Huntress Collection (#4)

Artemis. Huntress goddess. Roman marble sculpture, dating from the second century. Ephesus Museum. Selc?uk. Turkey

Music cover, La Chasseresse by Mme Menard Tissot
Music cover, La Chasseresse, Redowa, written for piano by Mme Menard Tissot. circa 1850s

LA Valliere as Huntress
LOUISE DE LA VALLIERE mistress of Louis XIV and mother of four of his sons, depicted as a huntress though she was not in fact very fond of hunting. Date: 1644 - 1710

Tweed Lady Shooting
A huntress wears a tweed tailored suit of skirt and jacket, with a tyrolese hat with feather cockade Date: 1930s

Frances Richmond, Diana
FRANCES TERESA STUART, duchess of RICHMOND, mistress of Charles II, third wife of Charles, 3rd duke as Diana the huntress Date: 1647 - 1702

Pekingese dog lying on a sofa -- Susan the Huntress. Date: 1930

MAYNE REID
Captain MAYNE REID prolific writer of books for boys, The giraffe hunters, The scalp hunters, The boy hunters, and for a change, The white huntress. Date: 1818 - 1883

Sleeping figure Diana huntress 1644-52 Etching
Artokoloro

Seated figure Diana huntress 1644-52 Etching
Artokoloro

Huntress World Racers series N32 Allen & Ginter Cigarettes
Artokoloro

What happened to Don Quixote with the Fair Huntress
Illustration from Don Quixote, by Miguel de Cervantes, illustrated by Gustave Dore. What happened to Don Quixote with the Fair Huntress

Huntress Horn ca 1733 Red chalk traces framing lines
Artokoloro

Seated figure Diana huntress 1625-77 Etching
Artokoloro

LAPPS SKIING, 1555. Lapp hunters on skis. Woodcut from Olaus Magnus Historia de Gentibus Septentrionalibus, Rome, 1555

Diane Endormie, 18th Century (engraving)
XJF872743 Diane Endormie, 18th Century (engraving) by Correggio, (Antonio Allegri) (c.1489-1534) (after); Private Collection; (add.info.: engraved by by G. D. D. Sornique); Italian, out of copyright

Diana at the bath, c. 1631 (etching)
XJF412292 Diana at the bath, c.1631 (etching) by Rembrandt Harmensz. van Rijn (1606-69); Private Collection; Dutch, out of copyright

First view of the great garden, Musee des Monuments Francais, Paris, illustration
XIR382619 First view of the great garden, Musee des Monuments Francais, Paris, illustration from Vues pittoresques et perspectives des salles du Musee des Monuments Francais et des principaux

Nymphs and Satyrs, c. 1635 (oil on canvas)
XBP335694 Nymphs and Satyrs, c.1635 (oil on canvas) by Rubens, Peter Paul (1577-1640); 136x165 cm; Private Collection; Photo eBoltin Picture Library; Flemish, out of copyright

Diana getting out of her bath, 1742 (oil on canvas)
XIR2994 Diana getting out of her bath, 1742 (oil on canvas) by Boucher, Francois (1703-70); 57x73 cm; Louvre, Paris, France; French, out of copyright

Diana
BAL77027 Diana by Camerarius, Adam (fl.1644-65); 111.1x91.7 cm; Johnny van Haeften Gallery, London, UK; Dutch, out of copyright

Diana the Hunter, c. 1624-25 (oil on canvas)
XIR39072 Diana the Hunter, c.1624-25 (oil on canvas) by Gentileschi, Orazio (1565-1647); 224x157 cm; Musee des Beaux-Arts, Nantes, France; Italian, out of copyright

The Death of Actaeon, c. 1565 (oil on canvas)
BAL28850 The Death of Actaeon, c.1565 (oil on canvas) by Titian (Tiziano Vecellio) (c.1488-1576); 175.8x197.8 cm; National Gallery, London

In a park left a huntress with a bow, for her is a man in armor on the ground, he is probably the horse behind her cases, f urther on is his helmet

