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Marble portrait of Felix Bacciochi (1762 - 1841) spousal of Elisa Bonaparte
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Marble portrait of Felix Bacciochi (1762 - 1841) spousal of Elisa Bonaparte
JLJ4671559 Marble portrait of Felix Bacciochi (1762 - 1841) spousal of Elisa Bonaparte. Sculpture by Bartolini Lorenzo (1777-1850), 19th century. Carrara workshop. Malmaison. Chateau Museum by Bartolini, Lorenzo (1777-1850); Musee National du Chateau de Malmaison, Rueil-Malmaison, France; (add.info.: Marble portrait of Felix Bacciochi (1762 - 1841) spousal of Elisa Bonaparte. Sculpture by Bartolini Lorenzo (1777-1850), 19th century. Carrara workshop. Malmaison. Chateau Museum); Photo ePhoto Josse; Italian, out of copyright
Media ID 22465468
© Josse / Bridgeman Images
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EDITORS COMMENTS
This print showcases a remarkable marble portrait of Felix Bacciochi, the spouse of Elisa Bonaparte. Sculpted by the talented artist Bartolini Lorenzo in the 19th century, this masterpiece is housed in the Carrara workshop at Malmaison Chateau Museum. The intricate details and lifelike expression captured in this sculpture are truly awe-inspiring. The skillful craftsmanship of Bartolini Lorenzo is evident as he expertly carved every feature with precision and finesse. The smoothness of the marble adds an ethereal quality to Felix Bacciochi's likeness, making it seem almost alive. Felix Bacciochi himself was a prominent figure during his time, known for his marriage to Elisa Bonaparte, who was Napoleon Bonaparte's sister. This portrait serves as a testament to their union and immortalizes their place within history. Displayed proudly at Musee National du Chateau de Malmaison in Rueil-Malmaison, France, this artwork offers viewers a glimpse into the opulence and grandeur of the Bonaparte family. It symbolizes power, elegance, and artistic excellence all at once. As we gaze upon this photograph taken by Photo Josse from Fine Art Finder, we can't help but be captivated by its beauty. It reminds us that art has the incredible ability to transcend time and connect us with our past while leaving an indelible mark on our present.
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