Cinquecento Collection (#2)

GIORGIONE, Giorgio da Castelfranco, called (1477-1510)

Raphael (1483-1520). Portrait of Baltazar Castiglione. Renaissance art. Cinquecento. Oil on canvas

Car parked among long grass, Lipari, Aeolian Islands, Sicily, Italy

Portrait of Statue of Cosimo I de Medici, 16th century (marble)
BEN5476156 Portrait of Statue of Cosimo I de Medici, 16th century (marble); Palazzo Vecchio (Palazzo della Signoria) Florence, Italy; (add.info.: Cosimo I, 1519-1574)

Portrait of Cosimo I de Medici, 16th century (marble)
BEN5476144 Portrait of Cosimo I de Medici, 16th century (marble); Palazzo Vecchio (Palazzo della Signoria) Florence, Italy; (add.info.: Cosimo I, 1519-1574)

Sagittarius sign (ascending Arcturus constellation) east wall: ability to become guardian of royal buildings
BEN5462612 Sagittarius sign (ascending Arcturus constellation) east wall: ability to become guardian of royal buildings. Here we see the palace of the te

Lorenzo Lotto (1480-1556): A group of elegantly dressed rich young people are having fun during a party
GIM4253610 Lorenzo Lotto (1480-1556): A group of elegantly dressed rich young people are having fun during a party and singing in a vocal concert (masterpiece of Lotto's drawings)

L'adoration des mages (Adorazione dei Magi). Peinture de Francesco BASSANO (1540-1592), 1585-1590. Vienne
AIS5384841 L'adoration des mages (Adorazione dei Magi). Peinture de Francesco BASSANO (1540-1592), 1585-1590. Vienne. Kunsthistorisches Museum Vienna; © Iberfoto

Renaissance architecture: view of the ceiling of the circular chapel, frescoes by Federico Zuccari (1542-1609)
BEN5467132 Renaissance architecture: view of the ceiling of the circular chapel, frescoes by Federico Zuccari (1542-1609) between 1566 and 1569

The Virgin and Saint John the Baptist adoring the Child in front of a view of Venice, 1500 (detail) (tempera on board)
8711378 The Virgin and Saint John the Baptist adoring the Child in front of a view of Venice, 1500 (detail) (tempera on board) by Foschi, Jacopo (active c.1485-c.1520); Musee Jacquemart-Andre, Paris

The Roman goddess (Opi) Ops. Marble sculpture by Bartolomeo Ammannati or Ammanati (1511-1592)
BEN5469890 The Roman goddess (Opi) Ops. Marble sculpture by Bartolomeo Ammannati or Ammanati (1511-1592). Bargello Museum, Florence. by Ammannati, Bartolomeo (1511-92); Photo © Raffaello Bencini

Pan. Sculpture representing Pan, a centaur playing the flute, god of nature in Greek mythology
BEN5468311 Pan. Sculpture representing Pan, a centaur playing the flute, god of nature in Greek mythology. Directed by Niccolo Pericoli Tribolo II (1500-1550), 1549. Bargello Museum, Florence

Head in relief made in 1506 by Baccio di Montelupo (1469-1535) forming part of the Tondo Doni (The Holy Family)
BEN5471201 Head in relief made in 1506 by Baccio di Montelupo (1469-1535) forming part of the Tondo Doni (The Holy Family)

Lo spellato (The bark) Bronze sculpture by Ludovico Cardi called Le Cigoli (1559-1613) Florence
BEN5479689 Lo spellato (The bark) Bronze sculpture by Ludovico Cardi called Le Cigoli (1559-1613) Florence. Museo Nazionale del Bargello by Cardi, Ludovico (1559-1613) ; Museo Nazionale del Bargello

Florence's victory over Pisa. Allegory and personification of the powerful cities of Tuscany in the Italian
BEN5476947 Florence's victory over Pisa. Allegory and personification of the powerful cities of Tuscany in the Italian Mannerist style

