Holy Family, c1624. Artist: Anthony van Dyck

The Holy Family, c1624. Artist: Anthony van Dyck
The Holy Family, c1624. From The Connoisseur Volume XXV. [The Connoisseur Ltd. London, 1909]

Background imageOur Saviour Collection: The Descent from the Cross, 1475. Artist: Andrea Mantegna

The Descent from the Cross, 1475. Artist: Andrea Mantegna
The Descent from the Cross, 1475. From The Print-Collectors Handbook, by Alfred Whitman. [George Bell & Sons, London, 1901]

Background imageOur Saviour Collection: Act of Trampling over the Images of Our Saviour & the Virgin Mary, 1765. Artist: John Hall

Act of Trampling over the Images of Our Saviour & the Virgin Mary, 1765. Artist: John Hall
Act of Trampling over the Images of Our Saviour & the Virgin Mary at the beginning of the New Year at Nagasaki, 1765. After Samuel Wale (c1721-1786)

Background imageOur Saviour Collection: The Virgin and Child, c1480, (1936). Artist: Sandro Botticelli

The Virgin and Child, c1480, (1936). Artist: Sandro Botticelli
The Virgin and Child, c1480, (1936). Housed at the Poldi Pezzoli Museo, Milan. From The Connoisseur, Vol. 97, edited by H. Granville Fell. [International Studio, London, 1936]

Background imageOur Saviour Collection: The Star of Bethlehem, c1887-1891 (c1940). Artist: Sir Edward Coley Burne-Jones

The Star of Bethlehem, c1887-1891 (c1940). Artist: Sir Edward Coley Burne-Jones
The Star of Bethlehem, c1887-1891. Painting held at the Birmingham Museum and Art Gallery, Birmingham. From The Worlds Greatest Paintings, Vol. 1, edited by T

Background imageOur Saviour Collection: Sacred Conversation, c1525. Artist: Jacopo Palma il Vecchio

Sacred Conversation, c1525. Artist: Jacopo Palma il Vecchio
Sacred Conversation, c1525. Painting held at the Gallerie dell Accademia, Venice. From The Studio Volume 119. [The Studio Ltd, London & New York, 1940]

Background imageOur Saviour Collection: Coptic Wood Panel, Joseph carrying the Infant Jesus, 6th-7th century

Coptic Wood Panel, Joseph carrying the Infant Jesus, 6th-7th century. Egyptian (Coptic) at Coptic Museum, Cairo

Background imageOur Saviour Collection: Christian Church wall painting, Ethopia

Christian Church wall painting, Ethopia

Background imageOur Saviour Collection: Ethopian Manuscript Illustration of the Adoration of the Magi, c1664-1667

Ethopian Manuscript Illustration of the Adoration of the Magi, c1664-1667. From the 4 Gospels, copied by Takla. British Museum

Background imageOur Saviour Collection: Coptic Mural of Christ, c6th-7th century

Coptic Mural of Christ, c6th-7th century

Background imageOur Saviour Collection: Christ seated on Globe surrounded by Palms, Church of Santa Costanza, Rome, c 4th century

Christ seated on Globe surrounded by Palms, Church of Santa Costanza, Rome, c 4th century. Apse Mosaic in the South Aisle of Sta. Constanza

Background imageOur Saviour Collection: Dome Mosaic in Orthodox Baptistry, Ravenna, Italy, 5th century

Dome Mosaic in Orthodox Baptistry, Ravenna, Italy, 5th century. The Arian Baptistry in Ravenna, Italy is a Christian baptismal building that was erected by the Ostrogothic King Theodoric the Great

Background imageOur Saviour Collection: Tomb of Jesus on Easter Morning, Wood Panel, Byzantine casket, 5th century

Tomb of Jesus on Easter Morning, Wood Panel, Byzantine casket, 5th century. British Museum



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"Our Saviour: A Journey Through Faith and Redemption" Step into the Spasskaya Church of Our Saviour, a sanctuary that echoes with centuries of devotion. As you enter, witness Christ's righteous anger as he throws the merchants out of the temple in Shirley Markham's powerful depiction from 1950. The scene reminds us to cleanse our hearts and prioritize spiritual purity. Move forward in time to Jeanne Labrousse's Madonna and Child from 1918. This enchanting artwork captures the tender bond between mother and son, reminding us of Mary's role as a guiding light for believers throughout history. Marvel at the painted wooden ceiling in St. Martins Church, Zillis, Switzerland (1928). Though its creator remains unknown, this masterpiece speaks volumes about craftsmanship and dedication to faith. Its intricate details transport worshippers to another realm where divine presence is palpable. Journey further through time with J Jenkins' touching portrayal of Jesus being taken up in his arms and blessed by God during the 19th century. This image encapsulates love, protection, and divine blessings bestowed upon humanity. Reflect on Christ's words from mid-19th century art: "Make not my Father’s house an house of merchandise. " These profound words remind us that spirituality should never be tainted by materialism or greed but rather cherished as sacred ground for worship. Contemplate Freeman's work depicting Jesus' suffering on behalf of humanity: "By whose stripes ye were healed. " It serves as a poignant reminder that through His sacrifice comes redemption and healing for all who believe. Feel the weight of George Presbury's haunting piece from c1840 capturing those cries demanding Jesus' crucifixion: "They cried out, saying Crucify him. " It prompts introspection about human nature while emphasizing Christ’s ultimate act of forgiveness even towards those who betrayed Him. Witness Henry Traut’s evocative artworks showcasing pivotal moments in Jesus’ life.