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167 X Collection

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Background image167 X Collection: Wells Cathedral Canopy Altar Bishop Sugar Chantry

Wells Cathedral Canopy Altar Bishop Sugar Chantry
Wells Cathedral: Canopy of Altar in Bishop Sugars Chantry; Frederick H. Evans (British, 1853 - 1943); 1903; Gelatin silver print; 16.7 x 21.7 cm (6 9, 16 x 8 9, 16 in.)

Background image167 X Collection: Christ Limbo Flemish Master 1520 1540 Pen brown ink

Christ Limbo Flemish Master 1520 1540 Pen brown ink
Christ in Limbo; Flemish Master; 1520 - 1540; Pen and brown ink and brown wash; 16.7 x 12.2 cm (6 9, 16 x 4 13, 16 in.)

Background image167 X Collection: Flowers Vase Hippolyte Bayard French 1801 1887

Flowers Vase Hippolyte Bayard French 1801 1887
Flowers in a Vase; Hippolyte Bayard (French, 1801 - 1887); about 1845 - 1849; Salted paper print; 16.7 x 12.9 cm (6 9, 16 x 5 1, 16 in.)

Background image167 X Collection: Initial C Martyrdom Saint Thomas Becket Paris

Initial C Martyrdom Saint Thomas Becket Paris
Initial C: The Martyrdom of Saint Thomas Becket; Paris, France; about 1320 - 1325; Tempera colors, gold leaf, and ink on parchment; Leaf: 16.7 x 11.1 cm (6 9, 16 x 4 3, 8 in.)

Background image167 X Collection: Initial D God Father Christ Paris France 1320

Initial D God Father Christ Paris France 1320
Initial D: God the Father and Christ; Paris, France; about 1320 - 1325; Tempera colors, gold leaf, and ink on parchment; Leaf: 16.7 x 11.1 cm (6 9, 16 x 4 3, 8 in.)

Background image167 X Collection: Initial D Fool Paris France 1320 1325 Tempera colors

Initial D Fool Paris France 1320 1325 Tempera colors
Initial D: The Fool; Paris, France; about 1320 - 1325; Tempera colors, gold leaf, and ink on parchment; Leaf: 16.7 x 11.1 cm (6 9, 16 x 4 3, 8 in.)

Background image167 X Collection: Initial E Two Prophets Paris France 1320 1325

Initial E Two Prophets Paris France 1320 1325
Initial E: Two Prophets; Paris, France; about 1320 - 1325; Tempera colors, gold leaf, and ink on parchment; Leaf: 16.7 x 11.1 cm (6 9, 16 x 4 3, 8 in.)

Background image167 X Collection: Initial E David Playing Bells Paris France 1320

Initial E David Playing Bells Paris France 1320
Initial E: David Playing the Bells; Paris, France; about 1320 - 1325; Tempera colors, gold leaf, and ink on parchment; Leaf: 16.7 x 11.1 cm (6 9, 16 x 4 3, 8 in.)

Background image167 X Collection: Initial P Nativity Paris France 1320 1325 Tempera colors

Initial P Nativity Paris France 1320 1325 Tempera colors
Initial P: The Nativity; Paris, France; about 1320 - 1325; Tempera colors, gold leaf, and ink on parchment; Leaf: 16.7 x 11.1 cm (6 9, 16 x 4 3, 8 in.)

Background image167 X Collection: Initial E Prophet Initial Q Paris France 1320

Initial E Prophet Initial Q Paris France 1320
Initial E: A Prophet; Initial Q: A Prophet; Paris, France; about 1320 - 1325; Tempera colors, gold leaf, and ink on parchment; Leaf: 16.7 x 11.1 cm (6 9, 16 x 4 3, 8 in.)

Background image167 X Collection: Initial C Clerics Singing Choir Book Paris France

Initial C Clerics Singing Choir Book Paris France
Initial C: Clerics Singing from a Choir Book; Paris, France; about 1320 - 1325; Tempera colors, gold leaf, and ink on parchment; Leaf: 16.7 x 11.1 cm (6 9, 16 x 4 3, 8 in.)

Background image167 X Collection: Initial D David Pointing Eye Paris France 1320

Initial D David Pointing Eye Paris France 1320
Initial D: David Pointing to his Eye; Paris, France; about 1320 - 1325; Tempera colors, gold leaf, and ink on parchment; Leaf: 16.7 x 11.1 cm (6 9, 16 x 4 3, 8 in.)

Background image167 X Collection: Initial B David Playing Harp Paris France 1320

Initial B David Playing Harp Paris France 1320
Initial B: David Playing the Harp; Paris, France; about 1320 - 1325; Tempera colors, gold leaf, and ink on parchment; Leaf: 16.7 x 11.1 cm (6 9, 16 x 4 3, 8 in.)

