Forgiveness Collection (#2)

General Bonaparte graces the rebels of Cairo, in 1798. 1808 (oil on canvas)
7423019 General Bonaparte graces the rebels of Cairo, in 1798. 1808 (oil on canvas) by Guerin, Baron Pierre-Narcisse (1774-1833); Musee et Domaine National de Versailles et de Trianon, Versailles

"Forgive me my wrongs; I want to atone for them with love." 18th century, (illustration)
PCT5617994 "Forgive me my wrongs; I want to atone for them with love." 18th century, (illustration) by Monnet, Charles (1732-p.1808) (after); (add.info)

Christ and the Woman taken in Adultery (oil on canvas)
NGW238898 Christ and the Woman taken in Adultery (oil on canvas) by Tiepolo, Giandomenico (Giovanni Domenico) (1727-1804); 43.3x63.8 cm; National Museum Wales; National Museums & Galleries of Wales

Help me/forgive me
Solanin

About forgiveness :)
The big cat is sitting on girl's lap. He tore her tights.. Iryna Kuznetsova (Iridi)

3673820

Christ and the Adulteress, c. 1508-10 (oil on canvas)
2650250 Christ and the Adulteress, c.1508-10 (oil on canvas) by Titian (Tiziano Vecellio) (c.1488-1576); Art Gallery and Museum, Kelvingrove, Glasgow

The Adulteress Brought Before Christ, c. 1508-10 (oil on canvas)
GLS219819 The Adulteress Brought Before Christ, c.1508-10 (oil on canvas) by Giorgione (Giorgio da Castelfranco) (1477/78-1510) (attr.to); 139.2x181.7 cm; Art Gallery and Museum, Kelvingrove

The Return of the Prodigal Son, 1636 (Etching)
7393369 The Return of the Prodigal Son, 1636 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 15, 6 x 13, 6 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Martin Luther together with the robber Hans Kohlhase (1500-1540), 1850s (engraving)
UTD4915872 Martin Luther together with the robber Hans Kohlhase (1500-1540), 1850s (engraving) by Konig, Gustav Ferdinand Leopold (1808-69); (add.info.: Illustration from : "Dr)

Penitent Magdalen, (painting)
7129362 Penitent Magdalen, (painting) by Titian (Tiziano Vecellio) (c.1488-1576) (after); Galleria Doria Pamphilj, Rome, Italy; (add.info.: Penitent Magdalen, after Tiziano, Doria Pamphilj gallery)

Christ and the adulteress, c. 1545-48 (oil on canvas)
7062975 Christ and the adulteress, c. 1545-48 (oil on canvas) by Tintoretto, Jacopo Robusti (1518-94); 119 x 168 cm; Palazzo Corsini, Gallerie Nazionali Barberini Corsini, Rome

Christ and the adulteress, c. 1510 (tempra on wood)
7130038 Christ and the adulteress, c.1510 (tempra on wood) by Barbari, Niccolo de (fl.c.1510); Museo Nazionale del Palazzo di Venezia, Rome, Italy; (add.info.: Christ and the adulteress, c.1510)

Return of the prodigal son, (painting)
7129334 Return of the prodigal son, (painting) by Guercino (Giovanni Francesco Barbieri) (1591-1666); Galleria Doria Pamphilj, Rome, Italy; (add.info.: Return of the prodigal son, Guercino)

Penitent Magdalene, 1618 (oil on canvas)
7352692 Penitent Magdalene, 1618 (oil on canvas) by Strozzi, Bernardo (1581-1644); 97x73 cm; Musei di Strada Nuova, Genoa, Liguria

Mary Magdalene, 17th-18th century (painting)
7129457 Mary Magdalene, 17th-18th century (painting) by Trevisani, Francesco (1656-1746); Galleria Nazionale d'Arte Antica, Rome, Italy; (add.info.: Mary Magdalene, Francesco Trevisani)

St. Mary Magdalene, 1678 (oil on canvas)
7352721 St. Mary Magdalene, 1678 (oil on canvas) by Piola, Domenico the Elder (1627-1703); 300x198 cm; Oratorio di Santa Maria Maddalena, Laigueglia, Liguria

Return of the Prodigal Son, c. 1650 (oil on canvas)
7352688 Return of the Prodigal Son, c.1650 (oil on canvas) by Wael, Cornelis de (1592-1667); 227x265 cm; Private Collection; (add.info.: Artist)

Return of the prodigal son, 1656 circa, Mattia Preti (oil on canvas)
7064287 Return of the prodigal son, 1656 circa, Mattia Preti (oil on canvas) by Preti, Mattia (Il Calabrese) (1613-99); Museo di Capodimonte, Naples, Campania