Lo spellato (The bark) Bronze sculpture by Ludovico Cardi called Le Cigoli (1559-1613) Florence
BEN5479860 Lo spellato (The bark) Bronze sculpture by Ludovico Cardi called Le Cigoli (1559-1613) Florence. Museo Nazionale del Bargello by Cardi, Ludovico (1559-1613) ; Museo Nazionale del Bargello

Regate at the Ponte di Rialto in Venice. Painting by Joseph Heintz (1564-1609). Galleria Estense (Reserve). Modene
VEN5032608 Regate at the Ponte di Rialto in Venice. Painting by Joseph Heintz (1564-1609). Galleria Estense (Reserve). Modene.; (add.info.: Regate at the Ponte di Rialto in Venice)

Leda with Jupiter (Zeus) in the form of a swan. Drawing by Niccolo Giolfino (or Golfino)
GIM5037838 Leda with Jupiter (Zeus) in the form of a swan. Drawing by Niccolo Giolfino (or Golfino) known as II Giolfino (or Ursino Veronensis) (1476-1555)

3540 3
VEN5027197 3540 3; (add.info.: Salle de l'histoire d'Ulysse. Fresque de Pellegrino Tibaldi (ou Tibaldo) dit il Pellegrini (1530-1596). Detail de la voute. Palazzo Poggi, Bologne

Italy Tuscany Siena, Cathedrale Duomo: The Piccolomini Library - Enee Piccolimini (Pius II)
JEB4948442 Italy Tuscany Siena, Cathedrale Duomo: The Piccolomini Library - Enee Piccolimini (Pius II, 1405-1464) receives the hat of the Cardinal of Pope Calixte III (1378-1458)

Italy Tuscany Siena, The Choir of the Cathedrale Le Duomo - The Master Altar of Baldassare Peruzzi (1481-1537)
JEB4948305 Italy Tuscany Siena, The Choir of the Cathedrale Le Duomo - The Master Altar of Baldassare Peruzzi (1481-1537); (add.info.: Italy Tuscany Siena)

Assumption of the Virgin. Painting by Annibal Carracci (Annibal Carrache) (1560-1609). 1592
VEN5032826 Assumption of the Virgin. Painting by Annibal Carracci (Annibal Carrache) (1560-1609). 1592. Pinacoteca Nazionale Bologna; Pinacoteca Nazionale, Bologna

Madonna on the throne and saints. Painting by Girolamo Marchesi da Cotignola (1481-1550)
VEN5032796 Madonna on the throne and saints. Painting by Girolamo Marchesi da Cotignola (1481-1550) 16th century Museo di San Francesco

Virgin and Child between Saint Cassiano d'Imola and San Pier Crisologo (died 450)
VEN5027531 Virgin and Child between Saint Cassiano d'Imola and San Pier Crisologo (died 450), Eveque of Ravenna (Peter Chrysologue)

St. Cecile Playing the Organ and St. Catherine - Painting by Bernardino Campi (1521-1591)
XEE5027483 St. Cecile Playing the Organ and St. Catherine - Painting by Bernardino Campi (1521-1591) Cremona Church of San Sigismondo; (add.info.: St. Cecile Playing the Organ and St)

Detail of anonymous frescoes from the Paradiso Palace. Marfisa d'Este mansion (1562-1608), 16th century Ferrara
VEN5027450 Detail of anonymous frescoes from the Paradiso Palace. Marfisa d'Este mansion (1562-1608), 16th century Ferrara.; (add.info.: Detail of anonymous frescoes from the Paradiso Palace)

Detail of anonymous frescoes from the Paradiso Palace. Marfisa d'Este mansion (1562-1608), 16th century Ferrara
VEN5027447 Detail of anonymous frescoes from the Paradiso Palace. Marfisa d'Este mansion (1562-1608), 16th century Ferrara.; (add.info.: Detail of anonymous frescoes from the Paradiso Palace)

