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Armlet Collection

"Unveiling the Elegance

Background imageArmlet Collection: A young female wearing a torc, armlet and brooch

A young female wearing a torc, armlet and brooch
3330343 A young female wearing a torc, armlet and brooch; (add.info.: Marble relief of a young female wearing a torc, armlet and brooch. Greek 3rd Century BC.); Universal History Archive/UIG

Background imageArmlet Collection: Men of the Island Carib or Kalinago people

Men of the Island Carib or Kalinago people. The wear loincloths, armlets, garters, tattoos and nose piercings. Handcoloured copperplate engraving by Nasi from Giulio Ferrrarios Costumes Antique

Background imageArmlet Collection: Movie set for a western, between 1896 and 1942. Creator: Arnold Genthe

Movie set for a western, between 1896 and 1942. Creator: Arnold Genthe
Movie set for a western, between 1896 and 1942. Note woman holding gun and unusual leather armlets

Background imageArmlet Collection: Lady at the Mirror, c. 1520 (oil on canvas)

Lady at the Mirror, c. 1520 (oil on canvas)
XAM66734 Lady at the Mirror, c.1520 (oil on canvas) by Romano, Giulio (1492-1546); 111x92 cm; Pushkin Museum, Moscow, Russia

Background imageArmlet Collection: Drawing of Viking gold armlet from Ireland, c. 1812-13 (pen, ink & wash on paper)

Drawing of Viking gold armlet from Ireland, c. 1812-13 (pen, ink & wash on paper)
1765208 Drawing of Viking gold armlet from Ireland, c.1812-13 (pen, ink & wash on paper) by Smirke, Richard (1778-1815); 24x31 cm; Society of Antiquaries of London

Background imageArmlet Collection: Native of Pulau Yos Sudarso, Muli Strait, New Guinea

Native of Pulau Yos Sudarso, Muli Strait, New Guinea
6338589 Native of Pulau Yos Sudarso, Muli Strait, New Guinea by Pannemaker (19th century); (add.info.: Native of Pulau Yos Sudarso, Muli Strait, New Guinea)

Background imageArmlet Collection: A rare Fatimid armlet, Syrian or Egyptian (gold with emerald & glass)

A rare Fatimid armlet, Syrian or Egyptian (gold with emerald & glass)
6373208 A rare Fatimid armlet, Syrian or Egyptian (gold with emerald & glass) by Fatimid school (11th century); diameter: 14.6 cm; Private Collection; (add.info)

Background imageArmlet Collection: The Favourite, 1896 (oil on canvas)

The Favourite, 1896 (oil on canvas)
476703 The Favourite, 1896 (oil on canvas) by Tojetti, Virgilio (1851-1901); 152x94 cm; Private Collection; Photo eChristies Images; Italian, out of copyright

Background imageArmlet Collection: Baby Asian Elephant with keeper, London Zoo November 1915

Baby Asian Elephant with keeper, London Zoo November 1915
1218670 Baby Asian Elephant with keeper, London Zoo November 1915. The elephant is wearing an armlet around its trunk. (b/w photo) by Bond

Background imageArmlet Collection: Colonial and Indian Exhibition, New Guinea (engraving)

Colonial and Indian Exhibition, New Guinea (engraving)
1624619 Colonial and Indian Exhibition, New Guinea (engraving) by English School, (19th century); Private Collection; (add.info.: Colonial and Indian Exhibition, New Guinea)

Background imageArmlet Collection: Fashionable woman in low-cut dress with Venus cape, 1800 (handcoloured copperplate engraving)

Fashionable woman in low-cut dress with Venus cape, 1800 (handcoloured copperplate engraving)
5986604 Fashionable woman in low-cut dress with Venus cape, 1800 (handcoloured copperplate engraving) by French School, (19th century); (add.info.: Fashionable woman in low-cut dress with Venus cape)

Background imageArmlet Collection: Pair of armlets, from Derrinboy, County Offaly, Middle Bronze Age, 1400-1200 BC (gold)

Pair of armlets, from Derrinboy, County Offaly, Middle Bronze Age, 1400-1200 BC (gold)
XBP341837 Pair of armlets, from Derrinboy, County Offaly, Middle Bronze Age, 1400-1200 BC (gold) by Bronze Age (2000-600 BC); National Museum of Ireland, Dublin, Ireland; out of copyright

