Horse Race Collection (#4)

Horse Racing 5
Steven Zhou

Taking the Lead
Steven Zhou

Panathenaic prize amphora, c. 510 BCE (clay)
7393888 Panathenaic prize amphora, c.510 BCE (clay) by Leagros Group (fl.525-500 BC) (attr. to); Height: 63.5 cm; Metropolitan Museum of Art, New York, USA

The shelter on the Longchamps Race Course, 1868. Woman in tunic over a white crinoline
5913098 The shelter on the Longchamps Race Course, 1868. Woman in tunic over a white crinoline, and woman in pink crinoline dress with train. The Hippodrome de Longchamp racetrack opened in 1857

Four Studies of a Jockey, 1866 (brush with black ink, oil and white gouache on paper laid on board)
5859673 Four Studies of a Jockey, 1866 (brush with black ink, oil and white gouache on paper laid on board) by Degas, Edgar (1834-1917); 45.3 -- 31.6 cm; The Art Institute of Chicago, IL

Racing at the Bois de Boulogne, Paris, 1862. Woman in violet crinoline dress
5913091 Racing at the Bois de Boulogne, Paris, 1862. Woman in violet crinoline dress and mantelet cape watching the horse racing in the park. Handcoloured lithograph by R.V

The Grand Prix Day in 1895, 1898 (litho)
5913118 The Grand Prix Day in 1895, 1898 (litho) by Courboin, Francois (1865-1926); (add.info.: The Grand Prix Day, 1895. Woman in check dress with wide sleeves)

The races at Longchamp, 1864 (oil on canvas)
JLJ4586429 The races at Longchamp, 1864 (oil on canvas) by Manet, Edouard (1832-83); 44x84 cm; The Art Institute of Chicago, IL, USA; (add.info.: The races at Longchamp)

The races at the Bois de Boulogne, 1881, Giuseppe de Nittis (pastel)
7062997 The races at the Bois de Boulogne, 1881, Giuseppe de Nittis (pastel) by Nittis, Giuseppe or Joseph de (1846-84); Galleria Nazionale d'Arte Moderna e Contemporanea, Rome, Lazio

Horse Racing, 1906 (oil on canvas)
7351577 Horse Racing, 1906 (oil on canvas) by Hennigs, Gosta von (1866-1941); Thiel Gallery, Stockholm, Sweden; (add.info.: by Gosta von Hennigs (1866-1941))

Illustration from "Des Alten and Neuen Roms Grosser Schau-Platz" by Joachim von Sandrart, 1685 (etching)
1071586 Illustration from "Des Alten and Neuen Roms Grosser Schau-Platz" by Joachim von Sandrart, 1685 (etching) by Sandrart

Course de chevaux (Horseracing). Les spectateurs, installes dans la tribune, regardant la competition d'equitation
FIA5359221 Course de chevaux (Horseracing). Les spectateurs, installes dans la tribune, regardant la competition d equitation

Valhallball press festival, 1915 (lithography)
398380 Valhallball press festival, 1915 (lithography) by Mendelsohn, Pfeil & Pilartz (active c. 1915); JMK Archiv, Bremen, Germany; (add.info.: Poster for a press ball in Munich)

End of races at Auteuil Painting by Alfred Smith (1853-1936) 1893 Sun. 1, 09x1, 5 m Paris, Musee Carnavalet Attention
JLJ4680416 End of races at Auteuil Painting by Alfred Smith (1853-1936) 1893 Sun. 1, 09x1, 5 m Paris, Musee Carnavalet Attention

Aristocrats at the races, London - in "Types of London", by William Nicholson (1872-1949), ed Floury, 1898
LSE4080977 Aristocrats at the races, London - in " Types of London", by William Nicholson (1872-1949), ed Floury, 1898 by Nicholson, William (1872-1949); Bibliotheque des Arts Decoratifs

Horse Racing 7
Steven Zhou

The Midnight Steeplechase near Melton Melbury--The Finish, 1890. Creator: Unknown
The Midnight Steeplechase near Melton Melbury--The Finish, 1890

The House of Commons Point - to - Point-Steeplechase near Rugby; Mr Elliott Lees wins on Damon, Creator: Unknown
The House of Commons Point - to - Point-Steeplechase near Rugby; Mr Elliott Lees wins on Damon, 1890. From " The Graphic. An Illustrated Weekly Newspaper", Volume 41. January to June, 1890

Free horse race during the carnival. Painting by Carle Vernet (1758-1836), 1826. Dim: 0, 95 x 1, 38m
JLJ4664129 Free horse race during the carnival. Painting by Carle Vernet (1758-1836), 1826. Dim: 0, 95 x 1, 38m. Avignon, Musee Calvet

