1679 Collection (#7)

Francesco Allegrini, Italian (c. 1615-after 1679), Orlando and the Thieves, pen and brown ink on laid paper

Johann Spillenberger, German (1628-1679), The Contest between Apollo and Pan before King Midas, c. 1670, pen and gray ink with gray wash on laid paper

George Catlin, The Expedition Encamped below the Falls of Niagara. January 20, 1679, American, 1796-1872, 1847-1848, oil on canvas

Jan Steen, Dutch (1625-1626-1679), The Dancing Couple, 1663, oil on canvas

Abraham Mignon, German (1640-1679), A Hanging Bouquet of Flowers, probably 1665-1670, oil on panel

Abraham Mignon, German (1640-1679), Still Life with Fruit, Fish, and a Nest, c. 1675, oil on canvas

Gerard Edelinck after Jacob van Oost II (Flemish, 1640 - 1707), Remi Du Laury, probably 1679, engraving

Guillaume Courtois after Tintoretto (Italian (born in France) 1628 - 1679), The Raising of Lazarus, etching on laid paper

Mark Catesby (English, 1679 - 1749), The Purple Jack Daw (Gracula Quiscula), published 1731-1743, hand-colored etching on laid paper

George Catlin, Launching of the Griffin. July 1679, American, 1796 - 1872, 1847-1848, oil on canvas

A couple drinking, Jan Havicksz. Steen, 1660 - 1679

Amusement on the Ice, Barend Avercamp, 1630 - 1679

Still Life with Fruit and Oysters, Abraham Mignon, 1660 - 1679

Children Teaching a Cat to Dance, Known as aThe Dancing Lessona, Jan Havicksz. Steen, 1660 - 1679

Infantry Battle at a Bridge, attributed to Nicols van Eyck, I, 1627 - 1679

The merry homecoming, Jan Havicksz. Steen, 1670 - 1679

The quack, attributed to Jan Havicksz. Steen, 1650 - 1679

Interior of an inn with an old man amusing himself with the landlady and two men playing backgammon, known as Two kinds of games, Jan Havicksz. Steen, 1660 - 1679

The adoration of the shepherds, Jan Havicksz. Steen, 1660 - 1679

Still Life with Fruit and a Cup on Cocks Legs, Abraham Mignon, 1660 - 1679

Still Life with Flowers and a Watch, Abraham Mignon, c. 1660 - c. 1679

Fox Hunt, Ludolf de Jongh, 1650 - 1679

Crucifixion of Christ, Jan Luyken, Hendrick and Dirk Boom, 1679

Map of Megara, Jan Luyken, Hendrick and Dirk Boom, 1679

Eight medals, II, Jan Luyken, Hendrick and Dirk Boom, 1679

Triumphal Arch in Orange, Jan Luyken, Hendrick and Dirk Boom, 1679

Roman temple in Pula, Jan Luyken, Hendrick and Dirk Boom, 1679

Roman gate at Zara, Jan Luyken, Hendrick and Dirk Boom, 1679

Map of the Cycladic islands of Delos and Rhenia, Greece, Jan Luyken, Hendrick and Dirk Boom, 1679

Eight medals, III, Hendrick and Dirk Boom Jan Luyken, 1679

Eight medals, V, Hendrick and Dirk Boom Jan Luyken, 1679

View of Lepanto, Jan Luyken, Hendrick and Dirk Boom, 1679

View of Mount Parnassus, Jan Luyken, Hendrick and Dirk Boom, 1679

Portrait of Joachim von Sandrart, Richard Collin, 1679

Butterfly, Caterpillar, Moth, Insects, and Currants; Jan van Kessel II, Flemish, 1626 - 1679; about 1650 - 1655; Gouache and brown ink, over underdrawing in metalpoint

Interior of the Laurenskerk at Rotterdam; Anthonie De Lorme, Dutch, 1610 - 1673, with figures attributed to Ludolf de Jongh, Dutch

Before the Ball; Jean-Francois de Troy, French, 1679 - 1752; Paris, France, Europe; 1735; Oil on canvas; Unframed: 83 x 65.4 cm (32 11/16 x 25 3/4 in.)

Bathsheba After the Bath; Jan Steen, Dutch, 1626 - 1679; about 1670 - 1675; Oil on panel; Unframed: 58.1 x 44.9 cm (22 7/8 x 17 11/16 in.), Framed: 75.6 x 61 x 3.5 cm (29 3/4 x 24 x 1 3/8 in.)

Winter Landscape with Figures; Jan Berents, Dutch, about 1679 - after 1733; Netherlands, Europe; about 1723; Gouache on vellum, heightened with gold

Scene in a park, with figures from the Commedia dell Arte A Harliquinade, Marcellus Laroon the Younger, 1679-1772, British

Scene from Shakespeares Henry IV, Part I Scene from Henry IV
Scene from Shakespeares " Henry IV, Part I" Scene from Henry IV, Part I, III, iii Scene from Falstaff Scene from Henry the Fourth, Part I, Signed and dated in black paint

A Dinner Conversation A Man and Woman Drinking at Supper An Officer and Lady at a Table, Marcellus Laroon the Younger, 1679-1772, British

Lovers in a glade Lovers in a Glade (II), Marcellus Laroon the Younger, 1679-1772, British

Lovers in a park, Marcellus Laroon the Younger, 1679-1772, British

The Stowe Reliefs: Allegorical scene, possibly Truth revealing herself to the Liberal Arts, Attributed to Michael Chuke, 1679-1742, British

The Stowe Reliefs: Mercury conducting Tragic and Comic Poetry to the Hill of Parnassus, Attributed to Michael Chuke, 1679-1742, British

The Barber The Barbers Shop, Marcellus Laroon the Younger, 1679-1772, British

Musical Conversation A Musical Conversation (II), Marcellus Laroon the Younger, 1679-1772, British

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In the year 1679, a fascinating tapestry of events unfolded, weaving together various aspects of history and culture. Renowned philosopher Thomas Hobbes continued to shape intellectual discourse with his profound ideas on human nature and governance. Meanwhile, the ancient practice of acupuncture gained further recognition as a therapeutic method for alleviating ailments and restoring balance. Amidst these philosophical musings and healing practices, tragedy struck with the untimely death of James Sharp, Archbishop of St Andrews. His passing left a void in the religious landscape, prompting introspection on matters of faith and spirituality. On another front, Scotland witnessed the tumultuous Battle of Drumclog—a pivotal moment in its history—where Covenanters valiantly fought for their religious freedom against oppressive forces. This event not only showcased their unwavering determination but also highlighted the power that collective prayer holds in times of adversity. While these significant occurrences unfolded across lands afar, Dutch painter Jan Havicksz Steen captured intimate family scenes through his brush strokes during this period. His artwork from 1660 to 1679 depicted everyday life with remarkable attention to detail and an underlying sense of warmth. Across oceans lies Eglise Santa Maria delle Grazie in Procida, Campania—an architectural marvel that stood witness to countless moments throughout history's passage. Its walls have absorbed whispers of prayers offered by those seeking solace or expressing gratitude amidst life's trials and triumphs. Christian Wolff emerged as a prominent figure during this time—a German philosopher whose works delved into metaphysics and ethics while challenging conventional wisdom. His ideas sparked debates among scholars eager to explore new realms beyond established boundaries. As we reflect upon the year 1679, it becomes evident that it was an era marked by intellectual curiosity, spiritual contemplation, artistic expression, historical battles fought for freedom—and above all—the enduring resilience displayed by individuals navigating their way through life's complexities.