Amore Collection

Music cover, Thats Amore, words by Jack Brooks, music by Harry Warren. Showing Dean Martin, Jerry Lewis and Donna Reed on a golf course in the film The Caddy. 1953

The ballerina Emilie Bigottini 1784-1858 dancing in the opera Nina, o sia la pazza per amore (Nina or the girl driven mad by love) by Giovanni Paisiello at the Opera Theatre, Paris, 1816

"Romeo et Juliet"Scene from "Romeo and Juliette"
LRI557711 " Romeo et Juliet" Scene from " Romeo and Juliette" opera by Charles Gounod (1818-1893). c.1880

Venus with Cupid as a honey thief, 1530. Creator: Cranach, Lucas, the Elder (1472-1553)
Venus with Cupid as a honey thief, 1530. Found in the Collection of the Statens Museum for Kunst, Kopenhagen

Putto with garland, c.1512. Creator: Raffael (Raffaello Sanzio da Urbino) (1483-1520)
Putto with garland, c.1512. Found in the Collection of the Accademia di San Luca

The Venus Festival, Mid-17th century. Creator: Carpioni, Giulio (1613-1678)
The Venus Festival, Mid-17th century. Found in the Collection of the Galerie Canesso

Cupid carving bows (after Parmigianino). Creator: Heintz, Joseph, der Ältere (1564-1609)
Cupid carving bows (after Parmigianino). Found in the Collection of the Labirinto di Franco Maria Ricci

Venus disarms Cupid, 16th century. Creator: Romano, Giulio (1499-1546)
Venus disarms Cupid, 16th century. Found in the Collection of the Palazzo del Te, Mantua

Venus with the mirror, 1527. Creator: Romano, Giulio (1499-1546)
Venus with the mirror, 1527. Found in the Collection of the Palazzo del Te, Mantua

Love Heart
Pawel Pacholec

With Love
Pawel Pacholec

Pizza Pasta & Amore
Studio Dolci

More Amore
Studio Dolci

MUCHO AMOR
Anne-Marie Volfova

Socrates bidding Farewell to his Family, 1787-90 (plaster)
6343151 Socrates bidding Farewell to his Family, 1787-90 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: Socrate si congeda dalla propria famiglia)

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Angel, detail of "The Assumption of Mary", 1745-48 (fresco)
3928828 Angel, detail of " The Assumption of Mary", 1745-48 (fresco) by Bortoloni, Mattia (1695-1750), Biella, Felice (1702-86) & Bibiena

Detail of an old man, probably Jupiter, holding a young woman on his thigh, perhaps Dione
6255433 Detail of an old man, probably Jupiter, holding a young woman on his thigh, perhaps Dione by Italian School, (16th century); Palazzo Trinci, Foligno, Umbria, Italy; (add.info.: Foligno)

The Graces and Cupid, detail of Cupid among the Graces legs, 1820-22 (Carrara marble)
6342993 The Graces and Cupid, detail of Cupid among the Graces legs, 1820-22 (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen

The Graces and Cupid, detail of the embrace and a hand, 1820-22 (Carrara marble)
6342991 The Graces and Cupid, detail of the embrace and a hand, 1820-22 (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen

The Graces and Cupid, 1820-22 (Carrara marble)
6342988 The Graces and Cupid, 1820-22 (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen, Denmark; (add.info.: Le Grazie con Cupido, 1820-2)

Meeting of the Betrothed Couple, 1517-08 (detached fresco)
5973956 Meeting of the Betrothed Couple, 1517-08 (detached fresco) by Ferramola, Floriano (1480-1528); Pinacoteca Tosio Martinengo, Brescia, Italy; (add.info.: Brescia)

Milone seducing Berta, detail of Stories of Berta, Milone and Rolandino
3707900 Milone seducing Berta, detail of Stories of Berta, Milone and Rolandino by Antelami, Benedetto (c.1150-c.1230) (& workshop); Duomo, Fidenza, Emilia-Romagna, Italy; (add.info.: Fidenza)

Cupid and Psyche, detail, 1800-03 (marble)
6343037 Cupid and Psyche, detail, 1800-03 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St. Petersburg, Russia; (add.info.: Amore e Psiche, 1800-3, di Antonio Canova (1757 - 1822)

The Graces and Cupid, detail of the embrace, and faces and gazes, 1820-22 (Carrara marble)
6342990 The Graces and Cupid, detail of the embrace, and faces and gazes, 1820-22 (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen

A Mothers Kiss (oil on canvas)
5894134 A Mothers Kiss (oil on canvas) by Ferraguti, Arnaldo (1862-1925); Assicoop-Unipol Collection, Modena, Emilia Romagna, Italy; (add.info.: Collezione Assicoop - Unipol, inv)

Cupid and Psyche, 1800-03 (marble)
6343040 Cupid and Psyche, 1800-03 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St. Petersburg, Russia; (add.info.: Amore e Psiche, 1800-3, di Antonio Canova (1757 - 1822)

Cupid and Psyche, 1800-03 (marble)
6343036 Cupid and Psyche, 1800-03 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St. Petersburg, Russia; (add.info.: Amore e Psiche, 1800-3, di Antonio Canova (1757 - 1822)

"The Graces and Cupid", detail, 1820-22 (Carrara marble)
6342994 " The Graces and Cupid", detail, 1820-22 (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen, Denmark; (add.info.: Le Grazie con Cupido, 1820-2)

Aminta revives in Silviais arms, c. 1832-33 (oil on canvas)
6200613 Aminta revives in Silviais arms, c.1832-33 (oil on canvas) by Carnovali, Giovanni (Il Piccio) (1804-1873); Private Collection; (add.info.: Giovanni Carnovali)

