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Divine Comedy Collection (#6)

"Dante's Divine Comedy: A Journey through Heaven and Hell" Step into the world of Dante Alighieri's epic masterpiece, the Divine Comedy

Background imageDivine Comedy Collection: The Intrigues of the Church, Purgatory, Canto 32 (engraving)

The Intrigues of the Church, Purgatory, Canto 32 (engraving)
5214013 The Intrigues of the Church, Purgatory, Canto 32 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: The Intrigues of the Church, Purgatory, Canto 32)

Background imageDivine Comedy Collection: The Poets Reposing, Purgatory, Canto 27 (engraving)

The Poets Reposing, Purgatory, Canto 27 (engraving)
5214008 The Poets Reposing, Purgatory, Canto 27 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: The Poets Reposing, Purgatory, Canto 27)

Background imageDivine Comedy Collection: The Carnal, Purgatory, Canto 25 (engraving)

The Carnal, Purgatory, Canto 25 (engraving)
5214007 The Carnal, Purgatory, Canto 25 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: The Carnal, Purgatory, Canto 25)

Background imageDivine Comedy Collection: The Fiery Doom, Purgatory, Canto 26 (engraving)

The Fiery Doom, Purgatory, Canto 26 (engraving)
5214006 The Fiery Doom, Purgatory, Canto 26 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: The Fiery Doom, Purgatory, Canto 26)

Background imageDivine Comedy Collection: The Region of Avarice, Purgatory, Canto 19 (engraving)

The Region of Avarice, Purgatory, Canto 19 (engraving)
5213999 The Region of Avarice, Purgatory, Canto 19 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: The Region of Avarice, Purgatory, Canto 19)

Background imageDivine Comedy Collection: The Choir, Purgatory, Canto 17 (engraving)

The Choir, Purgatory, Canto 17 (engraving)
5213998 The Choir, Purgatory, Canto 17 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: The Choir, Purgatory, Canto 17)

Background imageDivine Comedy Collection: The Guiding Angel, Purgatory, Canto 15 (engraving)

The Guiding Angel, Purgatory, Canto 15 (engraving)
5213996 The Guiding Angel, Purgatory, Canto 15 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: The Guiding Angel, Purgatory, Canto 15)

Background imageDivine Comedy Collection: Lucifer, Purgatory, Canto 12 (engraving)

Lucifer, Purgatory, Canto 12 (engraving)
5213993 Lucifer, Purgatory, Canto 12 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: Lucifer, Purgatory, Canto 12)

Background imageDivine Comedy Collection: The Benediction, Purgatory, Canto 2 (engraving)

The Benediction, Purgatory, Canto 2 (engraving)
5213980 The Benediction, Purgatory, Canto 2 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: The Benediction, Purgatory, Canto 2)

Background imageDivine Comedy Collection: The Vale of Disease, Inferno, Canto 29 (engraving)

The Vale of Disease, Inferno, Canto 29 (engraving)
5213970 The Vale of Disease, Inferno, Canto 29 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: The Vale of Disease, Inferno, Canto 29)

Background imageDivine Comedy Collection: The Church Militant, Paradise, Canto 25 (engraving)

The Church Militant, Paradise, Canto 25 (engraving)
5214044 The Church Militant, Paradise, Canto 25 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: The Church Militant, Paradise, Canto 25)

Background imageDivine Comedy Collection: The Proud, Purgatory, Canto 11 (engraving)

The Proud, Purgatory, Canto 11 (engraving)
5213992 The Proud, Purgatory, Canto 11 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: The Proud, Purgatory, Canto 11)

Background imageDivine Comedy Collection: The Reascent, Inferno, Canto 34 (engraving)

The Reascent, Inferno, Canto 34 (engraving)
5213976 The Reascent, Inferno, Canto 34 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: The Reascent, Inferno, Canto 34)

Background imageDivine Comedy Collection: The Statue of Four Metals, Inferno, Canto 14 (engraving)

The Statue of Four Metals, Inferno, Canto 14 (engraving)
5213956 The Statue of Four Metals, Inferno, Canto 14 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: The Statue of Four Metals, Inferno, Canto 14)

