Honore Victorin Daumier Collection (#31)

C'est singulier, il ne me vient plus d'idées maintenant.. 1844. Creator: Honore Daumier
C'est singulier, il ne me vient plus d'idees maintenant.. 1844. C'est singulier...il ne me vient plus d'idees maintenant que lorsque je suis au bois de Boulogne et que je trotte avec

Çomme quoi la gymnastique forme les membres.. 1845. Creator: Honore Daumier
Comme quoi la gymnastique forme les membres.. 1845. Comme quoi la gymnastique forme les membres, mais deforme le nez'

Walk-through of an influential critic, from Sketches from the Salon, published in Le Charivari, June 24, 1865, June 24, 1865

A Literary Discussion in the Upper Gallery, c. 1864, (1946). Artist: Honore Daumier
A Literary Discussion in the Upper Gallery, c.1864, (1946). Some versions of this print are known as A Literary Discussion In The Second Balcony - satire showing men fighting in a theatre

Poor France! The Trunk Is Blasted, 1871, (1946). Artist: Honore Daumier
Poor France! The Trunk Is Blasted, 1871, (1946). Full title, Poor France!... The trunk is blasted, but the roots hold!, allegory on the political situation in France

The Drama, c. 1860s, (1946). Artist: Honore Daumier
The Drama, c.1860s, (1946). Print after Daumiers painting of the same name, 1860. From The Etchings of the French Impressionists and Their Contemporaries, by Edward T. Chase

The Robbers and the Donkey, c. 1860s, (1946). Artist: Honore Daumier
The Robbers and the Donkey, c.1860s, (1946). Lithograph after Daumiers painting The Thieves And The Donkey, 1858-1860. From The Etchings of the French Impressionists and Their Contemporaries

This Has Killed That, 1871, (1946). Artist: Honore Daumier
This Has Killed That, 1871, (1946). In French, Ceci a tuU cela. Woman pointing at a voting urn with the word oui ( yes ) floating above it

Advice to a Young Artist, 1865-1868. Artist: Honore Daumier
Advice to a Young Artist, 1865-1868. The painting is a gift of Duncan Phillips, National Gallery of Art, Washington DC. From Masterpieces of Painting, edited by Huntington Cairns and John Walker

Les Cent et un Robert Macaire, 1840 (1947). Artist: Honore Daumier
Les Cent et un Robert Macaire, 1840 (1947). From The Art of the French Book, edited by Andre Lejard. [Paul Elek, London, 1947]

Total war: What Old Mirrors They Make Nowadays, 1868 (1956). A print from Ideas, a volume about the origin and early history of many things, common and less common, essential and inessential

Equality of the sexes: Les Bas Bleus, 19th century (1956). Goodbye my dear, I am going to see my publishers and shall most likely be late home. Don t forget to give Dodore his pap twice again

Honore Daumier, French artist, c1870s (1956). Daumier (1808-1879) is best known for his caricatures of French political figures and satirical observations on 19th century French life

Honore Daumier, French artist, 1868. A prolific draughtsman, Daumier (1808-1879) is best known for his caricatures of French political figures and satirical observations on 19th century French life

Tete D Homme, c1838. From The Studio Volume 51. [London Offices of the Studio, London, 1910-11]

Camille Desmoulins in the Palais Royal Gardens, 1848-1849. Artist: Honore Daumier
Camille Desmoulins in the Palais Royal Gardens, 1848-1849. Daumier, Honore (1808-1879). Found in the collection of the State A. Pushkin Museum of Fine Arts, Moscow

Crispin and Scapin, c1863-1865. Artist: Honore Daumier
Crispin and Scapin, c1863-1865. Found in the collection of the Musee d Orsay, Paris, France

The Third Class Carriage, c1863-1865. Artist: Honore Daumier
The Third Class Carriage, c1863-1865. Found in the collection of the The Metropolitan Museum of Art, New York

Peace and Security for Each Nation. Artist: Honore Daumier
Peace and Security for Each Nation. French postcard showing Peace flying past a series of hazardous cobwebs

Family in a Barricade during the Paris Commune, 1870. Artist: Honore Daumier
Family in a Barricade during the Paris Commune, 1870. Located in the collection at, Narodni Galerie, Prague

The Butcher, Montmartre Market, 1857-1858. Artist: Honore Daumier
The Butcher, Montmartre Market, 1857-1858. From a private collection

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Honore Victorin Daumier was a renowned French artist known for his satirical and socially critical works. His art captured the essence of 19th-century society, shedding light on various aspects of life through his unique perspective. Two Lawyers, c. 1860, is one such masterpiece that showcases Daumier's talent in capturing human expressions and emotions with incredible precision. In The Print Collector, c. 1857/63, Daumier explores the world of printmaking, highlighting its significance as a medium for disseminating ideas and opinions during that time. Street Musicians, c. 1855 (Style of Honore Victorin Daumier), reflects his ability to capture scenes from everyday life with an added touch of humor and irony. Don Quixote and the Windmills, c. 1850 (Creator: Unknown), although not directly attributed to Daumier himself, demonstrates his influence on other artists who were inspired by his style and subject matter. Daumier's impact extended beyond just paintings; he also created sculptures like Auguste-Hippolyte Ganneron (model c. 1832/1835) and Benjamin Delessert (model c. 1832/1835). These sculptures showcased his versatility as an artist across different mediums. His work often depicted notable figures from history or contemporary society like Henri Daumier (Honore Daumier) in 1894 by Felix Vallotton or Antoine-Maurice-Apollinaire Comte D Argout (model c. 1832/1835). Wandering Saltimbanques from 1847-1850 captures the transient nature of performers' lives while Hippolyte-Abraham Dubois (model c. 1832/1835) portrays a sense of dignity amidst struggle.