Repentant Mary Magdalene, 1595 circa, (oil on canvas)
7129370 Repentant Mary Magdalene, 1595 circa, (oil on canvas) by Caravaggio, Michelangelo Merisi da (1571-1610); Galleria Doria Pamphilj, Rome, Italy; (add.info.: Repentant Mary Magdalene)

She kneeled down at my feet, and kiender said to me, as if it was her prayers, how it all came to be
1192278 She kneeled down at my feet, and kiender said to me, as if it was her prayers, how it all came to be by Hammond, Gertrude E

The Prodigal Son or The Reconciliation, 1895 (bronze)
7332591 The Prodigal Son or The Reconciliation, 1895 (bronze) by Meunier, Constantin Emile (1831-1905); Museum voor Schone Kunsten, Ghent, Belgium; (add.info.: Museum voor Schone Kunsten)

Queril of the investitures, penitence of Canossa: In Canossa, Emperor Henry IV of the Holy Roman Empire (1050-1106)
ELD4882270 Queril of the investitures, penitence of Canossa: In Canossa, Emperor Henry IV of the Holy Roman Empire (1050-1106)

Forgiveness, 1885-90 (oil on canvas)
7331981 Forgiveness, 1885-90 (oil on canvas) by Postiglione, Salvatore (1861-1906); Private Collection; (add.info.: Artist: Salvatore Postiglione); Ghigo Roli

Forgiveness, detail, 1885-90 (oil on canvas)
7331959 Forgiveness, detail, 1885-90 (oil on canvas) by Postiglione, Salvatore (1861-1906); Private Collection; (add.info.: Artist: Salvatore Postiglione); Ghigo Roli

Christ and the Woman Taken in Adultery, mid 1700s (oil on canvas)
XOS5887424 Christ and the Woman Taken in Adultery, mid 1700s (oil on canvas) by Ricci, Sebastiano (1658-1734); 54.6x64.8 cm; Cleveland Museum of Art, OH

The Parable of the Prodigal Son, c. 1884 (Oil on canvas)
7212777 The Parable of the Prodigal Son, c.1884 (Oil on canvas) by Rich, William George (1857-after 1901); The Ms Gallery, London, UK; (add.info.: Rich)

Jacob meets his brother Esau (oil on canvas)
490124 Jacob meets his brother Esau (oil on canvas) by Hoecke, Jan van den (1611-51); 237x378 cm; Groeningemuseum, Bruges, Belgium; © Art in Flanders

Mary Magdalene. 1887 (oil on canvas)
LAF470965 Mary Magdalene. 1887 (oil on canvas) by Stevens, Alfred Emile (1823-1906); 111.8x77.3 cm; Museum voor Schone Kunsten, Ghent

The Return of the Lost Son, 1878 (oil on canvas)
490079 The Return of the Lost Son, 1878 (oil on canvas) by Jans, Edouard de (1855-1919); 81.5x100.5 cm; Groeningemuseum, Bruges, Belgium; (add.info.: The Parable of the Prodigal Son, Luke 15:11-32)

Story of Cyrus II The Great, c. 1590 (tapestry)
CUL4906245 Story of Cyrus II The Great, c.1590 (tapestry) by Belgian School, (16th century); (add.info.: Story of Cyrus: Astyages recognizes Cyrus. ca. 1590. (343 x 316 cm)

Handing in confession slips to a priest to receive forgiveness of sins, trade in indulgences
7279864 Handing in confession slips to a priest to receive forgiveness of sins, trade in indulgences by Unknown Artist, (19th century); Private Collection; (add.info)

Going to Confession, Woman walking towards a confessional
7279875 Going to Confession, Woman walking towards a confessional by Unknown Artist, (19th century); Private Collection; (add.info.: Going to Confession, Woman walking towards a confessional)

The slander spares by Rothsay - 19th century illustration for the historical novel "The Pretty Girl of Perth or
XEE4152517 The slander spares by Rothsay - 19th century illustration for the historical novel " The Pretty Girl of Perth or Valentines Day (or The Fair Maid of Perth) by Walter Scott (1771-1832)

Guilty Childhood, the back cover of issue 389 of L Assiette au Beurre, September 1908
7268492 Guilty Childhood, the back cover of issue 389 of L Assiette au Beurre, September 1908 by Naudin, Bernard (1876-1946); Private Collection; (add.info.: Delinquent children)

Cleombrote and Leonidas, c. 1795 (pen and ink with gouache on paper)
5861751 Cleombrote and Leonidas, c.1795 (pen and ink with gouache on paper) by Fabre, Francois Xavier (1766-1837); 40.5--55.7 cm; The Art Institute of Chicago, IL