Background image167 X Collection: Angels Bearing Column Passion Friedrich Sustris

Angels Bearing Column Passion Friedrich Sustris
Angels Bearing the Column of the Passion; Friedrich Sustris (Dutch, about 1540 - 1599); Holland; about 1580 - 1590; Pen and dark brown ink and gray wash; 16.7 x 20.6 cm (6 9, 16 x 8 1, 8 in.)

Background image167 X Collection: Syrie Baalbeck Colonnade du Temple du Soleil

Syrie Baalbeck Colonnade du Temple du Soleil
Syrie. Baalbeck. Colonnade du Temple du Soleil; Maxime Du Camp (French, 1822 - 1894), Louis Desire Blanquart-Evrard (French, 1802 - 1872); Baalbeck, Syria; negative September 15

Background image167 X Collection: Palace Caesars Rome Mrs Jane St John British

Palace Caesars Rome Mrs Jane St John British
Palace of the Caesars, Rome; Mrs. Jane St. John (British, 1803 - 1882); Rome, Italy; 1856 - 1859; Albumen silver print from a paper negative; 16.7 x 24.8 cm (6 9, 16 x 9 3, 4 in.)

Background image167 X Collection: Jews burial ground Reverend George Wilson Bridges

Jews burial ground Reverend George Wilson Bridges
Jews burial ground; Reverend George Wilson Bridges (English, born Australia, 1788 - 1863); Jerusalem, Israel (Palestine); about 1850; Albumen silver print from a paper negative; 16.7 x 19.8 cm (6 9)

Background image167 X Collection: Protestant Church Jerusalem Reverend George Wilson

Protestant Church Jerusalem Reverend George Wilson
The Protestant Church at Jerusalem; Reverend George Wilson Bridges (English, born Australia, 1788 - 1863); Jerusalem, Israel (Palestine)

Background image167 X Collection: Ecce Homo Arch Reverend George Wilson Bridges

Ecce Homo Arch Reverend George Wilson Bridges
Ecce Homo Arch; Reverend George Wilson Bridges (English, born Australia, 1788 - 1863); Jerusalem, Israel (Palestine); about 1850; Albumen silver print from a paper negative; 16.7 x 20 cm (6 9)

Background image167 X Collection: Shocking Corn Norfolk Peter Henry Emerson British

Shocking Corn Norfolk Peter Henry Emerson British
Shocking Corn. Norfolk; Peter Henry Emerson (British, born Cuba, 1856 - 1936); London, England; 1888; Photogravure; 16.7 x 16.4 cm (6 9, 16 x 6 7, 16 in.)

Background image167 X Collection: Evening Peter Henry Emerson British born Cuba

Evening Peter Henry Emerson British born Cuba
Evening; Peter Henry Emerson (British, born Cuba, 1856 - 1936); London, England; 1886; Platinum print; 16.7 x 28.6 cm (6 9, 16 x 11 1, 4 in.)

Background image167 X Collection: Haute Egypte Palmiers doums Maxime Du Camp French

Haute Egypte Palmiers doums Maxime Du Camp French
Haute Egypte. Palmiers doums; Maxime Du Camp (French, 1822 - 1894), Louis Desire Blanquart-Evrard (French, 1802 - 1872); Hamamah, Egypt; negative May 29


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"167 x: Exploring the Intricate Artistry of Wells Cathedral Canopy Altar and Bishop Sugar Chantry" Step into the mesmerizing world of Wells Cathedral as we delve into the captivating artworks that adorn its sacred spaces. Amongst these treasures, one cannot help but be drawn to the exquisite pieces such as "Christ Limbo" by an anonymous Flemish Master from 1520-1540, rendered in pen and brown ink. As we wander further, our eyes are greeted by a delicate arrangement of flowers in a vase captured through the lens of Hippolyte Bayard, a renowned French photographer from 1801-1887. The juxtaposition of ancient and contemporary art forms allows us to appreciate both their individual beauty and collective impact. Moving on, let us turn our attention to the intricate initials that grace this hallowed place. The initial "C, " depicting the Massacre of Innocents in Paris, France circa 1320, serves as a haunting reminder of historical events etched onto parchment with utmost precision. Similarly striking is another "C, " illustrating Saint Thomas Becket's martyrdom - a testament to faith's enduring power. Continuing our exploration, we encounter two remarkable initials: "D" for God Father Christ and "D" for Fool - both originating from Paris around 1320-1325 using tempera colors. These vibrant depictions offer glimpses into medieval life while showcasing artistic mastery at its finest. Our journey takes an enchanting turn with an initial "E, " featuring two prophets playing bells - yet another marvel created during Paris' creative zenith between 1320-1325. This harmonious scene transports us back in time when music resonated within these sacred walls. The letter "P" beckons us towards an ethereal portrayal of Nativity painted with tempera colors during the same period. Its tender brushstrokes evoke profound emotions while reminding us of timeless stories that continue to inspire.