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Mehmet Ali arrives in Constantinople, 1846

Mehmet Ali arrives in Constantinople, 1846


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Mehmet Ali arrives in Constantinople, 1846

3480394 Mehmet Ali arrives in Constantinople, 1846; (add.info.: 1828: Mehmet Ali arrives in Constantinople (Istanbul, Turkey) 1846, watercolour, by the French painter Jean-Adolphe Beauce (1818 - 1875). Muhammad Ali Pasha or Mehmet Ali; 1769 - 1849. Ottoman Albanian commander in the Ottoman army, who rose to the rank of Pasha, and became W?li, and self-declared Khedive of Egypt.); Universal History Archive/UIG

Media ID 38321296

© Universal History Archive/UIG / Bridgeman Images

1840s Albania Albanian Commander Constantinople Istanbul Jean Adolphe Beauce Khedive Mehmet Ali Ottoman Ottoman Empire Ottoman Period Pasha Turkish Culture Watercolors Watercolour Paint Ali Pasha Central Turkey Egyptians Turk


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> Africa > Egypt > Related Images

> Arts > Artists > B > Jean Adolphe Beauce

> Arts > Watercolor paintings

> Asia > Turkey > Istanbul

> Asia > Turkey > Related Images

> Europe > Albania > Posters

> Europe > Albania > Related Images

> Fine Art Finder > Militaria


EDITORS COMMENTS
This stunning watercolor print captures the historic moment when Mehmet Ali arrived in Constantinople in 1846. The French painter Jean-Adolphe Beauce beautifully depicts the powerful Ottoman Albanian commander as he makes his grand entrance into the city. Mehmet Ali, also known as Muhammad Ali Pasha, was a formidable figure who rose through the ranks to become W?li and self-declared Khedive of Egypt. The intricate details in this artwork transport us back to the 19th century, allowing us to witness a pivotal moment in history. As Mehmet Ali stands tall with an air of authority, we can almost feel the tension and anticipation surrounding his arrival. The vibrant colors and expert brushstrokes bring this scene to life, capturing both the grandeur and complexity of this period. Through this print, we are reminded of the rich cultural tapestry that defines Turkey and its ties to Europe and Africa. The fusion of Ottoman influences with French artistic techniques creates a mesmerizing visual narrative that speaks volumes about power dynamics and diplomacy during this era. Overall, this print is not just a work of art but a window into a bygone time when empires clashed and leaders made their mark on history. It serves as a poignant reminder of how art can immortalize significant moments for generations to come.

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