Inauguration quarrel, penitence of Canossa: In Canossa, the Emperor Henry IV of the Holy Roman Empire (1050-1106)
ELD4849310 Inauguration quarrel, penitence of Canossa: In Canossa, the Emperor Henry IV of the Holy Roman Empire (1050-1106)

Penitent Magdalene, 1453-1455 (wooden statue)
7260244 Penitent Magdalene, 1453-1455 (wooden statue) by Donatello, (c.1386-1466); 188 cm; Museo dell Opera del Duomo, Florence, Tuscany, Italy; Photo © Raffaello Bencini

Otto I, King of East Francia, forgiving his son Liudolf, Duke of Swabia, for rebelling against him, c954 (engraving)
7147860 Otto I, King of East Francia, forgiving his son Liudolf, Duke of Swabia, for rebelling against him, c954 (engraving) by Roeber, Fritz (1851-1924); Private Collection; (add.info.: Otto I)

Repentant Mary Magdalene par Giampietrino (1 Half of 16th cen. ), First Half of 16th cen
FIA5401005 Repentant Mary Magdalene par Giampietrino (1 Half of 16th cen.), First Half of 16th cen. - Tempera on panel, 49x39 - State Hermitage, St

Otto I, King of East Francia, reconciled with his brother, Henry, who had plotted to have him assassinated in 941
7147857 Otto I, King of East Francia, reconciled with his brother, Henry, who had plotted to have him assassinated in 941 (engraving) by Zick

Philippa Welseren or Philippine Welser (1527-1580) implores the forgiveness of Ferdinand I of Habsburg
XEE4180235 Philippa Welseren or Philippine Welser (1527-1580) implores the forgiveness of Ferdinand I of Habsburg, Emperor of Germany (1503-1564)

Saint Jerome forgiving the Thieves (panel)
6041651 Saint Jerome forgiving the Thieves (panel) by Machiavelli, Zanobi (1418-79); 17.3x41.7 cm; Private Collection

Consolation (oil on canvas)
6448726 Consolation (oil on canvas) by Cary, Stephen Francis (1808-80); 86.4x111.8 cm; Private Collection; (add.info.: Cary, Stephen Francis (1808-80))

Rime of the Ancient Mariner O shrieve me holy man
Vintage engraving by Gustave Dore of a scene from the Rime of the Ancient Mariner, O shrieve me, shrieve me, holy man !. The Rime of the Ancient Mariner is the longest major poem by the English poet

The courage of a mother
[url=http://www.istockphoto.com/file_search.php?action=file&lightboxID=11047139][img]http://img-fotki.yandex.ru/get/5809/5232617.2/0_702d2_40b270_orig[/img][/url] Engraving by Gustave Dore

Prodigal son in his fathers arms
Vintage engraving from the 1870 of a scene from the New Testament by Gustave Dore showing the Prodigal son in his fathers arms

Spirits in Purgatory
" A troop of spirits in purgatory, a scene from Dantes inferno. Engraving from 1870. Engraving by Gustave Dore, Photo by D Walker."

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"Capturing the Essence of Forgiveness: A Journey through Art and Literature" In a world filled with turmoil, forgiveness emerges as a beacon of hope, depicted vividly in various artistic masterpieces. Rembrandt's "The Return of the Prodigal Son" portrays the power of unconditional love and acceptance. The prodigal son's return symbolizes redemption and highlights the transformative nature of forgiveness. Pompeo Girolamo Batoni's rendition further emphasizes this theme, showcasing how forgiveness transcends time. Through his brushstrokes, he captures the profound moment when reconciliation takes place, reminding us that it is never too late to seek or grant forgiveness. Charles Dickens' novel "Hard Times" delves into the complexities of forgiving oneself. As protagonist Louisa Gradgrind kneels down before her father seeking absolution for her past mistakes, we witness an internal struggle that resonates deeply within our own hearts. William Strang's painting "Christian Loses His Burden" illustrates forgiveness as a means to relieve one's burdensome guilt. It serves as a reminder that by letting go of resentment towards ourselves or others, we can find solace and freedom from emotional weight. Through etchings like "The Return of the Prodigal Son, " artists immortalize moments where compassion triumphs over judgment. These visual narratives inspire contemplation on our own capacity for mercy and understanding. Jesus' encounter with the Centurion exemplifies divine grace extended even to those considered unworthy. This oil painting reminds us that true forgiveness knows no boundaries or limitations; it is boundless in its ability to heal wounds and restore broken relationships. Similarly, Leonardo da Vinci's masterpiece "Christ and the Adulteress" depicts Christ offering compassion rather than condemnation towards an adulterous woman. In this poignant scene captured on canvas, we witness humanity at its most vulnerable – both sinners seeking redemption through mercy.