The Hunt of Diana (oil on canvas)
XIR237949 The Hunt of Diana (oil on canvas) by Giordano, Luca (1634-1705) (studio of); 118.5x137.5 cm; Louvre, Paris, France; (add.info)

Return from the Hunt or, Meleager and Atalanta (oil on canvas)
XIR222739 Return from the Hunt or, Meleager and Atalanta (oil on canvas) by Janssens van Nuyssen, Abraham (1575-1632); Musee des Beaux-Arts Andre Malraux, Le Havre

Portrait of Mademoiselle de Barral as Diana, c. 1714 (oil on canvas)
XIR222263 Portrait of Mademoiselle de Barral as Diana, c.1714 (oil on canvas) by Largilliere, Nicolas de (1656-1746); 135x108 cm; Musee des Beaux-Arts, Pau, France; French, out of copyright

The Groves of Versailles: View of the Maze with Diana and her Nymphs, 1688 (oil
XIR216952 The Groves of Versailles: View of the Maze with Diana and her Nymphs, 1688 (oil on canvas) by Cotelle, Jean the Younger (1642-1708); 200x140 cm; Chateau du Grand Trianon, Versailles

Christopher Columbus (1451-1506) on board his caravel, discovering America (engraving)
XIR215538 Christopher Columbus (1451-1506) on board his caravel, discovering America (engraving) (b/w photo) by Straet, Jan van der (Joannes Stradanus) (1523-1605) (after); Bibliotheque Nationale

The Hunt of Diana, 1616-17 (oil on canvas)
XIR161388 The Hunt of Diana, 1616-17 (oil on canvas) by Domenichino (Domenico Zampieri) (1581-1641); Galleria Borghese, Rome, Italy; Italian, out of copyright

Diana Resting, or The Nymph of the Fountain, 1537 (oil on panel)
XIR180995 Diana Resting, or The Nymph of the Fountain, 1537 (oil on panel) by Cranach, Lucas, the Elder (1472-1553); 48x74 cm; Musee des Beaux-Arts et d Archeologie, Besancon

Diana Resting after the Hunt (oil on canvas)
BAL178003 Diana Resting after the Hunt (oil on canvas) by Honthorst, Gerrit van (1590-1656); 97x160 cm; Private Collection; Johnny Van Haeften Ltd. London; Dutch, out of copyright

Portrait of Francoise Louise de la Baume le Blanc (1644-1710) Duchesse de Vaujour
XIR177462 Portrait of Francoise Louise de la Baume le Blanc (1644-1710) Duchesse de Vaujour, also known as Mademoiselle de la Valliere (oil on canvas) by Lefebvre, Claude (1632-1675) (attr)

The Calydonian Boar Hunt, c. 1611-2 (oil on panel)
XOS1765306 The Calydonian Boar Hunt, c.1611-2 (oil on panel) by Rubens, Peter Paul (1577-1640); 59.2x89.7 cm; J. Paul Getty Museum, Los Angeles

Portrait of three of the nieces of Cardinal Mazarin portrayed as goddesses, Venus
XIR165588 Portrait of three of the nieces of Cardinal Mazarin portrayed as goddesses, Venus, Juno and Diana (oil on copper) by French School, (17th century); 20.5x28.5 cm; Musee de la Ville de Paris

Diana at the Bath, 1830 (oil on panel)
XYC158044 Diana at the Bath, 1830 (oil on panel) by Ward, James (1769-1859); 76x65 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright

The Joy of Hunting, 1808-9 (pen and w / c on paper)
XKH156607 The Joy of Hunting, 1808-9 (pen and w/c on paper) by Runge, Philipp Otto (1777-1810); 96.7x63.6 cm; Hamburger Kunsthalle, Hamburg, Germany; German, out of copyright

Luise Henriette Wilhelmine von Anhalt-Dessau (1750-1811) as Diana, 1765 (oil on canvas)
XKH147759 Luise Henriette Wilhelmine von Anhalt-Dessau (1750-1811) as Diana, 1765 (oil on canvas) by Loo, Charles-Amedee-Philippe van (1719-95); 145.5x111 cm; Hamburger Kunsthalle, Hamburg