Psyche Fainted, Model, before 1838 (marble)
6200641 Psyche Fainted, Model, before 1838 (marble) by Tenerani, Pietro (1789-1869); State Hermitage Museum, St. Petersburg, Russia; (add.info.: Pietro Tenerani: " Psiche svenuta", modello)

Psyche Abandoned, Model, 1816 (marble)
6200640 Psyche Abandoned, Model, 1816 (marble) by Tenerani, Pietro (1789-1869); Private Collection; (add.info.: Pietro Tenerani: " Psiche abbandonata", modello, scultura in marmo)

Rinaldo and Armida, 1812 (oil on canvas)
6200615 Rinaldo and Armida, 1812 (oil on canvas) by Hayez, Francesco (1791-1882); Gallerie dell Accademia, Venice, Italy; (add.info.: Francesco Hayez: " Rinaldo e Armida", olio su tela)

The Graces and Cupid, detail of the embrace, and faces and gazes, 1820-22 (Carrara marble)
6342989 The Graces and Cupid, detail of the embrace, and faces and gazes, 1820-22 (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen

The Graces and Cupid, rear part, 1820-22 (Carrara marble)
6342987 The Graces and Cupid, rear part, 1820-22 (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen, Denmark; (add.info.: Le Grazie con Cupido, 1820-2)

Palazzina (Small Building): view of the fourth room or of Torquato Tasso, with freescoes representing episodes of
5962707 Palazzina (Small Building): view of the fourth room or of Torquato Tasso, with freescoes representing episodes of "Jerusalem Delivered"

Marital Concord, 1734 (fresco)
5949113 Marital Concord, 1734 (fresco) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); Villa Loschi Motterle, Vicenza, Veneto

Alpine village and lovers embracing (pen & ink on paper)
CTS413063 Alpine village and lovers embracing (pen & ink on paper) by Titian (Tiziano Vecelli) (c.1488-1576) (after); 14.9x21 cm; eThe Devonshire Collections

Engaged couple, Malnate (oil on canvas)
704127 Engaged couple, Malnate (oil on canvas) by Italian School, (19th century); Galleria Nazionale d Arte Moderna e Contemporanea, Rome, Lazio, Italy; Italian, out of copyright

Diana led by Amore (cupid) falls in love with
Diana, the moon goddess, led by Amore (cupid) to fall in love with the sleeping shepherd Endymion. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano)

Disc with Aphrodite
LRI741107 Disc with Aphrodite, by Greek School, (4th century BC); diam: 23.5 cm; Museo Nazionale della Siritide, Policoro, Matera, Basilicata

"Romeo et Juliet"Scene from "Romeo and Juliette"
LRI557714 " Romeo et Juliet" Scene from " Romeo and Juliette" opera by Charles Gounod (1818-1893). c.1880

Frieze on the ceiling of the room of Cupid and Psyche, c. 1530 (fresco)
704186 Frieze on the ceiling of the room of Cupid and Psyche, c.1530 (fresco) by Vaga, Perino del (Pietro Buonaccorsi) (1501-47); Castel Sant Angelo, Rome, Italy; Italian, out of copyright

"Marguerite, Faust and Mephisto"Scene from "Faust"
557708 " Marguerite, Faust and Mephisto" Scene from " Faust" by Charles Gounod (1818-1893) c.1900 (oil on canvas) by Cipolla

Love, Death and Beyond, 1881, plate XII from Intermezzi (etching
AFC198093 Love, Death and Beyond, 1881, plate XII from Intermezzi (etching, drypoint & aquatint) by Klinger, Max (1857-1920); 20.3x42.1 cm; Private Collection; German, out of copyright

"clouds... clouds"(nuvole..nuvole)
Roberto Marini

Page from the Palace of Hope
An illustrated page from the Palace of Hope, from the Documenti dAmore (Teachings of Love) of the Tuscan poet, Francesco da Barberino

EyeUbiquitous_20104646
France, Ile de France, Paris, Padlocks attached to the Pont de Sully that according to tradition lock as a statement a couples eternal love, with the famous Notre Dame Cathedral in the background

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"Amore: A Melody of Love and Passion" In the enchanting realm of art, love finds its voice through captivating melodies and timeless tales. From the soul-stirring music cover of "That's Amore" to the iconic scene from "Romeo and Juliette, " amore weaves its spell, transcending time and space. As Socrates bids farewell to his family in a poignant sculpture from 1787-90, we witness the depth of love that exists even in moments of separation. The delicate brushstrokes on an angel's face, captured in fresco form during "The Assumption of Mary, " evoke a sense of divine love that touches our hearts. A glimpse into mythology reveals Jupiter holding Dione on his thigh, symbolizing a profound connection between an old man and a young woman. This ancient depiction reminds us that love knows no boundaries or age limits. Cupid makes his presence known amidst the Graces in Carrara marble sculptures from 1820-22. Their intertwined forms speak volumes about the power of passion and desire that ignites within us all. In another detached fresco titled "Meeting of the Betrothed Couple, " painted around 1517-08, we witness two souls united by promise and commitment. Love blossoms as they embark on their journey together. The stories continue with Milone seducing Berta in intricate details depicting their tale. These narratives remind us that love can be both tender and tempestuous, filled with longing and longing for connection. One cannot overlook Cupid's enthralling encounter with Psyche portrayed in marble from 1800-03. Their story unfolds before our eyes, showcasing the transformative nature of true love overcoming obstacles against all odds. Finally, returning to Carrara marble sculptures capturing faces locked in embrace - it is here where we find ourselves immersed completely within amoré’s essence itself; an ethereal dance between beauty, grace, and the intoxicating power of love.