Jabot Collection (#3)

Andre Cardinal Destouches, engraved from a medal of 1732, c. 1750 (engraving) (b / w photo)
XIR326104 Andre Cardinal Destouches, engraved from a medal of 1732, c.1750 (engraving) (b/w photo) by Crepy, Louis (b.c.1680); Bibliotheque Nationale, Paris

The Comte de Vaudreuil, 1758 (oil on canvas)
BAL3147 The Comte de Vaudreuil, 1758 (oil on canvas) by Drouais, Francois-Hubert (1727-75); 225.4x161.3 cm; National Gallery, London, UK; (add.info.: son of the Governor of Santo Domingo; ); French

Series Les beaux jours de la vie, A new nobleman, plate 66, illustration
XIR287506 Series Les beaux jours de la vie, A new nobleman, plate 66, illustration from Le Charivari, 2nd July 1845 (litho) (b/w photo) by Daumier

Charles Varlet, known as La Grange, in the role of Dom Juan from Don Juan, or
XIR287015 Charles Varlet, known as La Grange, in the role of Dom Juan from Don Juan, or Le Festin de Pierre by Jean-Baptiste Poquelin Moliere (1622-73) 1875 (engraving) (b/w photo) by Hillemacher

Honore Gabriel Riqueti, Comte de Mirabeau, engraved by Frantz Gabriel Fiesinger
XIR280173 Honore Gabriel Riqueti, Comte de Mirabeau, engraved by Frantz Gabriel Fiesinger (1723-1807) 1797 (litho) (b/w photo) by Guerin, Jean Urbain (1760-1836) (after); Bibliotheque Nationale

Moliere as Harpagon, frontispiece illustration from The Miser by Moliere
XIR279777 Moliere as Harpagon, frontispiece illustration from The Miser by Moliere, engraved by Jean Sauve (fl.1660-91) edition 1682 (engraving) (b/w photo) by Brissart

Portrait of Antonio Canaletto, title page illustration from Prospectus Magni
XIR279771 Portrait of Antonio Canaletto, title page illustration from Prospectus Magni Canalis Venetiarum, before 1735 (engraving) (b/w photo) by Piazzetta

Prince Elector Frederic II of Hessen-Kassel, c. 1785 (oil on canvas) (b / w photo)
XIR267131 Prince Elector Frederic II of Hessen-Kassel, c.1785 (oil on canvas) (b/w photo) by Roslin, Alexander (1718-93); 132x95 cm; Private Collection; (add.info)

Portrait of a Man, 1796 (oil on canvas) (b / w photo)
XIR252922 Portrait of a Man, 1796 (oil on canvas) (b/w photo) by Gauffier, Louis (1761-1801); Private Collection; (add.info.: Portrait d homme; homme; ); French, out of copyright

The dancing master (engraving) (b / w photo)
XIR252772 The dancing master (engraving) (b/w photo) by Bonnart, Nicolas (c.1646-1718); Bibliotheque Municipale, Versailles

Henri Benjamin Constant de Rebecque (1767-1830) as Deputy, engraved by Louis Francois Couche
XIR239741 Henri Benjamin Constant de Rebecque (1767-1830) as Deputy, engraved by Louis Francois Couche (1782-1849) (engraving) (b/w photo) by Jacques (19th century) (after)

Henri Benjamin Constant de Rebecque (1767-1830) at the Tribune (engraving) (b / w photo)
XIR239740 Henri Benjamin Constant de Rebecque (1767-1830) at the Tribune (engraving) (b/w photo) by Philippoteaux, Felix (1815-84) (after); Bibliotheque Publique et Universitaire, Geneva

Henri Benjamin Constant de Rebecque (1767-1830) (aquatint) (b / w photo)
XIR239739 Henri Benjamin Constant de Rebecque (1767-1830) (aquatint) (b/w photo) by Esbrard (19th century); Bibliotheque Nationale, Paris

Wolfgang Amadeus Mozart (1756-91) (engraving) (b / w photo)
XIR239703 Wolfgang Amadeus Mozart (1756-91) (engraving) (b/w photo) by Bollinger, Friedrich Wilhelm (1777-1825); Bibliotheque de l Opera Garnier, Paris, France; German, out of copyright

Brid oison, illustration from Act III Scene 14 of The Marriage of Figaro
XIR239534 Brid oison, illustration from Act III Scene 14 of The Marriage of Figaro by Pierre Augustin Caron de Beaumarchais (1732-99) (engraving) (b/w photo) by Bayard

Jean Bernard Desjean (1645-1711) Baron de Pointis (engraving) (b / w photo)
XIR233779 Jean Bernard Desjean (1645-1711) Baron de Pointis (engraving) (b/w photo) by Bonnart, Henri (1642-1711); Bibliotheque Nationale, Paris

Portrait of Philippe (1640-1701) Duc d Orleans (oil on canvas) (b / w photo)
XIR233737 Portrait of Philippe (1640-1701) Duc d Orleans (oil on canvas) (b/w photo) by Mignard, Pierre (1612-95); Duc de Mouchy Collection, Mouchy

