Afghani Collection (#4)

Shah Shoja, puppet of the British, holding a durbar at Kabul, First Anglo-Afghan War, 1838-1842. Artist: James Atkinson
Shah Shoja, puppet of the British, holding a durbar at Kabul, First Anglo-Afghan War, 1838-1842. A former ally of the British from the Napoleonic Wars

Gold plaques from the Oxus treasure, Achaemenid Persian, 5th-4th century BC. Man wearing Median costume; he has an akinakes (short sword)

Nasrullalh Khan, 1893
Nasrullalh Khan in 1893. Second son of Abdor Rahman Khan who ruled Afghanistan 1880-1901

Habibollah Khan (1872-1919), Ruler of Afghanistan (1901-1919), 1893
Habibollah Khan (1872-1919) in 1893. Eldest son of Abdor Rahman Khan and great-grandson of Dost Mohammad Khan. Ruler of Afghanistan 1901-1919: Barakzai dynasty

Second Anglo-Afghan War (1878-1900), 1880: British position at Sherpore, Cabul (Kabul). Gatling gun bastion making ready to repel attack by the Ghazis, 23 December 1879

Second Anglo-Afghan War (1878-1880), 1880. A block in the Jugdulluk Pass: British troops having difficulties on their way to reinforce General Roberts at Cabul (Kabul). December 1879

Second Anglo-Afghan War (1878-1880), 1879
Second Anglo-Afghan War (1878-1880): Yakub (Yakoob) Khan, ruler of Afghanistan, at a review at Gundamuck, 30 May 1879, after signing of Treaty of Gundamuck on 26 May

First Anglo-Afghan War, (1838-1842), c1880
First Anglo-Afghan War 1838-1842: British troops from the besieged city of Jellalabad, under the leadership of Henry Havelock, attacking the camp of Akbar Khan

Dost Mohammad Khan (1793-1863) ruler of Afghanistan, c1880
Dost Mohammad Khan (1793-1863) ruler of Afghanistan (1826-63), c1880. Founder of Barakzai (Barakzay) dynasty

First Anglo-Afghan War 91838-1842), c1880
First Anglo-Afghan War 1838-1842: Rescue of British prisoners from the Afghans after the defeat of Akbar Khan, April 1842

William McNaghten (1793-1841), captured and killed, First Anglo-Afghan War 1838-1842
William McNaghten (1793-1841) British diplomat, orientalist and colonial administrator, instigated interventionist policy in Afghanistan

Our Protean Premier!, 1885. Artist: Joseph Swain
Our Protean Premier!, 1885. The Liberal Prime Minister, Gladstone, is the Angel of Peace. War had recently broken out between Russia and Afghanistan

The Political Mrs Gummidge, 1885. Artist: Joseph Swain
The Political Mrs Gummidge, 1885. The Liberal Prime Minister appears here in the guise of Mrs Gummidge. A portrait of the former Conservative Prime Minister, Disraeli, is hanging on the wall

Only His Play, 1885. Artist: Joseph Swain
Only His Play, 1885. The British Lion and the Indian Tiger watch in consternation as the Russian Bear attacks the Afghan wolves

Beauty and the Beast, 1885. Artist: Joseph Swain
Beauty and the Beast, 1885. The Russian Bear is seen making up to Beauty, alias the Liberal Prime Minister, Mr Gladstone. Recently, Russia had been seen advancing upon the Afghan holding of Penjdeh

Pig-stickers, Beware!, 1878. Lord Lytton, the Viceroy of India, wearing a topee, tests the point of a spear as his horse rears

Afghan horse dealer, India. Date: circa 1890s

Afghan Hound dog -Canis lupus familiaris-, male, sighthound breed

Afghanistan, Bamian Valley. A Kuchi nomad camp in Bamian Valley, a World Heritage Site, in Afghanistan, survives in the shadow of the Hindu Kush

Khyber Pass - Border - NWFP
Khyber Pass - Border between Afghanistan and North West Frontier Province. Date: 1909

Aerial view of snow covered mountain range, Afghanistan, november

Border Territory - Afghan Infantry - Khyber Pass
The Khyber Pass - the mountain pass that links Pakistan and Afghanistan. Throughout history it has been an important trade route between Central Asia and South Asia and a strategic military location

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"Exploring the Rich Cultural Heritage of Afghanistan: From Dancing Dervishes to Majestic Thrones" Step into the enchanting world of Afghanistan's cultural tapestry, as depicted in these captivating artworks. In Bihzad's "Folio from a Divan of Hafiz, " we witness the mesmerizing movements of Dancing Dervishes, their whirling bodies reflecting spiritual devotion. Transporting us further back in time, James Atkinson's artwork portrays the tumultuous First Anglo-Afghan War (1838-1842), where Afghan Frontier Raiders valiantly defended their homeland against foreign invaders. The Khyber Pass stands as a testament to their resilience and bravery. Delving into literature, Nizami's Khamsa offers glimpses into ancient tales like "Khusrau Seated on his Throne. " This folio transports us to an era when kings ruled with grandeur and wisdom. Similarly, Bahram Gur graces our imagination through various palaces - white or yellow - showcasing opulence beyond compare. In Farhad Carves a Milk Channel for Shirin, we discover a love story etched in stone by Farhad's unwavering determination. His laborious task symbolizes devotion that transcends boundaries and resonates across centuries. The Afghan War (1879) takes center stage with Joseph Swain's poignant artwork titled "Save Me from my Friends. " It encapsulates the complexities faced by Major Wigram Battye during this conflict, highlighting both loyalty and betrayal amidst chaos. Sher Ali Khan emerges as a significant figure in Emir of Afghanistan (1900). His leadership shaped the destiny of his nation during challenging times while striving for progress and stability. Through these diverse artworks spanning different periods, we gain insight into Afghanistan’s rich history – its vibrant culture interwoven with tales of valor, love, power struggles, and friendship. Each piece serves as a window into this fascinating land, inviting us to appreciate its artistic heritage and the resilience of its people.