Background imageDivine Comedy Collection: Entering the Dark Wood, Inferno, Canto 1 (engraving)

Entering the Dark Wood, Inferno, Canto 1 (engraving)
5213937 Entering the Dark Wood, Inferno, Canto 1 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: Entering the Dark Wood, Inferno, Canto 1)

Background imageDivine Comedy Collection: Le Sepulcre du Dante a Ravenne, Facade construite en 1780, par l architecte Morigia de Ravenne

Le Sepulcre du Dante a Ravenne, Facade construite en 1780, par l architecte Morigia de Ravenne (engraving)
5199678 Le Sepulcre du Dante a Ravenne, Facade construite en 1780, par l architecte Morigia de Ravenne (engraving) by Italian School

Background imageDivine Comedy Collection: The Torments of Hell (fresco)

The Torments of Hell (fresco)
702440 The Torments of Hell (fresco) by Koch, Joseph Anton (1768-1839); Casino Massimo, Rome, Italy; (add.info.: Part of a cycle of frescoes based on Dante Alighieris Divine Comedy.); German

Background imageDivine Comedy Collection: The Torments of Purgatory (fresco)

The Torments of Purgatory (fresco)
702437 The Torments of Purgatory (fresco) by Koch, Joseph Anton (1768-1839); Casino Massimo, Rome, Italy; (add.info.: Part of a cycle of frescoes based on Dante Alighieris Divine Comedy.); German

Background imageDivine Comedy Collection: Beata Beatrix, 1862 (oil on canvas)

Beata Beatrix, 1862 (oil on canvas)
BIR103741 Beata Beatrix, 1862 (oil on canvas) by Rossetti, Dante Gabriel Charles (1828-82); 86.8x68.3 cm; Birmingham Museums and Art Gallery; English, out of copyright

Background imageDivine Comedy Collection: The Circle of the Traitors, illustration from Canto 32 of Inferno from

The Circle of the Traitors, illustration from Canto 32 of Inferno from
BIR99626 The Circle of the Traitors, illustration from Canto 32 of Inferno from The Divine Comedy by Dante Alighieri (1265-1321) (pen & ink, pencil, w/c on paper) by Blake

Background imageDivine Comedy Collection: Beatrice Meeting Dante at a Marriage Feast Denies Him Her Salutation

Beatrice Meeting Dante at a Marriage Feast Denies Him Her Salutation
AMO136296 Beatrice Meeting Dante at a Marriage Feast Denies Him Her Salutation, 1860s (oil on canvas) by Rossetti, Dante Gabriel Charles (1828-82); Ashmolean Museum, University of Oxford

Background imageDivine Comedy Collection: Dante and Beatrice in the garden (colour litho)

Dante and Beatrice in the garden (colour litho)
STC335876 Dante and Beatrice in the garden (colour litho) by Saccaggi, Cesare (1868-1934); Private Collection; (add.info.: Dante Alighieri (c.1265-1321) with Beatrice Portinari (1266-90)

Background imageDivine Comedy Collection: Dantes Purgatory

Dantes Purgatory
3758262 Dantes Purgatory by Dore, Gustave (1832-83); (add.info.: Dantes purgatory, part of his Divine Comedy. Illustration by Gustave Dore)

Background imageDivine Comedy Collection: The Divine Comedy, by Dante: engraving by Gustave Dore

The Divine Comedy, by Dante: engraving by Gustave Dore
3753480 The Divine Comedy, by Dante: engraving by Gustave Dore. by Dore, Gustave (1832-83); (add.info.: The Divine Comedy, by Dante with engraving by Gustave Dore)

Background imageDivine Comedy Collection: Beatrice by Julia Margaret Cameron, 1866 (albumen print)

Beatrice by Julia Margaret Cameron, 1866 (albumen print)
2622383 Beatrice by Julia Margaret Cameron, 1866 (albumen print) by Cameron, Julia Margaret (1815-79); Private Collection; (add.info.: Beatrice by Julia Margaret Cameron (British)