Urawa Horse racing (2018)
Takashi Hasegawa

White Turf
Ludwig Loch

fantasy and real
Yomn Almonla

The Australian Derby: The Race for the Melbourne Cup; The Lawn, 1888. Creator: Unknown
The Australian Derby: The Race for the Melbourne Cup; The Lawn, 1888. From, The Graphic. An Illustrated Weekly Newspaper Volume 38. July to December, 1888

The Australian Derby: The Race for the Melbourne Cup; In the Carriage Paddock--An Exciting Finish Creator: Unknown
The Australian Derby: The Race for the Melbourne Cup; In the Carriage Paddock--An Exciting Finish, 1888. From, The Graphic. An Illustrated Weekly Newspaper Volume 38. July to December, 1888

At the Grand Prix de Paris, 1887 (pastel and pencil on tan paper)
466527 At the Grand Prix de Paris, 1887 (pastel and pencil on tan paper) by Hassam, Childe Frederick (1859-1935); 40.3 x 31.7 cm; Corcoran Collection, National Gallery of Art, Washington D.C

Depart in Longchamp given by Baron Foy in 1877 Setting up horses at the start of a race at the racetrack
JLJ4569139 Depart in Longchamp given by Baron Foy in 1877 Setting up horses at the start of a race at the racetrack. Painting by Geo Arnull (19th century) 1877

A galloping horse with jockey up, wearing Bradford racing colours, c. 1839-98 (oil on canvas)
7240773 A galloping horse with jockey up, wearing Bradford racing colours, c.1839-98 (oil on canvas) by Adye, W. F. (1819-98); 30.5x45 cm; The Weston Park Foundation, Shropshire

The big week of races, in the stretches of the Pari Mutuel. Drawing by Paul Thiriat, 19th century
LSE4087618 The big week of races, in the stretches of the Pari Mutuel. Drawing by Paul Thiriat, 19th century. by Thiriat, Paul (1868-1943); Private Collection; (add.info.: The big week of races)

Pimms Advertisement, from The Queen Magazine, 20th July 1949 (colour litho)1949
1720686 Pimms Advertisement, from The Queen Magazine, 20th July 1949 (colour litho)1949 by English School, (20th century); (add.info)

Horse racing: "Gladiator arrived in 1865"Painting by Henri Alken (1774-1850) 1865 Paris
JLJ4586637 Horse racing: " Gladiator arrived in 1865" Painting by Henri Alken (1774-1850) 1865 Paris. Society Encouragement by Alken, Henry Sr (1774-1850); Societe Encouragement, Paris

The Finish for the Ascot Cup, 1842 (oil on canvas)
6201707 The Finish for the Ascot Cup, 1842 (oil on canvas) by Dalby, John of York (1810-1865); 38.1x58.4 cm; Private Collection

Hippodrome de l Alma or hippodrome de Paris. Lithography watercolour, illustration by E
LSE4313167 Hippodrome de l Alma or hippodrome de Paris. Lithography watercolour, illustration by E.de la Tramblaiz, in " Album, souvenirs de Paris", Daziaro editor, Paris, 1885

Fantasia under the walls of Hail (Saudi Arabia). Engraving by Y. Pranishnikoff
LSE4332635 Fantasia under the walls of Hail (Saudi Arabia). Engraving by Y.Pranishnikoff, to illustrate the story " pelerinage au Nedjed, cradle of the Arab race", by Lady Anna Blunt

Ancient games - horse racing, quoit throwing, wrestling, etc, 1821 (engraving)
7235401 Ancient games - horse racing, quoit throwing, wrestling, etc, 1821 (engraving) by Dagley, Richard (c.1761-1841); Private Collection; (add.info)

Euclid, owned by A Kilsyth, winning the Jubilee Stakes horse race at Kempton Park racecourse, Surrey, 1892 (litho)
6014142 Euclid, owned by A Kilsyth, winning the Jubilee Stakes horse race at Kempton Park racecourse, Surrey, 1892 (litho) by Beer, John (1860-1930); Private Collection; (add.info.: Euclid)

A Georgian horse owner talks to his jockey at the Ascot Races, 1831 (engraving)
7234812 A Georgian horse owner talks to his jockey at the Ascot Races, 1831 (engraving) by Rowlandson, Thomas (1756-1827) (after); Private Collection; (add.info)

At the turn, Gladiator winner of the English derby Painting by Henri Alken (1774-1850) 1865
JLJ4569077 At the turn, Gladiator winner of the English derby Painting by Henri Alken (1774-1850) 1865. Paris, Societe encouragement - At the turn

