Andreani Collection (#2)

Jason returning with the golden fleece / a [monogram of Andrea Andreani, approximately 1560-1623] in Mantoua 160, Carpi, Ugo da, 1480-approximately 1532, artist, Parmigianino, 1503-1540

Temperance / a [monogram of Andrea Andreani], between 1540 and 1560. Vicentino, Giuseppe Niccolo, approximately 1510-, artist, Parmigianino, 1503-1540. Andreani, Andrea, approximately 1560-1623

The Blessed Virgin, Andreani, Andrea, approximately 1560-1623, Vanni, Francesco, 1563-1610, between 1590 and 1610, chiaroscuro woodcut, Print showing the Blessed Virgin Mary with the infant Jesus

Christ carrying the cross, Andreani, Andrea, approximately 1560-1623

The Virgin, Child, and a bishop, Andreani, Andrea, approximately 1560-1623

Virtue, 1585, Andreani, Andrea, approximately 1560-1623

The adoration of the Magi / a [monogram of Andrea Andreani] MDCV. Vicentino, Giuseppe Niccolo, approximately 1510-, artist, Parmigianino, 1503-1540. Andreani, Andrea, approximately 1560-1623

Circe, dating from between 1500 and 1530, Carpi, Ugo da, 1480-approximately 1532, artist, Parmigianino, 1503-1540. Andreani, Andrea, approximately 1560-1623

Mutius Scaevola, between 1584 and 1610, Andreani, Andrea, approximately 1560-1623

Nymphs bathing / a [monogram of Andrea Andreani], between 1500 and 1530, printed 1605. Carpi, Ugo da, 1480-approximately 1532, artist, Parmigianino, 1503-1540

St. Cecilia / a [monogram of Andrea Andreani], between 1530 and 1550. Trento, Antonio da, approximately 1508-approximately 1550, artist, Parmigianino, 1503-1540

Andrea Andreani after Andrea Mantegna (Italian, 1558-1559-1629), The Triumph of Julius Caesar, 1599, chiaroscuro woodcut

The triumph of Julius Caesar, Andrea Andreani (1540-1623) Italian wood engraver. Plate 4 from his Triumphus Caesari c1598, after Andrea Mantegna (1431-1506) Italian artist

Eve After The Fall, Andreani, Andrea, Approximately 1560-1623

Circe, Dating From Between 1500 And 1530, Carpi, Ugo Da, 1480-approximately 1532, Artist, Parmigianino, 1503-1540. Andreani, Andrea, Approximately 1560-1623

The Adoration Of The Magi / Aa [monogram Of Andrea Andreani] Mdcv. Vicentino, Giuseppe Niccolo, Approximately 1510-, Artist, Parmigianino, 1503-1540. Andreani, Andrea, Approximately 1560-1623

Nymphs Bathing / Aa [monogram Of Andrea Andreani], Between 1500 And 1530, Printed 1605. Carpi, Ugo Da, 1480-approximately 1532, Artist, Parmigianino, 1503-1540

Virtue, 1585, Andreani, Andrea, Approximately 1560-1623

The Blessed Virgin, Andreani, Andrea, Approximately 1560-1623, Vanni, Francesco, 1563-1610, Between 1590 And 1610, Chiaroscuro Woodcut, Print Showing The Blessed Virgin Mary With The Infant Jesus

Adreanis balloon launch, Milan, Italy
Paolo Adreanis balloon ascending over a square in Milan, watched by a crowd of spectators. His first ascent was on 25 February 1784; this ascent took place the following month. 13 March 1784

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"Andreani: A Masterful Depiction of Triumph and Tragedy in Art" In the year 1585, Italian artist Andrea Andreani skillfully captured a pivotal moment in history with his artwork titled "Christ being led away. " The scene unfolds as Christ, burdened by the weight of his destiny, is led away by soldiers. On the right side of the sheet, these soldiers stand tall and resolute, symbolizing the forces that seek to suppress truth. Andreani's artistic prowess shines through in another masterpiece from "The Triumph of Christ" series created in 1836. In section H, we witness Saint Christopher carrying the Christ Child on his shoulders. This powerful image showcases devotion and selflessness as Christopher bears this divine responsibility. Moving to section B, Andreani presents us with an intriguing composition featuring Isaac, Noah, and other figures from "The Triumph of Christ. " These biblical characters represent humanity's journey towards redemption amidst chaos and destruction. Section A introduces us to an angel holding a cross at upper left while Adam and Eve are depicted below. Here we witness the eternal struggle between good and evil - a theme recurrent throughout Andreani's work. Virtue takes center stage in one captivating piece where she stands surrounded by four figures representing love and error. Through this juxtaposition, Andreani reminds us that virtue can guide our path even when faced with temptation or deceit. However, not all scenes depict triumph; some delve into darker aspects of human existence. In his creation titled "Rape of a Sabine Woman, " completed in 1584, Andreani confronts viewers with a harrowing depiction that explores themes of violence and power dynamics within society. "The Triumph of Death" offers yet another thought-provoking tableau where three fates hover above an architectural frame enclosing a wheel of fortune. This allegorical representation serves as a reminder that death ultimately comes for all living beings regardless of their station or fortune. Section F showcases saints holding crosses, books, and weapons.