Background imageArmlet Collection: Arm-badge of the Croix-de-Feu, 1930s (cloth and metal)

Arm-badge of the Croix-de-Feu, 1930s (cloth and metal)
CHT220330 Arm-badge of the Croix-de-Feu, 1930s (cloth and metal) by French School, (20th century); Private Collection; (add.info)

Background imageArmlet Collection: Arm-badge of Action Francaise, c. 1920-35 (enamelled metal and cloth)

Arm-badge of Action Francaise, c. 1920-35 (enamelled metal and cloth)
CHT220311 Arm-badge of Action Francaise, c.1920-35 (enamelled metal and cloth) by French School, (20th century); Private Collection; (add.info)

Background imageArmlet Collection: Double-Sided Votive Relief, Greco-Roman Period, 305-30 BC (limestone)

Double-Sided Votive Relief, Greco-Roman Period, 305-30 BC (limestone)
490745 Double-Sided Votive Relief, Greco-Roman Period, 305-30 BC (limestone) by Egyptian Ptolemaic Period (332-30 BC); 8.3x6.5x1.4 cm; Cleveland Museum of Art, OH

Background imageArmlet Collection: Frieze depicting a winged spirit, a sargon or priest carrying a gazelle

Frieze depicting a winged spirit, a sargon or priest carrying a gazelle
XIR155556 Frieze depicting a winged spirit, a sargon or priest carrying a gazelle and a worshipper carrying a poppy stem, from the Palace of Sargon I, Khorsabad, Iraq (stone) by Assyrian

Background imageArmlet Collection: Gold armlet with a bust of Isis in a medallion from a temple treasure

Gold armlet with a bust of Isis in a medallion from a temple treasure
1216382 Gold armlet with a bust of Isis in a medallion from a temple treasure, 4th-3rd century BC (sheet gold) by Egyptian; diameter: 8.3 cm; Ashmolean Museum, University of Oxford

Background imageArmlet Collection: An Unknown Lady, c. 1610 (oil on canvas)

An Unknown Lady, c. 1610 (oil on canvas)
MHB276662 An Unknown Lady, c.1610 (oil on canvas) by English School, (17th century); Private Collection; (add.info.: Black dress with long-waisted bodice, low-cut neckline, long)

Background imageArmlet Collection: A cobbler at the Mansfield shoe factory in Northampton, hand stitching a pair of shoes

A cobbler at the Mansfield shoe factory in Northampton, hand stitching a pair of shoes 26th April 1956

Background imageArmlet Collection: Armlets Give You Safety: Flashing torches in the street, it was emphasised yesterday

Armlets Give You Safety: Flashing torches in the street, it was emphasised yesterday, is banned under black out regulations

Background imageArmlet Collection: WW2 Poster -- Army Officer and other badges

WW2 Poster -- Army Officer and other badges
Distinctive Badges of Rank of Officers in the Army, showing corresponding ranks in Royal Navy, Army, & Royal Air Force. Colour lithograph published by Gale and Polden Limited, Aldershot

Background imageArmlet Collection: Hopi dancers, wearing Hemis Kachina masks and sprigs of evergreen

Hopi dancers, wearing Hemis Kachina masks and sprigs of evergreen, lined up at a pueblo in Arizona during the Niman
HOPI DANCERS, c1913. Hopi dancers, wearing Hemis Kachina masks and sprigs of evergreen, lined up at a pueblo in Arizona during the Niman Kachina or going home ceremony in the month of July

Background imageArmlet Collection: Workshop Alexander Roslin King Gustav III Gustav III

Workshop Alexander Roslin King Gustav III Gustav III
Workshop of Alexander Roslin, King Gustav III, Gustav III with the Armlet of Freedom, Gustaf III with the Freedom Band, Oil on canvas, Height, 80 cm (31.4 inches), Width, 65 cm (25.5, inches)

Background imageArmlet Collection: NUDE WITH BIRD, 1899. Nude study, 1899, by the St. Louis photographer Fritz W. Guerin