Background imageDivine Comedy Collection: Scene from Divine Comedy, by Dante Alighieri (chromolitho)

Scene from Divine Comedy, by Dante Alighieri (chromolitho)
1093577 Scene from Divine Comedy, by Dante Alighieri (chromolitho) by French School, (19th century); Private Collection; (add.info.: Scene from Divine Comedy, by Dante Alighieri)

Background imageDivine Comedy Collection: Beatrice

Beatrice
931046 Beatrice by Halliday, Henry (1839-1927); Private Collection; (add.info.: Allies in Art published by Cassells circa 1920); English, out of copyright

Background imageDivine Comedy Collection: Dante and Virgil in Vallombrosa, 1866 (w / c on paper)

Dante and Virgil in Vallombrosa, 1866 (w / c on paper)
5889179 Dante and Virgil in Vallombrosa, 1866 (w/c on paper) by Smetham, James (1821-89); 26.7x39.4 cm; Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Background imageDivine Comedy Collection: Illustration for Dantes Divine Comedy (colour litho)

Illustration for Dantes Divine Comedy (colour litho)
727205 Illustration for Dantes Divine Comedy (colour litho) by Scarpelli, Tancredi (1866-1937); Private Collection; (add.info.: Dalla fiamma del sol)

Background imageDivine Comedy Collection: Illustration for Dantes Divine Comedy (colour litho)

Illustration for Dantes Divine Comedy (colour litho)
727198 Illustration for Dantes Divine Comedy (colour litho) by Scarpelli, Tancredi (1866-1937); Private Collection; (add.info.: Era intagliato li nel marmo stesso / Lo carro e i buoi)

Background imageDivine Comedy Collection: Dante sleeping, attacked by wild beasts, and encountering Virgil (fresco)

Dante sleeping, attacked by wild beasts, and encountering Virgil (fresco)
702442 Dante sleeping, attacked by wild beasts, and encountering Virgil (fresco) by Koch, Joseph Anton (1768-1839); Casino Massimo, Rome

Background imageDivine Comedy Collection: The Torments of Hell (fresco)

The Torments of Hell (fresco)
702439 The Torments of Hell (fresco) by Koch, Joseph Anton (1768-1839); Casino Massimo, Rome, Italy; (add.info.: Part of a cycle of frescoes based on Dante Alighieris Divine Comedy.); German

Background imageDivine Comedy Collection: Dante and Beatrice contemplating the sign of Gemini, the planets and the earth

Dante and Beatrice contemplating the sign of Gemini, the planets and the earth
XIR175970 Dante and Beatrice contemplating the sign of Gemini, the planets and the earth, from Divina Commedia by Dante Alighieri (1265-1321) (vellum) by Italian School

Background imageDivine Comedy Collection: The Shades approaching Dante and Virgil (graphite, pen & dark sepia wash on buff paper)

The Shades approaching Dante and Virgil (graphite, pen & dark sepia wash on buff paper)
423913 The Shades approaching Dante and Virgil (graphite, pen & dark sepia wash on buff paper) by Rodin, Auguste (1840-1917); 18.3x11.7 cm; Fitzwilliam Museum, University of Cambridge

Background imageDivine Comedy Collection: Portrait of Dante Alighieri, c. 1560 (oil on canvas)

Portrait of Dante Alighieri, c. 1560 (oil on canvas)
5055811 Portrait of Dante Alighieri, c.1560 (oil on canvas) by Altissimo, Cristofano dell (c.1525-1605) (and workshop); 74.5 x 63 cm; Kunstmuseum, Basel

Background imageDivine Comedy Collection: Dantes Vision of Matilda gathering Flowers, 1855 (pen

Dantes Vision of Matilda gathering Flowers, 1855 (pen
1217528 Dantes Vision of Matilda gathering Flowers, 1855 (pen and brown ink on off-white paper) by Rossetti, Dante Gabriel Charles (1828-82); 17.8x18.5 cm; Ashmolean Museum, University of Oxford

Background imageDivine Comedy Collection: Detail depicting Florence Cathedral, from a fresco of Dante with the

