1745 1750 Collection

Prisons 1745-1750 Giovanni Battista Piranesi
The Prisons, 1745-1750. Giovanni Battista Piranesi (Italian, 1720-1778). Etching

Prisons Series Galleries Crane- Erection Beams
The Prisons: A Series of Galleries with Crane-Like Erection of Beams, 1745-1750. Giovanni Battista Piranesi (Italian, 1720-1778). Etching

Prisons Perspective Arches Smoking Fire 1745-1750
The Prisons: A Perspective of Arches with a Smoking Fire, 1745-1750. Giovanni Battista Piranesi (Italian, 1720-1778). Etching

Prisons Vaulted Building Central Column Barred Window
The Prisons: A Vaulted Building with a Central Column with Barred Window, 1745-1750. Giovanni Battista Piranesi (Italian, 1720-1778). Etching

Prisons Title Page Interior Prison 1745-1750
The Prisons: Title Page -- Interior of a Prison, 1745-1750. Giovanni Battista Piranesi (Italian, 1720-1778). Etching

Prisons Lofty Arch Frieze 1745-1750 Giovanni Battista Piranesi
The Prisons: A Lofty Arch with a Frieze, 1745-1750. Giovanni Battista Piranesi (Italian, 1720-1778). Etching

Prisons Vast Gallery a Group Prisoners 1745-1750
The Prisons: A Vast Gallery with a Group of Prisoners, 1745-1750. Giovanni Battista Piranesi (Italian, 1720-1778). Etching

Prisons Prison Door 1745-1750 Giovanni Battista Piranesi
The Prisons: A Prison Door, 1745-1750. Giovanni Battista Piranesi (Italian, 1720-1778). Etching

Prisons Vast Interior Trophies 1745-1750 Giovanni Battista Piranesi
The Prisons: A Vast Interior with Trophies, 1745-1750. Giovanni Battista Piranesi (Italian, 1720-1778). Etching

Prisons Immense Interior Drawbridge 1745-1750
The Prisons: An Immense Interior with a Drawbridge, 1745-1750. Giovanni Battista Piranesi (Italian, 1720-1778). Etching

Prisons Wide Hall Lanterns 1745-1750 Giovanni Battista Piranesi
The Prisons: A Wide Hall with Lanterns, 1745-1750. Giovanni Battista Piranesi (Italian, 1720-1778). Etching

Prisons Colonnaded Interior Broad Stair 1745-1750
The Prisons: Colonnaded Interior with a Broad Stair, 1745-1750. Giovanni Battista Piranesi (Italian, 1720-1778). Etching

Prisons Arched Chamber Posts Chains 1745-1750
The Prisons: An Arched Chamber with Posts and Chains, 1745-1750. Giovanni Battista Piranesi (Italian, 1720-1778). Etching

Prisons Round Arches Springing Square Column
The Prisons: Round Arches Springing from a Square Column, 1745-1750. Giovanni Battista Piranesi (Italian, 1720-1778). Etching

Prisons Perspective Colonnades Zig-Zag Staircase
The Prisons: A Perspective of Colonnades with Zig-Zag Staircase, 1745-1750. Giovanni Battista Piranesi (Italian, 1720-1778). Etching

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"Exploring the Dark Depths: Giovanni Battista Piranesi's Prisons Series (1745-1750)" Step into a world of intrigue and mystery as we delve into the captivating artwork of Giovanni Battista Piranesi. In his groundbreaking series, aptly titled "Prisons, " Piranesi takes us on a journey through the haunting corridors and chambers of 18th-century penitentiaries. In these mesmerizing galleries, one can almost hear the clanking of chains and feel the weight of despair that permeates each scene. The crane-erection beams stand tall, ominously reminding us of the harsh reality faced by those imprisoned within these walls during this tumultuous period. Piranesi's masterful use of perspective adds an eerie depth to his work. Arches stretch endlessly towards vanishing points, while smoking fires cast long shadows that dance upon crumbling stone walls, and is as if time itself has been trapped within these vaulted buildings, with only barred windows offering glimpses into a world beyond confinement. The title page interior prison serves as a gateway to this macabre realm, inviting viewers to explore further. Lofty arch friezes adorn ceilings adorned with intricate details that hint at forgotten stories etched in every crevice. As we venture deeper into this vast gallery, our eyes are drawn to groups of prisoners huddled together in their desolation. Each face tells its own tale – tales filled with anguish and longing for freedom amidst towering prison doors meticulously crafted by Piranesi himself. Within these immense interiors lie trophies – symbols perhaps representing shattered dreams or lost hopes – scattered throughout like remnants from lives once lived outside these oppressive confines. An immense drawbridge looms overhead, serving as both barrier and reminder that escape is but a distant dream for those trapped within. Yet even in this darkness, light finds its way through wide hall lanterns casting flickering glimmers onto colonnaded interiors.