NUDE WITH BIRD, 1899. Nude study, 1899, by the St. Louis photographer Fritz W. Guerin

Background imageArmlet Collection: SIOUX NATIVE AMERICAN, c1900. Joe Black Fox, a Sioux Native American from Buffalo Bills Wild West

SIOUX NATIVE AMERICAN, c1900. Joe Black Fox, a Sioux Native American from Buffalo Bills Wild West Show. Photographed by Gertrude Käsebier, c1900

Background imageArmlet Collection: Three young Masai women, 1912

Three young Masai women, 1912. From The Living Races of Mankind, Vol. II. [Hutchinson & Co, London, 1912]

Background imageArmlet Collection: A Masai matron, 1912

A Masai matron, 1912. From The Living Races of Mankind, Vol. II. [Hutchinson & Co, London, 1912]

Background imageArmlet Collection: Cross Pendant Brooches & Earrings, Suite of Indian Ornaments, 1863. Artist: Robert Dudley

Cross Pendant Brooches & Earrings, Suite of Indian Ornaments, 1863. Artist: Robert Dudley
Cross Pendant Brooches & Earrings, Suite of Indian Ornaments, 1863. Queen Alexandras Indian Necklace was one of her wedding gifts from Queen Victoria

Background imageArmlet Collection: War trappings of the ancient Britons, 1933-1934

War trappings of the ancient Britons, 1933-1934. Featured include: a bronze helmet with red enamel studs, found in the Thames; an armlet with inlaid enamel; a sword hilt in bronze;

Background imageArmlet Collection: Armilla of Andrei Bogolyubsky, c. 1170. Artist: West European Applied Art

Armilla of Andrei Bogolyubsky, c. 1170. Artist: West European Applied Art
Armilla of Andrei Bogolyubsky, c. 1170. Found in the collection of the Germanisches Nationalmuseum, Nuremberg

Background imageArmlet Collection: Griffin-headed Armlet

Griffin-headed Armlet
Griffin-headed armlet which originally had inlays in the recessed parts

Background imageArmlet Collection: Celtic bronze armlet from Scotland

Celtic bronze armlet from Scotland
A bronze armlet, one of a pair found in Dummond Castle in Scotland, and currently in the British Museums collection

Background imageArmlet Collection: Gold amulet from Oxus Treasure. 5th-4th centuries BC

Gold amulet from Oxus Treasure. 5th-4th centuries BC
Oxus Treasure. Gold armlet with ends in the form of winged monsters with griffin head low relief. 5th-4th centuries BC. From Takht-i Kuwad, Tajikistan. British Museum. London. England. United Kingdom

Background imageArmlet Collection: Classical Costume C. 1800

Classical Costume C. 1800
The clothing demonstrates a pronounced classical influence. A simple white gown, brown scarf, gold armlet & black ribbon at her neck. Her hair is dressed in curls. Date: circa 1800

Background imageArmlet Collection: Bystander cover - Derby scheme attesting Bairnsfather

Bystander cover - Derby scheme attesting Bairnsfather
Front cover of The Bystander magazine featuring an illustration by Fred Buchanan which is a pastiche of Bruce Bairnsfathers famous The Better Ole cartoon (in the same magazine)

Background imageArmlet Collection: First World War dresses, ladies taking afternoon tea

First World War dresses, ladies taking afternoon tea
Two ladies take tea together at an outside table under the shade of a parasol. On the left, is a grey and white check taffeta dress with blue hooped bands, pannier pockets and brassard armlet

Background imageArmlet Collection: Eve walks out with Uncle Fred wearing his volunteer armbands

Eve walks out with Uncle Fred wearing his volunteer armbands
Illustration by Annie Fish to illustrate Letters of Eve in The Tatler. The eponymous Eve is walking out with her Uncle Fred who always aggressive

Background imageArmlet Collection: TANGANYIKAN GIRLS, 1936. Girls wearing large earrings and numerous neck rings

TANGANYIKAN GIRLS, 1936. Girls wearing large earrings and numerous neck rings. Photographed near Longido, Tanganyika (present-day Tanzania), near the border with Kenya, 1936

Background imageArmlet Collection: KENYA: WAKIKUYU, 1936. Men and women of the Wakikuyu tribe photographed at Karatina