Detail depicting Florence Cathedral, from a fresco of Dante with the
VLS60539 Detail depicting Florence Cathedral, from a fresco of Dante with the Divinia Commedia in the north aisle, 1465 (fresco) (detail of 42355) by Domenico di Michelino, (1417-91); Duomo

Background imageDivine Comedy Collection: The Proud Under their Enormous Loads 1824-27 (pen & ink, pencil, w / c on paper)

The Proud Under their Enormous Loads 1824-27 (pen & ink, pencil, w / c on paper)
BIR99625 The Proud Under their Enormous Loads 1824-27 (pen & ink, pencil, w/c on paper) by Blake, William (1757-1827); 51.9x36.6 cm; Birmingham Museums and Art Gallery; English, out of copyright

Background imageDivine Comedy Collection: St Peter, Paradise, Canto 24 (engraving)

St Peter, Paradise, Canto 24 (engraving)
5214038 St Peter, Paradise, Canto 24 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: St Peter, Paradise, Canto 24)

Background imageDivine Comedy Collection: The Sun, Paradise, Canto 12 (engraving)

The Sun, Paradise, Canto 12 (engraving)
5214027 The Sun, Paradise, Canto 12 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: The Sun, Paradise, Canto 12)

Background imageDivine Comedy Collection: The River Eunoe, Purgatory, Canto 33 (engraving)

The River Eunoe, Purgatory, Canto 33 (engraving)
5214016 The River Eunoe, Purgatory, Canto 33 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: The River Eunoe, Purgatory, Canto 33)

Background imageDivine Comedy Collection: The Mysterious Car, Purgatory, Canto 31 (engraving)

The Mysterious Car, Purgatory, Canto 31 (engraving)
5214012 The Mysterious Car, Purgatory, Canto 31 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: The Mysterious Car, Purgatory, Canto 31)

Background imageDivine Comedy Collection: The Earthquake, Purgatory, Canto 20 (engraving)

The Earthquake, Purgatory, Canto 20 (engraving)
5214001 The Earthquake, Purgatory, Canto 20 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: The Earthquake, Purgatory, Canto 20)

Background imageDivine Comedy Collection: The Valley, Purgatory, Canto 8 (engraving)

The Valley, Purgatory, Canto 8 (engraving)
5213989 The Valley, Purgatory, Canto 8 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: The Valley, Purgatory, Canto 8)



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"Dante's Divine Comedy: A Journey through Heaven and Hell" Step into the world of Dante Alighieri's epic masterpiece, the Divine Comedy. This iconic work takes readers on a profound journey through the realms of Inferno, Purgatorio, and Paradiso. In Gustave Doré's stunning frontispiece illustration, we see Dante himself being guided by his beloved Beatrice into the Empyrean - the highest level of Heaven. Here, angels and blessed souls form a magnificent snow-white rose in reverence to the Deity. As we delve deeper into Paradiso, Canto 31 reveals an awe-inspiring sight - a celestial rose formed by the saintly throng in the empyrean (rose celeste). The beauty and harmony depicted in Dore's wood engraving capture this divine moment perfectly. Domenico di Michelino's artwork portrays Dante alongside his poetic creation, emphasizing their inseparable bond. In one painting from 1464-1465 titled "The Comedy Illuminating Florence, " we witness how Dante's words have illuminated not only his own soul but also his beloved city. Jean-Leon Gerome brings us face to face with Dante as he witnesses hell itself in vivid detail. The intensity of emotions conveyed in this piece is palpable as Gerome captures both fear and curiosity within our protagonist. Shirley Markham presents us with another captivating image where Dante stands alongside Virgil facing a three-headed monster. This encounter represents one of many challenges they overcome together during their arduous journey. Gustave Doré once again mesmerizes us with his intricate illustrations showcasing stars shining brightly above while Chiron retrieves an arrow for our heroes' protection against menacing beasts below. Through these various artistic interpretations spanning centuries, it becomes evident that Dante's Divine Comedy continues to inspire and captivate audiences worldwide. Its timeless themes of redemption, love, punishment, and salvation resonate deeply within the human spirit.