Ferdinand Sigismond Collection

L'Heure Du Berger
An illustration of a glamorous lady, standing tall amongst a bustling crowd of figures who are pleading and clutching at her arms and skirts. Date: circa 1901

y en a plus!
A back cover illustration for an issue of L'Album Les Maitres De La Caricature, portraying a red haired show girl with arms outstretched as if closing down a performance. Date: circa 1901

C'est comme Ca que tu as surveille le ragout?
An illustration of a woman wearing an elaborate hat, thrusting her shoulders forward in rage at a quivering waiter, causing him to spill his plates, saying Is that how you watched the stew

Les Quatre Ages
A series of simple illustrations on the subject of The Four Ages, by Ferdinand Bac, each comprising of a couple representing each age, with handwritten descriptions in French. Date: circa 1901

Compensation
This illustration shows two men, identified as The Husband and The Protector in conversation about a young woman. The Husband - And you think I'm gonna let her go like this

L'ingrate
An illustration portraying two disgruntled looking gentlemen standing side by side, behind a young, red haired woman who is standing, adjusting her decorative hat. Date: circa 1901

Le Messager De Cupidon
This illustration, titled Cupid's Messenger, portrays a seated man, with his wife sat on his knee in a dining room, routing through his mail bag. Date: circa 1901

La Lutte Contre Les Elements
This illustration, titled in English as The Fight Against The Elements shows a group of women enjoying a day at the seaside. Date: circa 1901

La Vertu Dedaignant Les Presents De L'Amour
This illustration, translated as Virtue Disdaining Love's Gifts portrays an old man wearing a bath robe, closely inspecting a little green book

Les Invites De Marque
This illustration portrays a pair of distinguished guests, comprising of a young woman, reclined on a deck chair, reading a book, seeimingly disinterested in the man standing beside her

L'Avarice
An illustration, the title of which translates to Greed, shows a gruesome fellow biting the hand of a young woman, looking aghast, men in uniform stand behind, with gaping mouths. Date: circa 1901

La Fete Bat Son Plein
This illustration depicts a party in full swing, with a host or supervisor graciously welcoming a fashionably dressed young lady, accompanied with an older gentleman

Female Fashion Studies
An illustration from a page of L'Album Les Maitres De La Caricature, highlighting the way in which Ferdinand Bac portrays glamorous women in his art

Reveil
This illustration portrays a young woman lying on her front in bed, having just awakened from sleep. Date: circa 1901

The Shadow Of Richelieu
An illustration of a very small man holding a figurine of a lady with an elegant posture, towards a tall man who is looking down, over his shoulder as if startled. Date: circa 1901

Ferdinand Bac
A side profile portrait illustration of French cartoonist, artist and writer, known widely for his caricatures, Ferdinand-Sigismond Bach, 1859-1952, standing, holding his hat and cane

Lacustre women, c1870-1950. Artist: Ferdinand Sigismund Bac
Lacustre women, c1870-1950

The emigration during the revolution, 18th century, c1880-1950. Artist: Ferdinand Sigismund Bac
The emigration during the revolution, 18th century, c1880-1950

The Parisian Woman Through the Ages, 18th century, c1880-1950. Artist: Ferdinand Sigismund Bac
The Parisian Woman Through the Ages, (La Parisienne a Travers les Ages), 18th century, c1880-1950

Les Galeries de Bois during the reign of Louis XIII, 17th century, c1870-1950. Artist: Ferdinand Sigismund Bac
Les Galeries de Bois during the reign of Louis XIII, 17th century, c1870-1950. French shoppers in the Galeries de Bois shopping arcade next to the Palais-Royal in Paris

The return of French troops from Marengo, 1800, c1870-1950. Artist: Ferdinand Sigismund Bac
The return of French troops from Marengo, 1800, c1870-1950. In the Battle of Marengo (14 June 1800) Napoleons French forces drove back Austrian General Melas surprise attack near the city of

Small Ramponneau, 18th century, c1870-1950. Artist: Ferdinand Sigismund Bac
Small Ramponneau, 18th century, c1870-1950

The Arenas of Lutetia, c1870-1950. Artist: Ferdinand Sigismund Bac
The Arenas of Lutetia, c1870-1950. Les Arenes de Lutece are some of the only remaining ruins from the Gallo-Roman era in Paris (formerly known as Lutece in French or Lutetia in Latin)

The Parisian Woman during the time of the Merovingians, c5th-8th century AD, c1870-1950

The royal palace, under the convention, 18th century, c1870-1950. Artist: Ferdinand Sigismund Bac
The royal palace, under the convention, 18th century, c1870-1950

Attack on a carriage, Quai de Nesles, Reign of Francis I, 16th century, c1870-1950. Artist: Ferdinand Sigismund Bac
Attack on a carriage, Quai de Nesles, Reign of Francis I, 16th century, c1870-1950

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Ferdinand Sigismond, a name that resonates with artistic brilliance and captivating storytelling. Known for his masterpieces such as "L'Heure Du Berger" and "Les Quatre Ages, " Ferdinand Sigismond's works transport us to a world of enchantment and wonder. In his painting "L'Heure Du Berger, " we witness the serene beauty of nature as the shepherd tends to his flock under the golden rays of the setting sun. The colors blend harmoniously, creating an atmosphere that is both peaceful and nostalgic. But Ferdinand Sigismond's talent goes beyond pastoral scenes; he delves into human emotions with pieces like "C'est comme ça que tu as surveillé le ragout?" Here, he captures a moment of surprise and humor as a cook discovers her dish has been devoured by unexpected guests. The expressions on their faces are priceless, evoking laughter from anyone who gazes upon it. With "La Lutte Contre Les Elements, " Ferdinand Sigismond showcases his ability to depict raw power and determination. We see a group of men battling against raging waves, symbolizing mankind's eternal struggle against nature itself. It serves as a reminder that resilience can overcome even the most formidable challenges. In contrast, in "La Vertu Dédaignant Les Présents De L'Amour, " Ferdinand Sigismond explores themes of virtue and self-restraint. A virtuous woman turns away from Cupid's gifts, emphasizing her refusal to succumb to worldly temptations, and is an allegory for moral strength in the face of temptation. One cannot overlook Ferdinand Sigismond's social commentary either; in pieces like "L'Avarice" or "Les Invités De Marque, " he exposes society's vices and excesses with sharp wit and satire. Through these paintings, he encourages reflection on our own behaviors while simultaneously entertaining us with clever visual narratives. Yet, Ferdinand Sigismond's art is not solely focused on critique.