History Hall of Ulysses: vault of a bedroom on the ground floor. Fresco by Pellegrino Tibaldi (or Tibaldo)
VEN5027228 History Hall of Ulysses: vault of a bedroom on the ground floor. Fresco by Pellegrino Tibaldi (or Tibaldo) dit il Pellegrini (1530-1596). Vault detail

La Cene (Christ surrounds with His Apostles) - fresco by Romanino (1484/87 - circa 1562)
XEE5027390 La Cene (Christ surrounds with His Apostles) - fresco by Romanino (1484/87 - circa 1562) - Church of Santa Maria Della Neve

Portrait of Leonardo da Vinci (Leonard de Vinci, 1452-1519)
NWI4914495 Portrait of Leonardo da Vinci (Leonard de Vinci, 1452-1519).; (add.info.: Portrait of Leonardo da Vinci (Leonard de Vinci, 1452-1519).); Photo © North Wind Pictures

Italy, Painting of the Vatican Chapel, 1860, THE dispute of the Holy Sacrament of Raffaello Sanzio
LUX4732974 Italy, Painting of the Vatican Chapel, 1860, THE dispute of the Holy Sacrament of Raffaello Sanzio, dit Raphael (1483-1520) of the Italian Renaissance; (add.info.: Italy)

Ferdinand De GONZAGUE (Ferrante GONZAGA): 1507-1557, Italian Prince of Guastalla (after the Imagines, Venice 1569)
JAB4119811 Ferdinand De GONZAGUE (Ferrante GONZAGA): 1507-1557, Italian Prince of Guastalla (after the Imagines, Venice 1569)

Roman Courtesan in the 17th century (Renaissance): Italian costume in the 16th century (Vecellio). 1895
JAB4119784 Roman Courtesan in the 17th century (Renaissance): Italian costume in the 16th century (Vecellio). 1895; (add.info.: Roman Courtesan in the 17th century (Renaissance)

Facade of the church of Gesu in Rome, Italian religious architecture of the Baroque style of the counter-reform
YOU4418730 Facade of the church of Gesu in Rome, Italian religious architecture of the Baroque style of the counter-reform, built in the 16th century

Statue of Amerigo Vespucci (1454-1512), merchant, Italian navigator, he was the first to consider the coasts of
YOU4419652 Statue of Amerigo Vespucci (1454-1512), merchant, Italian navigator, he was the first to consider the coasts of present-day South America as a new continent, distinct from Asia

Bezel from the ceiling of the Hall of the Eagles of the Palace of the Te in Mantua, (Palazzo del Te, Mantova)
BEN5462599 Bezel from the ceiling of the Hall of the Eagles of the Palace of the Te in Mantua, (Palazzo del Te, Mantova). Fresco by Giulio Pippi de Jannuzzi known as Giulio Romano (Julius Romano)

The Fall of the Giants (Titans) (North Wall), detail
BEN5462549 The Fall of the Giants (Titans) (North Wall), detail by Romano, Giulio (1492-1546); Palazzo del Te, Mantua, Italy; (add.info)

Simone del Pollaiolo, known as Il Cronaca, 1891 (engraving)
8766900 Simone del Pollaiolo, known as Il Cronaca, 1891 (engraving) by Vasari, Giorgio (1511-74) (after); Private Collection; (add.info.: 1457-1508, Simone del Pollaiolo)

The Appenine Colossus in the garden of the Villa di Pratolino, Florence. A colossal sculpture by Giambologna built in
FLO4576572 The Appenine Colossus in the garden of the Villa di Pratolino, Florence. A colossal sculpture by Giambologna built in 1569

The Italian Titian (Tiziano Vecellio) (1488-1576) painter and engraver. Grave by Augustin Carrache (Agostino Carracci)
JAB4121774 The Italian Titian (Tiziano Vecellio) (1488-1576) painter and engraver. Grave by Augustin Carrache (Agostino Carracci, 1557-1602)

