Boulogne Collection (#5)

Figure 39: The attention attracted by an object that provokes lascivious ideas and desires. 1854-56, printed 1862

Figure 9: A study of m. frontalis in maximum contraction, 1854-56, printed 1862

Figure 15: Meditation, mental concentration, 1854-56, printed 1862

Figure 27: Expression proportionally more pained, 1854-56, printed 1862

Figure 81: Lady Macbeth, moderate expression of cruelty, 1854-56, printed 1862

Figure 42: Gaiety expressed by the ideas of lustfulness, cynicism, and lewdness. 1854-56, printed 1862

Figure 10: Showing the expressive lines of m. frontalis in a young girl, 1854-56, printed 1862

Figure 55: Astonishment badly rendered by the subject: a ridiculous and inane expression. 1854-56, printed 1862

Figure 21: Painful recollection and recollection or calling something to mind, 1854-56, printed 1862

Figure 71: Same head as in Plate 70, 1854-56, printed 1862. Creators: Duchenne de Boulogne, Adrien Alban Tournachon
Figure 71: Same head as in Plate 70, 1854-56, printed 1862

Figure 57: Astonishment, stupefaction, amazement, 1854-56, printed 1862

Figure 73: Head of Niobe, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 73: Head of Niobe, 1854-56, printed 1862

Figure 12: A study of the contraction of and the expression produced by the superior part of m. orbicularis oculi, 1854-56, printed 1862

Figure 47: A suggestion of this same weeping, 1854-56, printed 1862

Figure 56: Surprise, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 56: Surprise, 1854-56, printed 1862

Figure 63: Expression of terror, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 63: Expression of terror, 1854-56, printed 1862

Figure 34: Grimace, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 34: Grimace, 1854-56, printed 1862

Figure 4: The face in repose of a young man, 1854-56, printed 1862

Figure 3: The face of an old man... photographed in repose. 1854-56, printed 1862

Figure 83: Lady Macbeth, ferocious cruelty, 1854-56, printed 1862

Figure 82: Lady Macbeth, strong expression of cruelty, 1854-56, printed 1862

Figure 8: Contraction of the right m. frontalis. 1854-56, printed 1862

Figure 24: Extreme pain to the point of exhaustion, the head of Christ and memory of love or ecstatic gaze. 1854-56, printed 1862

Icono-photographique. Mecanisme de la Physionomie Humaine. Fig. 65, 1854-56, printed 1862

Figure 19: Suffering, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 19: Suffering, 1854-56, printed 1862

Figure 48: Mild weeping, pity and feeble false laughter, 1854-56, printed 1862

Figure 25: Not an expression of pain, 1854-56, printed 1862

Faradisation du muscle frontal, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Faradisation du muscle frontal, 1854-56, printed 1862

Figure 52: Voluntary retraction of the lower lip, 1854-56, printed 1862

Figure 54: Voluntary lowering of the lower jaw, 1854-56, printed 1862

Figure 66: Head of Arrotino (the spy, the knife grinder, and so on), 1854-56, printed 1862

Figure 22: No painful expression, 1854-56, printed 1862

Figure 49: Painful weeping and forward looking. 1854-56, printed 1862

Figure 18: Aggression, wickedness, 1854-56, printed 1862

Figure 17: On the right, electrization of m. procerus: severity, aggression. On the left: attention. 1854-56, printed 1862

Figure 60: Fright, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 60: Fright, 1854-56, printed 1862

Figure 70: Head of the Laocoon of Rome, 1854-56, printed 1862. Creators: Duchenne de Boulogne, Adrien Alban Tournachon
Figure 70: Head of the Laocoon of Rome, 1854-56, printed 1862

Figure 45: Pain and despair. 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 45: Pain and despair. 1854-56, printed 1862

Figure 6: The grimace produced is similar to a tic of the face, 1854-56, printed 1862

Figure 75: Nun saying her prayers, 1854-56, printed 1862

Figure 62: Terror, semiprofile, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 62: Terror, semiprofile, 1854-56, printed 1862

Figure 78: Scene of coquetry, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 78: Scene of coquetry, 1854-56, printed 1862

Figure 16: Expression of severity, 1854-56, printed 1862

Figure 50: Affected weeping and face in repose, 1854-56, printed 1862

Figure 36: Scornful laughter and scornful disgust, 1854-56, printed 1862

Figure 20: Profound suffering, with resignation, 1854-56, printed 1862

FISH MARKET / FRANCE 1930S
A fish market in Boulogne Date: 1930s

Harbour at Boulogne
The Douane (Customs House) in the harbour of Boulogne-sur- mer, principal port of entry for travellers from England. Date: circa 1860

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"Boulogne: A Captivating Coastal Gem" Step into the past with a vintage poster advertising Boulogne sur Mer, France, where azure waters and sandy beaches await. Embark on an adventure with the Blue Star Line poster to South America, promising exotic destinations and unforgettable experiences. Transport yourself back to 1864 as you discover WOMBAT, the Continental Boat Express that whisked travelers away to new horizons. Even Mahatma Gandhi himself sailed from Boulogne to Folkestone, leaving his mark on this historic port. Immerse yourself in artistry as Edouard Manet's masterpiece "Moonlight over the Port of Boulogne" transports you to a serene night by the harbor. Feel the patriotic fervor of World War I through a recruiting poster urging young men: "Come Lad, Slip Across and Help. " Witness thrilling races at Boulogne with an Autocar Poster showcasing Voiturette racecars zooming through its streets. Join Blanchard and Jeffries as they make history crossing the English Channel in their daring feat. Experience timeless elegance with Ladies Travelling 1399, capturing boulevards lined with sophistication in Hesdin, Pas-de-Calais - Avenue de Boulogne awaits your exploration. Indulge in wanderlust once more aboard the Continental Boat Express; let it carry you across oceans towards endless possibilities. Discover why Boulogne has captivated hearts for centuries – its charm is simply irresistible.