KENYA: WAKIKUYU, 1936. Men and women of the Wakikuyu tribe photographed at Karatina, Kenya, 1936

Background imageArmlet Collection: Brooch of silver

Brooch of silver
Antique illustration of a brooch of silver with enamel and gold trim

Background imageArmlet Collection: Oval brooch

Oval brooch
Antique illustration of a oval brooch found in Sweden

Background imageArmlet Collection: PORTRAIT: WOMAN, 1926. Portrait of Ellie Bostom, daughter of the Swedish minister

PORTRAIT: WOMAN, 1926. Portrait of Ellie Bostom, daughter of the Swedish minister. Photograph, 1926

Background imageArmlet Collection: KENYAN FAMILY, c1910. Group portrait of members of a prominent (possibly royal) family in Kenya

KENYAN FAMILY, c1910. Group portrait of members of a prominent (possibly royal) family in Kenya. Photographed c1910

Background imageArmlet Collection: IROQUOIS CHIEF AND WARRIOR. A chief in European dress, a child, and a warrior scalping an enemy

IROQUOIS CHIEF AND WARRIOR. A chief in European dress, a child, and a warrior scalping an enemy. Aquatint, c1787, by Jacques Grasset de Saint-Sauveur

Background imageArmlet Collection: SIOUX DANCERS, 1890. Five grass dancers in ceremonial clothing, probably participants

SIOUX DANCERS, 1890. Five grass dancers in ceremonial clothing, probably participants in a Miniconjou Sioux grass dance near the Cheyenne River in South Dakota. Photographed in 1890 by John C.H

Background imageArmlet Collection: LITTLE ELK, 1826. Hoowanneka, or Little Elk. Lithograph after a painting, 1826

LITTLE ELK, 1826. Hoowanneka, or Little Elk. Lithograph after a painting, 1826, by James Otto Lewis

Background imageArmlet Collection: TENSKWATAWA (c1768-1834). Known as the Prophet. Shawnee Native American prophet and leader

TENSKWATAWA (c1768-1834). Known as the Prophet. Shawnee Native American prophet and leader. Lithograph, 1836, after a painting by Charles Bird King

Background imageArmlet Collection: NEW AMSTERDAM, 1660. Peter Stuyvesant, Dutch governor of New Netherland, receiving

NEW AMSTERDAM, 1660. Peter Stuyvesant, Dutch governor of New Netherland, receiving a delegation of Hackensack Native Americans from New Jersey at New Amsterdam, 1660



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"Unveiling the Elegance: The Armlet's Multifaceted Journey Through Time" Step into a mesmerizing world of cultural expressions and historical significance as we explore the captivating armlet. From ancient rituals to artistic representations, this accessory has left an indelible mark on various periods and cultures. In the early 1920s, Olga Desmond gracefully performed the Sword Dance, her arm adorned with a dazzling armlet that accentuated her every move. This symbol of strength and grace became synonymous with power during those times. During World War II, army officers proudly displayed their badges alongside their trusty armlets. These symbols of honor showcased their courage and dedication to serving their country. Traveling back in time, we encounter the Men of the Island Carib or Kalinago people who wore intricately crafted armlets as a testament to their rich heritage. Each piece told stories passed down through generations, connecting them to their ancestors' traditions. In a surprising twist, even art found its muse in these adornments. A daring photograph from the 1920s captured a nude figure striking an alluring pose while wearing an exquisite theatrical-inspired armlet. It highlighted how this accessory transcended societal norms by becoming both provocative and empowering. Moving further back in history, "Lady at the Mirror, " painted around 1520, showcases elegance personified as she delicately adjusts her ornate gold-armleted wrist—a timeless symbol of femininity and refinement. Viking culture also embraced these treasures; a detailed drawing from 1812-13 depicts a Viking gold armlet discovered in Ireland—an artifact that speaks volumes about craftsmanship and status within Norse society. Venturing across continents brings us face-to-face with native tribes like those inhabiting Pulau Yos Sudarso in New Guinea. Their vibrant culture is embodied by colorful armlets worn proudly on wrists—symbols reflecting community bonds and individual identity.