The Palio of Siena (oil on canvas)
3736737 The Palio of Siena (oil on canvas) by Bonzagni, Aroldo (1887-1918); 71x55 cm; Assicoop-Unipol Collection, Modena, Emilia Romagna

Loose women drinking at races, late 19th century (engraving)
3245379 Loose women drinking at races, late 19th century (engraving) by British School, (19th century); Private Collection; Peter Newark Pictures

Mares and Foals, c. 1892 (oil on canvas)
7240935 Mares and Foals, c.1892 (oil on canvas) by Hopkins, W.H. (d.1892); 76x126 cm; The Weston Park Foundation, Shropshire, UK; (add.info.: A group of mares including Duvernay, White Heather)

Pure Arabian, The Godolphin Barb (colour litho)
7169076 Pure Arabian, The Godolphin Barb (colour litho) by English School, (19th century); Private Collection; (add.info.: Pure Arabian)

The Start of the Goodwood Gold Cup, 1831 (oil on canvas)
7088620 The Start of the Goodwood Gold Cup, 1831 (oil on canvas) by Herring, John Frederick Senior (1795-1865); 70.5x106.5 cm; Private Collection

The Duke of Devonshires Racehorse Childers, 1724 (oil on canvas)
417269 The Duke of Devonshires Racehorse Childers, 1724 (oil on canvas) by Spencer, Thomas (1700-63); 101.6x126.4 cm; Private Collection

Estampe japonaise: La piste de course hippique a Takata (Tokyo, Japon). Serie cent vues celebres d'Edo
FIA5410251 Estampe japonaise: La piste de course hippique a Takata (Tokyo, Japon). Serie cent vues celebres d'Edo. (The Horse Track at Takata, One Hundred Famous Views of Edo)

Course de chevaux (Horseracing) - Peinture de Georgi Bogdanovich Yakulov (1884-1928), huile sur bois, 1911, art russe
FIA5336917 Course de chevaux (Horseracing) - Peinture de Georgi Bogdanovich Yakulov (1884-1928), huile sur bois, 1911, art russe, 20e siecle, modernisme - State Tretyakov Gallery, Moscou by Yakulov

Great Britains Union; or, The Litchfield Races, 1747 (engraving)
7148327 Great Britains Union; or, The Litchfield Races, 1747 (engraving) by English School, (18th century); Private Collection; (add.info.: Great Britains Union; or, The Litchfield Races, 1747)

Australia: Tasmanias Racing Carnival, Cup Day, Elwick Racecourse (b / w photo)
7182139 Australia: Tasmanias Racing Carnival, Cup Day, Elwick Racecourse (b/w photo) by Australian Photographer (20th century); Private Collection; (add.info.: Tasmanias Racing Carnival, Cup Day)

Le Vocabulaire Illustre: Jockey; Jokey (engraving)
7196448 Le Vocabulaire Illustre: Jockey; Jokey (engraving) by European School, (19th century); Private Collection; (add.info.: Jockey; Jokey)

All Professionally Made to Order for Quick Shipping

"Thrilling Horse Race: Three Jockeys Battle for Victory in a Sensational Grand National Showdown" In this captivating front view, three determined jockeys fiercely compete to cross the finish line first. The atmosphere is electric as spectators hold their breath, witnessing an unforgettable horse race. The legendary Grand National race unfolds before our eyes, and against all odds, Tipperary Tim emerges triumphant. With only two horses managing to complete the grueling course, his victory becomes even more remarkable. Eclipse, a magnificent dark chestnut racehorse held by a groom with a skilled jockey atop, exudes power and grace. Their partnership symbolizes the harmony between man and beast that defines these exhilarating races. Transporting us back to 1845 at Warwick Races through an enchanting engraving from The Illustrated London News, we witness the timeless allure of equestrian competition. Every stroke of the artist's brush captures the intensity and excitement that permeate such events. Orlando, a bay racehorse captured in oil on panel in 1845, stands proudly within his loosebox. His regal presence hints at the anticipation surrounding his upcoming performance on the track—a testament to equine beauty and strength. Bloomsbury takes center stage as a chestnut racehorse gracefully gallops across an idyllic landscape depicted in vibrant oil on canvas. Sam Templeman skillfully guides him towards glory while showcasing their harmonious connection. Traveling further back in time to Chantilly in 1841 brings us face-to-face with Prix du Jockey Club—an iconic event immortalized by John Frederick Herring's print. The thunderous hooves echo through history as noble steeds strive for supremacy under skilled riders' command. Colonel Udnys Bay Colt Truffle commands attention as he is held by a groom—his muscular form radiating power—in an exquisite oil-on-canvas painting from 1815.