Michel Etienne Turgot, 1776 (engraving)
XIR233004 Michel Etienne Turgot, 1776 (engraving) by Loo, Louis Michel van (1707-71) (after); Bibliotheque Nationale, Paris

Count Louis de Marbeuf (1712-86) 1829 (b / w photo)
XIR242711 Count Louis de Marbeuf (1712-86) 1829 (b/w photo) by Allais, Jean Alexandre (1792-1850); Bibliotheque Nationale, Paris

Self Portrait (pastel)
XMN196799 Self Portrait (pastel) by Tour, Maurice Quentin de la (1704-88); 64x53 cm; Musee de Picardie, Amiens, France; Giraudon; French, out of copyright

Pierre-Paul de Riquet (1646-1730) Count of Caraman (oil on canvas)
XIR175532 Pierre-Paul de Riquet (1646-1730) Count of Caraman (oil on canvas) by French School, (18th century); 92x73 cm; ChAteau de Versailles, France; French, out of copyright

John Law (1671-1729) (engraving) (b / w photo)
XIR233298 John Law (1671-1729) (engraving) (b/w photo) by Rigaud, Hyacinthe (1659-1743) (after); Bibliotheque Nationale, Paris, France; (add.info.: fought a duel over a woman)

Silhouette portrait of Johannes the Fremery, George Kockers, 1793

At Romfords Charter Day the Lord Mayor of London, Sir George Broadbridge ( left ), greeting the Charter Mayor, Councillor, CH Allen, JP. Miss Marjorie Bainbridge is seen on the left

Lady in fancy dress gazing out of a window, February 1938 George Garland Collection West Sussex Record Office Ref No: Garland N16410

Jabot Necktie, Fashion, Engraving 1882

SUSAN B. ANTHONY (1820-1906). American womans suffrage advocate. Photographed by Frances Benjamin Johnston, c1890-1910

Victoria Louise & Ernest Augustus
Princess Victoria Louise of Prussia, Duchess of Brunswick (Victoria Louise Adelaide Matilda Charlotte (1892 - 1980) - the only daughter and the seventh child of Wilhelm II

Riding Dress 1856
Woman in riding habit: lace jabot, jacket with sleeves en bouffant, trained skirt. Men: strapped pantaloons with floral trim, top hats, one man wears a joinville tie

Tailor-Made Circa 1910
Tailor-made suit: button detailing, box pleated skirt & long line jacket with velvet collar & western style pocket, a blouse with lace jabot, broad brimmed hat & fur muff

Stylish Picnic / 1929
Three women and one man have stylish picnic

Women & Girl 1890S Photo
Girl: smocked & embroidered frock with full sleeves. Women: lace jabot, gigot sleeves, lace gloves & fichu, spectacles. Granny sports the hairstyle of her youth

Costume / Girl C. 1890
Older girl in a tight fitting woollen dress, high necked front buttoning bodice, long sleeves with fullness & pleating at the shoulder & broderie Anglaise jabot

Husband / Wife Anon 19C
He: frock coat with floral buttonhole, wing collar & tie, mutton chop whiskers. She: costume of skirt & jacket bodice with lace lapels, high- necked blouse with a jabot

Couple at the races in a costume brochure
An elegant couple at the races. He is wearing a frock coat, top hat, grey trousers, cravat and buttonhole. She is wearing a jacket body with gigot sleeves, a high necked blouse and lace jabot

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"Jabot: A Fashionable French Ball Accessory with a Historical Twist" Step back in time to the elegant world of 18th-century France, where the jabot reigned supreme as a symbol of sophistication and style. Originally worn by both men and women, this ornate neckwear became particularly popular during grand balls held at the royal court. Imagine attending one such extravagant event, flipping through the pages of the Royal Almanac to find your name on a score sheet for the Menuet de Strasbourg. The enchanting melodies of Marin Marais' music fill the air as you gracefully dance across the ballroom floor. Fast forward to early spring in 1912, when women's clothing embraced delicate fabrics and intricate details. Adorned with lace and ruffles, dresses were often accompanied by a jabot that added an extra touch of femininity to any ensemble. Even historical figures like George Washington couldn't resist its allure. As America's first president, he understood the importance of making a statement through fashion choices. Picture him donning a crisp white shirt complete with an exquisite jabot while leading his young nation towards greatness. The art world also found inspiration in this fashionable accessory. Francois Boucher captured its elegance in pastel hues around 1741, immortalizing it on canvas for generations to admire. But beyond fashion and art lies another facet of history – Count St. Germain digging in his garden as illustrated in Chroniques de l'. This enigmatic figure was known for his mysterious abilities and connections throughout European courts; perhaps even he wore a jabot while tending to his plants. Not limited to just humans, even animals partook in masquerades. Gustavus Hamilton's whimsical pastel depicts Second Viscount Boyne dressed up in costume – complete with an elaborate jabot – showcasing society's fascination with this trend during 1730-31. While fashion may have been the primary focus, the it also witnessed significant historical events.