Gelder Collection

The Storyteller; Der Marchenerzahler (oil on canvas)
823475 The Storyteller; Der Marchenerzahler (oil on canvas) by Gelder, Lucia Mathilde von (1865-99); 68.6x88.2 cm; Private Collection; (add.info.: The Storyteller; Der Marchenerzahler)

Montagu Monuments, St Edmunds Church, Warkton, Northants
The Montagu Monuments are four stunning marble statues in the unlikely setting of Grade I listed St Edmunds Church in Warkton, Northamptonshire

Esther and Mordechai, 1675. Artist: Gelder, Aert de (1645-1727)
Esther and Mordechai, 1675. Found in the collection of Museo Nacional de Bellas Artes de Buenos Aires

King David, ca 1683. Artist: Gelder, Aert de (1645-1727)
King David, ca 1683. Found in the collection of the Rijksmuseum, Amsterdam

Christ blessing the Children. Private Collection

Ahimelech giving the sword of Goliath to David, 1680s. Artist: Gelder, Aert de (1645-1727)
Ahimelech giving the sword of Goliath to David, 1680s. Found in the collection of the J. Paul Getty Museum, Los Angeles

The Banquet of Ahasuerus, 1680s. Artist: Gelder, Aert de (1645-1727)
The Banquet of Ahasuerus, 1680s. Found in the collection of the J. Paul Getty Museum, Los Angeles

Aert de Gelder (1645-1727). Vertumnus and Pomona. Oil on can
Aert de Gelder (1645-1727). Dutch painter. Vertumnus and Pomona. Oil on canvas. The god Vertumnus, disguised as an old woman approaches Pomona and lauds the virtues of love and of himself

Albert Besnard, Coquette, French, 1849 - 1934, 1900, etching in black on Van Gelder Zonen wove paper

Albert Besnard, Possession (La possession), French, 1849 - 1934, 1900, etching in black on Van Gelder Zonen wove paper

Albert Besnard, Love Consecrated (Elle consacre l amour), French, 1849 - 1934, 1900, etching in black on Van Gelder Zonen wove paper

Albert Besnard, The Duel (Le duel), French, 1849 - 1934, 1900, etching in black on Van Gelder Zonen wove paper

Albert Besnard, The Warning (L avertissement), French, 1849 - 1934, 1900, etching in black on Van Gelder Zonen wove paper

Albert Besnard, Punctual (Ponctuelle), French, 1849 - 1934, 1900, etching in black on Van Gelder Zonen wove paper

Albert Besnard, After the Visit (Aprašs sa visite), French, 1849 - 1934, 1900, etching in black on Van Gelder Zonen wove paper

Albert Besnard, The Accident (L accident), French, 1849 - 1934, 1900, etching in black on Van Gelder Zonen wove paper

Prince Maurits on the Neude in Utrecht recommends the Waard Gelder to lay down their arms, 1618, Jan Luyken, Pieter van der Aa I, 1698

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"Gelder: A Master of Artistry and Storytelling" Step into the world of Aert de Gelder, a renowned artist whose works have captivated audiences for centuries. From the Montagu Monuments in St Edmunds Church, Warkton, Northants to his mesmerizing painting "The Storyteller; Der Marchenerzahler, " Gelder's talent knows no bounds. In 1675, Gelder showcased his artistic prowess with "Esther and Mordechai, " a masterpiece that beautifully depicts this biblical tale. The attention to detail and vibrant colors transport viewers back in time, allowing them to immerse themselves in the story. Another notable work by Gelder is "King David, " created around 1683. This painting captures the essence of David's strength and wisdom as he gazes confidently at the viewer, and is a testament to Gelder's ability to breathe life into his subjects. Gelder's artistry extends beyond religious themes. In "Christ blessing the Children, " he portrays a tender moment filled with compassion and love. His brushstrokes convey warmth and innocence, reminding us of the importance of kindness towards others. One cannot overlook Gelder's skill in depicting historical events such as "Ahimelech giving the sword of Goliath to David" or "The Banquet of Ahasuerus. " These paintings transport us back in time, offering glimpses into significant moments from ancient history. However, it is not only grand narratives that capture Gelder's imagination. His versatility shines through in pieces like "Vertumnus and Pomona. " This oil on canvas showcases his ability to create enchanting scenes inspired by mythology. As we shift our focus from art to reality, we encounter an unexpected image - a woman police officer patrolling a busy London street. The juxtaposition between traditional artwork and contemporary society reminds us that art transcends time periods while reflecting societal changes. Gelder's influence extends beyond his own works.