George Hunt Collection

Approach to Christmas, c19th century. Artist: George Hunt
Approach to Christmas, c19th century. After James Pollard (1792-1867). From Connoisseur Extra No. 5 - Old Sporting Prints by Ralph Nevill. [The Connoisseur Magazine, London, 1908]

Playing rackets, Fleet Prison, London, c1825. Artist: Theodore Lane
Playing rackets, Fleet Prison, London, c1825

A Merry Christmas & a Happy New Year in London, c1825. Artist: George Hunt
A Merry Christmas & a Happy New Year in London, c1825. A pedestrian struggling through the snow, facing a driving blizzard with a broken umbrella

Approach to Christmas, n.d. Creator: George Hunt
Approach to Christmas, n.d. Norwich-London stagecoach with passengers, Christmas tree, poultry and game

Vale of Aylesbury Steeple Chase, Plate 2, c1836, (c1955). Creators: Charles Hunt, George Hunt
Vale of Aylesbury Steeple Chase, Plate 2, c1836, (c1955). Fleet Marston Brook, horse racing scene after Francis Calcroft Turner. Published by Ariel Press, London W1

Vale of Aylesbury Steeple Chase, Plate 1, c1836, (c1955). Creators: Charles Hunt, George Hunt
Vale of Aylesbury Steeple Chase, Plate 1, c1836, (c1955). Near Blackgrove Farm, horse racing scene after Francis Calcroft Turner. Published by Ariel Press, London W1

A Real Rubber! At Whist, ca. 1825. ca. 1825. Creator: George Hunt
A Real Rubber! At Whist, ca. 1825

The Rival Whiskers, ca. 1824. Creators: George Hunt, Theodore Lane
The Rival Whiskers, ca. 1824. [" They look not like the Inhabitants o the Earth and yet are on t" ]

Cricket at Irelands Royal Brighton Gardens, c. 1830, (1947). Creator: George Hunt
Cricket at Irelands Royal Brighton Gardens, c.1830, (1947). Landscape with a cricket match taking place at Irelands Gardens, Brighton, Sussex. From " English Cricket", by Neville Cardus

A Trip Up Loch Lomond, 1825. Creator: George Hunt
A Trip Up Loch Lomond, 1825. Passengers with telescopes and a bagpiper aboard the paddle steamer Marian in the Highlands of Scotland

Vale of Aylesbury Steeple Chase, Plate 4, c1836, (c1955). Creators: Charles Hunt, George Hunt
Vale of Aylesbury Steeple Chase, Plate 4, c1836, (c1955). Long Furlong field, horse racing scene after Francis Calcroft Turner. Published by Ariel Press, London W1

Vale of Aylesbury Steeple Chase, Plate 3, c1836, (c1955). Creators: Charles Hunt, George Hunt
Vale of Aylesbury Steeple Chase, Plate 3, c1836, (c1955). Berry Field Farm, Ivy Ground, horse racing scene after Francis Calcroft Turner. Published by Ariel Press, London W1

The Elephant and Castle Inn, Newington Butts, Southwark, London, 1826. Busy street scene with horse-drawn carriages and a couple narrowly avoiding being run over in the centre

Sunday Morning, c1825. Artist: George Hunt
Sunday Morning, c1825. Scene inside barbers shop; a hop boy receives a haircut (left); a large man being brutally shaved bellows with rage (centre)

Amorous, clamorous, uproarious and glorious, all coming from a public dinner, c1820. A merry making scene outside the closed iron gate of Covent Garden Theatre

The same to you sir, and many of em, 1827. Artist: George Hunt
The same to you sir, and many of em, 1827; a woman walking with an umbrella in a snowstorm, and a horse and carriage battling against the snow and wind

A thoroughbred November and London particular, 1827. Artist: George Hunt
A thoroughbred November and London particular, 1827; a lean man in a fog, (a London particular ), steps from the pavement under the hooves of approaching carriage horses

Cambridge Telegraph, Fetter Lane, London, c1830. Artist: George Hunt
Cambridge Telegraph, Fetter Lane, London, c1830. View of the Cambridge Telegraph, starting from the White Horse Tavern which has a large lantern above the door

View of Lambeth, London, 1836. Artist: George Hunt
View of Lambeth, London, 1836. View of Lambeth from the River Thames, showing Godings New Lion Ale Brewery, Fowlers Iron Works, Moores Timber Merchant, Walkers Shot Manufactory and Shot Tower

Stage-Coach, 1827 (1927). Artist: George Hunt
Stage-Coach, 1827 (1927). Plate taken from Famous Sporting Prints IV: Coaching, published by The Studio Limited (London, 1927)

Stage Coach, c1825, (1929). Artist: George Hunt
Stage Coach, c1825, (1929). After M. Egerton. From The Story of British Sporting Prints, by Captain Frank Siltzer. [Halton & Truscott Smith, Ltd, London, 1929]

The Licensed Victuallers Annual Dinner, Mermaid Tavern, Hackney, 1866. Artist: George Hunt
The Licensed Victuallers Annual Dinner, Mermaid Tavern, Hackney, 1866; showing a marching band, people eating and drinking and a fairground ride

Approach to Christmas, 19th century (1927). Artist: George Hunt
Approach to Christmas, 19th century (1927). Plate taken from Famous Sporting Prints IV: Coaching, published by The Studio Limited (London, 1927)

The Prince of Wales Ground (afterwards Irelands Gardens), Brighton, Sussex, 19th century (1912). Artist: George Hunt
The Prince of Wales Ground (afterwards Irelands Gardens), Brighton, Sussex, 19th century (1912). From Imperial Cricket, edited by P F Warner and published by The London

Rival Whiskers ca 1824 Hand-colored aquatint
Artokoloro

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George Hunt was a talented artist in the 19th century, known for his diverse range of works. From capturing the lively atmosphere of London to depicting thrilling sporting events, Hunt's art truly showcased his skill and creativity. In one of his notable pieces, "Playing rackets, Fleet Prison, London, " painted around 1825, Hunt brings to life the intensity and excitement of this popular game. The vibrant colors and dynamic composition transport viewers back in time to witness this energetic sport firsthand. Hunt also had a knack for illustrating festive scenes like "Approach to Christmas. " Painted in the 19th century, this artwork radiates holiday cheer with its warm tones and joyful characters. It serves as a reminder of the timeless traditions that bring people together during this special time of year. Another masterpiece by George Hunt is "A Merry Christmas & a Happy New Year in London" from around 1825. This enchanting painting captures the bustling streets adorned with decorations while people celebrate and exchange greetings. Through intricate details and meticulous brushwork, Hunt invites us into a winter wonderland filled with merriment. Collaborating with Charles Hunt on several occasions resulted in remarkable creations such as "Vale of Aylesbury Steeple Chase. " Plates one through four depict thrilling horse races that showcase both artists' attention to detail and ability to capture movement effortlessly. These illustrations provide an exhilarating glimpse into equestrian sports during the early 19th century. Not limited to sporting events alone, it also depicted everyday activities like card games or playing whist. In "A Real Rubber. At Whist, " created circa 1825, he portrays players engrossed in their game with expressions ranging from concentration to amusement. Such paintings offer insights into social pastimes enjoyed by people at that time. "The Rival Whiskers, " another collaboration between George Hunt and Theodore Lane circa 1824 showcases their talent for humor and satire.