Domenico Collection (#3)

Francesco I d Este Suffers the Mortal Blow of a Bullet While Under Pavia and Retreats into his Own Quarters, Having Been Left Without Wounds to His Head and His Heart, which Gave Him a Fever

Francesco I d Este Invites Foreign Scholars to Court, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...], 1659

Francesco I d Este is Named the Deputy of the Catholilc King and is Sent to Catalogna, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...], 1659

Francesco I d Este Displays Great Faculty in his Studies, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...], 1659

Francesco I d Este Makes an Effort to Save his Crown by Allying Himself with the Barberini Prince and an Unidentified Cardinal, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este

Francesco I d Este Aids the Duke of Mantua After his Territories were Devastated by the German Armies, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este

Francesco I d Este Secures the Fort and the Land to Protect from the German Troops, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...], 1659

Francesco I d Este Punishes a Soldier by Death who had Stolen a Chalice from the Holy Church, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...]

Francesco I d Este Sentences a Noble French Official to Death as an Example to Prevent Future Scandalous Excesses within the Church

Francesco I d Este Liberates the City of Turin and Leaves it in the Hands of the Duke of Savoy, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...]

Francesco I d Este Receiving the Affection of the People, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...], 1659

Francesco I d Este, with his Gentle Manner, is Loved by All of the Noblemen in his Court, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...], 1659

Francesco I d Este, Despite his Discomfort, Displays his Piety While Traveling in the Snow and Ice to Receive the Holy Sacrament, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este

Francesco I d Este Remains Dedicated to the Cause of the War, Having been Involved for Many Years, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este

Francesco I d Este Keeps his State Intact During the Descent of the Germans into Mantua, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...], 1659

Francesco I d Este Combines Forces with The Republic of Venice and Genoa Against the Ottoman Turks, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este

Soldiers Enlisting to Defend the Faith agains the Turks, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...], 1659

Francesco I d Este Instructing for Alms to be Given to the Poor, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...], 1659

Francesco I d Este Intervenes for an Agreement between Pope Urban VIII and the Duke of Parma, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...]

Francesco I d Este Presents Himself with Warmth and Humility with Representatives of the Republic of Venice and the Duke of Savoy, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este

Francesco I d Este Goes to Pinarola for the Security of his States, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...], 1659

Francesco I d Este Builds the Fortresses of Modena for the Security of his People, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...], 1659

Francesco d Este Leads the French Army After the Difficult Resolution of Cremona without Losing Men or Belongings due to the Dukes Prudence and Corageous Strength

The Duke and his troops at Casalmaggiore, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...], 1659

Francesco I d Este Approches the Camp of the Enemy Under the Pretext of Battle, Although he Obtains their Surrender Without Battle, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este

Francesco I d Este is Generous in Pardoning the Offenders, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...], 1659

Francesco I d Este Sentencing the Guilty with Great Difficulty, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...], 1659

Francesco I d Este Speaks About his Victories with an Honest Comportment, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...], 1659

Francesco I d Este Sustains Himself While on His War Campaign, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...], 1659

Francesco I d Este Orders Fete Decorations, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...], 1659

Francesco I d Este Builds the Palazzo di Sassuolo, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...], 1659

Francesco I d Este Dissolved the Seige of Reggio, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...], 1659

Francesco I d Este Drives Troops Back Outside of Reggiano, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...], 1659

Mars offering a floral wreath to Venus, 1760-90. Creator: Stefano Mulinari
Mars offering a floral wreath to Venus, 1760-90

Christ and the woman of Samaria at the well, from the series of 112 prints of the sacred history, after the painting by Giovanni Battista Piazzetta, 1743-63

A partly naked bacchante playing a tambourine, ca. 1795-1820

A partly nude bacchante holding a disk in her left hand and raising her garments... ca
A partly nude bacchante holding a disk in her left hand and raising her garments with right, ca. 1795-1820

A partly naked bacchante holding a disk in her raised left hand and a bucket in h... ca
A partly naked bacchante holding a disk in her raised left hand and a bucket in her right, ca. 1795-1820

A partly nude bacchante stepping forward and holding ends of her drapery in each... ca
A partly nude bacchante stepping forward and holding ends of her drapery in each hand, ca. 1795-1820

Arte del Ben Morire, 1490. Creator: Unknown
Arte del Ben Morire, 1490. [The art of dying well]

The Virgin at top center in clouds with clasped hands and right foot raised, surrounded by cherubin; below, the twelve apostles stand together gesturing upwards, 1517

Plate IIII (4): Leda and the Swan. From "Museum Florentinum"
Plate IIII (4): Leda and the Swan. From " Museum Florentinum" (Statuae antiquae dorum et virorum illustrium), 1734

Entry of Henri III, King of France and Poland, into Venice, 1574. Creator: Domenico Zenoi
Entry of Henri III, King of France and Poland, into Venice, 1574

Saint Francis of Assisi, kneeling before a crucifix with two angels at upper left, 1643-44

The Virgin of the Rosary, 1645-84. Creator: Domenico Maria Canuti
The Virgin of the Rosary, 1645-84

Saint Philip, ca. 1540-1550. Creator: Domenico Beccafumi
Saint Philip, ca. 1540-1550

Della Trasportatione dell Obelisco Vaticano et delle Fabriche di Nostro Signore Papa Sisto V fatte dal Cavallier Domenico Fontana Architetto di sua Santita Libro Primo, 1590

Venus, frontal view. from "Oeuvre de Canova: Recueil de Statues... ", 1817
Venus, frontal view. from " Oeuvre de Canova: Recueil de Statues...", 1817

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"Domenico: A Journey Through Art, Beauty, and Deception" Step into the world Ghirlandaio (1449-1494), an Italian Renaissance painter whose works continue to captivate audiences today. His masterpiece "An Old Man and his Grandson" portrays a tender moment between generations, reminding us of the timeless bond shared within families. In contrast, his "Carnival Scene or the Minuet" transports us to a lively celebration filled with vibrant colors and joyous laughter. The energy is palpable as dancers twirl in sync to the enchanting melodies. Switching gears, we encounter gentlemen fencers in Tierce guard and thrust position. Domenico's attention to detail captures their poised stances and intense concentration, showcasing both skill and discipline. Moving forward in time, we delve into the artistry Fetti with "The Parable of the Mote and the Beam. " This thought-provoking piece challenges us to reflect on our own flaws before judging others—a timeless lesson beautifully depicted by Fetti's brushstrokes. El Greco takes center stage next with "Christ Carrying the Cross, " a powerful portrayal that evokes deep emotions within its viewers. The intensity in Christ's eyes speaks volumes about sacrifice and resilience. Shifting mediums from painting to engraving, we explore Hebe through Domenico Cunego's skilled hands. The delicate lines etched onto paper bring this Greek goddess of youth to life—her youthful radiance captivating all who gaze upon her image. Stepping away from art momentarily, we encounter Amomum, vochya, callisia, tapanhuacanga, portlandia, and fransin—an intriguing mix of botanical wonders that pique our curiosity about nature's diversity under Domenico’s lens. Music fills our ears as we uncover Coltel by Domenico Cimarosa—a harmonious composition that transports us to a world of melodic enchantment.