Bust of Vittoria Colonna (1492-1547), Marquise of Pescaire, Italian woman of letters, friend of Michel Ange
YOU4419904 Bust of Vittoria Colonna (1492-1547), Marquise of Pescaire, Italian woman of letters, friend of Michel Ange, Marble sculpture by Maurice David de Gheest (active in the 19th century)

Farnese Bull Group Dirce, wife of Lycos, is attached by Amphion and Zethos to a bull in order to take revenge for
BEN5480476 Farnese Bull Group Dirce, wife of Lycos, is attached by Amphion and Zethos to a bull in order to take revenge for the outrage suffered by their mother Antiope

Farnese Bull Group Dirce, wife of Lycos, is attached by Amphion and Zethos to a bull in order to take revenge for
BEN5480465 Farnese Bull Group Dirce, wife of Lycos, is attached by Amphion and Zethos to a bull in order to take revenge for the outrage suffered by their mother Antiope

Hercules and Cacus (Cacos). Sculpture by Vincenzo de Rossi (1525-1587). Florence, Palazzo Vecchio
BEN5476175 Hercules and Cacus (Cacos). Sculpture by Vincenzo de Rossi (1525-1587). Florence, Palazzo Vecchio. by Rossi, Vincenzo di Raffaello de (1525-87); Photo © Raffaello Bencini

Statue of Cosimo I de Medici (Cosimo I, 1519-1574). Sculpture by Bandinelli Baccio (1488-1560), 16th century
BEN5476163 Statue of Cosimo I de Medici (Cosimo I, 1519-1574). Sculpture by Bandinelli Baccio (1488-1560), 16th century. Florence

The Genie of Victory. Detail of an unfinished head. Project for the tomb of Pope Julius II
BEN5476052 The Genie of Victory. Detail of an unfinished head. Project for the tomb of Pope Julius II. Renaissance marble sculpture made by Michelangelo Buonarroti known as Michelangelo

Madonna of the Rosary (The Madonna del Rosario). A wreath of roses is placed on the head of the Virgin while two Saints
BEN5475750 Madonna of the Rosary (The Madonna del Rosario). A wreath of roses is placed on the head of the Virgin while two Saints hand her white lilies, rosaries and hearts symbolizing faith

Architecture: Decoration of the back of the Cinquecento room with lightning symbolizing John of the Black Stripes
BEN5476920 Architecture: Decoration of the back of the Cinquecento room with lightning symbolizing John of the Black Stripes (Giovanni dalle Bande Nere)

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"Cinquecento: A Glimpse into the Artistic Masterpieces of the 16th Century" The Cinquecento, or the 16th century, was a period that witnessed an explosion of artistic brilliance and creativity. One name that stands out during this era is Michelangelo (1475-1564), whose works continue to awe and inspire generations. One of his most renowned creations is the Sistine Chapel, where he painted its ceiling with breathtaking frescoes depicting biblical scenes. The sheer grandeur and intricacy of his work in this sacred space are unparalleled. Another masterpiece by Michelangelo is the Pieta (1498-1499), a sculpture showcasing Mary holding Jesus' lifeless body. Its emotional intensity and lifelike details exemplify the essence of Renaissance art. In addition, Michelangelo's David (1501-1504) remains an iconic symbol of beauty and strength. This marble statue captures every muscle and vein with such precision that it seems alive even after centuries. Moving beyond Michelangelo's genius, we encounter Raphael (1483-1520), another prominent artist from this period. His painting "The Sistine Madonna" (1512-1517) portrays two cherubs at the bottom gazing up at Virgin Mary cradling baby Jesus—a composition that evokes serenity and divine grace. Not limited to religious themes, it also explored historical events like "The Wedding of Cana, " depicted by Veronese in 1563. This artwork showcases a miracle performed by Jesus—transforming water into wine—an event filled with vibrant colors and lively characters. Furthermore, Annibale Carracci or Annibal Carrache's painting "The Stoning of St. Stephen" takes us back to ancient times when St. Stephen became Christianity's first martyr through stoning in 36 AD JC—a poignant portrayal capturing both tragedy and faith.