Leonardo Da Collection

Head of a Bear, c1480 (1945). Artist: Leonardo da Vinci
Head of a Bear, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Portrait of Cecilia Gallerani, Lady with an Ermine, c1490. Artist: Leonardo da Vinci
Portrait of Cecilia Gallerani, Lady with an Ermine, c1490. Cecilia Gallerani was an influential mistress of the ruler of Milan, Ludovico Sforza

Mona Lisa, c1505, (1912). Artist: Leonardo da Vinci
Mona Lisa, c1505, (1912). A colour print of Leonardos famous painting of Mona Lisa or La Gioconda from Famous Paintings with an Introduction by Gilbert Chesterton, Cassell and Company, (London)

The Last Supper, 1800. Creators: Raphael Morghen, Teodoro Matteini
The Last Supper, 1800

Three Studies of Horses, c1480 (1945). Artist: Leonardo da Vinci
Three Studies of Horses, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

A Condottiere, 1480, (1932). Artist: Leonardo da Vinci
A Condottiere, 1480, (1932). From the collection of the British Museum, London. From Master Draughtsmen No. 2 - Leonardo Da Vinci 1452-1519

First Page of The Armenian Letters, 1928. Artist: Leonardo da Vinci
First Page of The Armenian Letters, 1928. From The Mind of Leonardo Da Vinci, by Edward McCurdy. [Jonathan Cape, London, 1928]

Allegories of Pleasure and Pain and of Envy, c1480 (1945). Artist: Leonardo da Vinci
Allegories of Pleasure and Pain and of Envy, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Study of hands, 15th century (1930). Artist: Leonardo da Vinci
Study of hands, 15th century (1930). Found in the Windsor collection. From Apollo magazine, volume XII, no 71 (November 1930)

The Virgin and Child with Saint Anne and Saint John the Baptist, c1500. Artist: Leonardo da Vinci
The Virgin and Child with Saint Anne and Saint John the Baptist, c1500. The Burlington House Cartoon. Leonardo da Vinci (1452-1519). Found in the collection of the National Gallery, London

The Virgin and Child with St Anne and St John the Baptist, 1499-1500, (1943). Creator
The Virgin and Child with St Anne and St John the Baptist, (The Burlington House Cartoon), 1499-1500, (1943). The Virgin Mary sits on the lap of her mother

Drawing of human venous system (Leonardo da Vinci)
Venous system. Drawing of a " venous figure" by Leonardo da Vinci, taken from his Anatomical note- books. This standing figure with its expressive sad face shows the blood circulation

A Horseman Trampling on a Fallen Foe, c1480 (1945). Artist: Leonardo da Vinci
A Horseman Trampling on a Fallen Foe, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies of Horses and of Horses Heads, c1480 (1945). Artist: Leonardo da Vinci
Studies of Horses and of Horses Heads, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Madonna of the Rocks (detail), 1482-1486. Artist: Leonardo da Vinci
Madonna of the Rocks (detail), 1482-1486. From the collection of the Louvre, Paris, France

Study of a Womans Head, c1480 (1945). Artist: Leonardo da Vinci
Study of a Womans Head, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Study of a Rearing Horse, c1480 (1945). Artist: Leonardo da Vinci
Study of a Rearing Horse, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

A Horseman, c1480 (1945). Artist: Leonardo da Vinci
A Horseman, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Landscape, c1480 (1945). Artist: Leonardo da Vinci
Landscape, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Mona Lisa, c1503. Artist: Leonardo da Vinci
Mona Lisa, c1503. Portrait of Lisa Gherardini, wife of Francesco del Giocondo, known as the Mona Lisa, (c1503-1519). Painting held at the Louvre Museum, Paris

Sketch map of Armenia, c1472-c1519 (1883). Artist: Leonardo da Vinci
Sketch map of Armenia, c1472-c1519 (1883). From the Codex Atlanticus. From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR

Allegory with wolf and eagle, c1516 (1954). Artist: Leonardo da Vinci
Allegory with wolf and eagle, c1516 (1954). Found in the collection of the Royal Library, Windsor Castle, Windsor. A print from Leonardo da Vinci by Ludwig H Heydenreich. (London, 1954)

Study of the head of the Madonna, 15th century (1930). Artist: Leonardo da Vinci
Study of the head of the Madonna, 15th century (1930). Used for Litta Madonn. Found in the collection of the Louvre, Paris, France. From Apollo magazine, volume XII, no 69 (September 1930)

St George and the Dragon, c1506. Artist: Leonardo da Vinci
St George and the Dragon, c1506. From the collection of the Royal Library, Windsor Castle, Windsor, England