Diana and her Nymphs Preparing to Leave for the Hunt (oil on canvas)
XIR158288 Diana and her Nymphs Preparing to Leave for the Hunt (oil on canvas) by Brueghel, Jan the Elder (1568-1625); Musee de la Chasse et de la Nature, Paris

The Hunt of Diana, 1896 (oil on canvas)
XIR144359 The Hunt of Diana, 1896 (oil on canvas) by Bocklin, Arnold (1827-1901); 100x200 cm; Musee d Orsay, Paris, France; Swiss, out of copyright

The Woman with the Arrow, 1661 (etching)
XOS1109210 The Woman with the Arrow, 1661 (etching) by Rembrandt Harmensz. van Rijn (1606-69); 24x12.4 cm; Rijksmuseum, Amsterdam, The Netherlands; Dutch, out of copyright

MADISON SQUARE GARDEN. The tower of the second incarnation of Madison Square Garden (1890-1925), designed by Stanford White. Drawing, 1894

BEAR HUNTING, RUSSIA, 1915. Baron Montono, Japanese ambassador to the Russian imperial court (foreground, second from left), and his guide, Countess Natalia Stepanovna Sollohub

ALLEGORY OF THE MOON, 1482. Allegorical representation of Luna, Roman goddess of the moon. Woodcut from Gaius Julius Hyginus Poeticon Astronomicon, Venice, Italy, 1482

LAPPS SKIING, 1555. Lapp hunters on skis. Woodcut from Olaus Magnus Historia de Gentibus Septentrionalibus, Rome, 1555

Classical wooded landscape, by Glauber
Classical wooded landscape with Diana returned from the hunt at rest with her nymphs, by Johannes Glauber (called Polidoro, 1646-c.1726), with figures by Gerard de Lairesse (c.1641-1711)

Marble Statue of Atlanta 1st Century B. C
Marble Statue of Atlanta 1 Century B.C. a character in Greek mythology, a virgin huntress, unwilling to marry, and loved by the hero Meleager. Louvre Museum

ATALANTA AND MELEAGER. Meleager presenting the head of the Calydonian boar to Atalanta. Copper engraving, Dutch, 18th century, after a painting by Charles Le Brun (1619-1690)

A Close Heat: Judge Fullerton, Gazelle and Huntress. Date 1873. A Close Heat: Judge Fullerton, Gazelle and Huntress. Date 1873

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"Huntress: A Timeless Symbol of Power and Grace" Diana the Huntress, a mythical figure known for her unparalleled hunting skills, continues to captivate our imagination through various artistic representations. From ancient frescoes in Pompeii's House Stabia to the majestic fountain and statue in Mexico City, Diana stands as an emblem of strength and independence. In Domenichino's oil painting, "Diana at the Hunt, " we witness her poised with bow in hand, ready to unleash her arrow with unwavering precision. Accompanied by loyal attendants and Borzois, she commands respect and admiration as the epitome of female empowerment. Another striking portrayal is seen in "Diana and Panther, " where she tames a fierce panther effortlessly. This image symbolizes her ability to conquer even the most formidable challenges fearlessly. The connection between powerful women and Diana is further exemplified by Queen Elizabeth I depicted as Diana the Huntress by Cornelis Vroom. The queen's regal presence mirrors that of Diana herself, showcasing their shared qualities of leadership and determination. Beyond mythology or historical figures lies a contemporary representation - Lady Huntress. With modern sensibilities intertwined with traditional archery techniques, this embodiment reminds us that strength knows no boundaries or time periods. Mexico City's iconic sculpture titled "La Diana Cazadora" pays homage to this legendary huntress while celebrating Mexican culture simultaneously. Standing tall with bow drawn back, she embodies both gracefulness and fierceness all at once. Not limited to classical art forms alone, today we find new generations embracing hunting traditions like Mongolia's Eagle Hunters who embody similar values as they masterfully wield their birds of prey on horseback. Whether it be through ancient paintings or present-day practices across different cultures worldwide, one thing remains constant - Diana the Huntress represents an eternal symbol of feminine power that transcends time itself.