Studies of Cats and of a Dragon, c1480 (1945). Artist: Leonardo da Vinci
Studies of Cats and of a Dragon, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Two Drawings of the Heart, c1480 (1945). Artist: Leonardo da Vinci
Two Drawings of the Heart, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Title Page: Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum, 1786

Group of naked men engaged in battle in a wooded landscape, some on horseback; a dog at lower left. 1517

Mona Lisa (La Joconde), 1820-60. Creator: Augustine Fauchery
Mona Lisa (La Joconde), 1820-60

Jesus said, - one of you that eateth with me shall betray me, mid 19th century. Creator
Jesus said, - one of you that eateth with me shall betray me, mid 19th century. Biblical scene, from Mark 14: 18: And as they sat and did eat, Jesus said, Verily I say unto you

A scene in an arsenal, c1485-1490, (1943). Creator: Leonardo da Vinci
A scene in an arsenal, c1485-1490, (1943). Nude male figures hoisting a cannon with a pulley in a military storeyard or arsenal

Ginevra de Benci [obverse], c. 1474 / 1478. Creator: Leonardo da Vinci
Ginevra de Benci [obverse], c. 1474/1478

Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum), 1786

Two deformed heads, 1625-1744. Creator: Wenceslaus Hollar
Two deformed heads, 1625-1744

Head studies, 1625-77. Creators: Wenceslaus Hollar, Leonardo da Vinci
Head studies, 1625-77

Male head in profile to left with muscles exposed, 1660. Creator: Wenceslaus Hollar
Male head in profile to left with muscles exposed, 1660

Naked male torso seen from behind, 1645. Creator: Wenceslaus Hollar
Naked male torso seen from behind, 1645

Head of a bald, sinewy man looking downwards, 1648. Creator: Wenceslaus Hollar
Head of a bald, sinewy man looking downwards, 1648

Man with caricatured features and hair streaming behind, in half-length to left, 1648

Head of a man with protruding chin and snub nose looking upwards in profile to left, 1625-77

Bust of a deformed man with a hat and a fat, protruding lower lip in profile to left, 1625-77

Grotesque old man with flattened nose in profile to left, 1625-77

Bust of a deformed woman with curly hair in profile to the left, 1665

Bust of a deformed man wearing a bulbous hat in profile to the left, 1625-77

Two youths in profile to left with two grotesque heads facing each other below, 1625-77

Bust of a deformed old woman with one tooth, facing left, 1665

Four grotesque heads in profile to left, 1625-77. Creator: Wenceslaus Hollar
Four grotesque heads in profile to left, 1625-77

Head and shoulder of a child, in profile to right, 1645. Creator: Wenceslaus Hollar
Head and shoulder of a child, in profile to right, 1645

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Leonardo da Vinci, a name synonymous with genius and artistic mastery. With his unparalleled talent and insatiable curiosity, he left an indelible mark on the world of art and science. From his captivating portraits to his intricate anatomical studies, Leonardo's works continue to captivate audiences centuries later. In "Head of a Bear, " created around 1480, we catch a glimpse of Leonardo's ability to bring life to even the most ferocious creatures. The intensity in the bear's eyes is both mesmerizing and intimidating. "The Last Supper, " recreated by Raphael Morghen and Teodoro Matteini in 1800, pays homage to one of Leonardo's most iconic masterpieces. This depiction captures the profound emotions that permeate this sacred moment. One cannot discuss Leonardo without mentioning "Lady with an Ermine. " Painted around 1490, this portrait showcases not only his technical skill but also his ability to convey emotion through subtle gestures. "A Condottiere" transports us back to Renaissance Italy as we witness Leonardo's fascination with military figures. The attention to detail in every stroke reveals his dedication to capturing authenticity. In "The Armenian Letters, " dating back to 1928, we see another facet of Leonardo's creativity - his talent for calligraphy. Even in something as seemingly mundane as writing letters, he infuses beauty into every stroke. His study of hands from the 15th century demonstrates not only his meticulous observation skills but also highlights how hands can be vessels for expression and communication beyond words themselves. Of course, no discussion about Leonardo would be complete without mentioning perhaps his most famous creation - "Mona Lisa. " Painted circa 1505, her enigmatic smile continues to intrigue viewers worldwide while showcasing Leonardo's mastery over light and shadow. But it wasn't just paintings that fascinated him; he delved into scientific exploration too. His drawing of the human venous system displays an astonishing understanding of anatomy, a testament to his insatiable thirst for knowledge.