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Indian ink manufacture, Qing Dynasty China. Ink is made of lamp-black (burnt pine-wood, hogs-fat and oil) mixed with musk and glue, then shaped in wooden moulds
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Indian ink manufacture, Qing Dynasty China. Ink is made of lamp-black (burnt pine-wood, hogs-fat and oil) mixed with musk and glue, then shaped in wooden moulds
FLO4590227 Indian ink manufacture, Qing Dynasty China. Ink is made of lamp-black (burnt pine-wood, hogs-fat and oil) mixed with musk and glue, then shaped in wooden moulds. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc. Howlett and Brimmer, London, 1824.; (add.info.: Indian ink manufacture, Qing Dynasty China. Ink is made of lamp-black (burnt pine-wood, hogs-fat and oil) mixed with musk and glue, then shaped in wooden moulds. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc. Howlett and Brimmer, London, 1824.); © Florilegius
Media ID 38246946
© © Florilegius / Bridgeman Images
Andrea Freschi Antoine Cardon Burnt Chine Chineze Glue Henri Leonard Jean Baptiste Bertin Hogs Howlett And Brimmer Its Costumes Jean Baptiste Joseph Breton Manufactures Musk Qing Dynasty Trades Asiae Asian Asian Asie Chineses Pine Wood
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EDITORS COMMENTS
This image captures the intricate process of Indian ink manufacture during the Qing Dynasty in China. The art of creating ink involved a meticulous combination of lamp-black (derived from burnt pine-wood, hogs-fat, and oil), musk, and glue. Skilled artisans would carefully mix these ingredients before shaping them into wooden moulds to create the final product.
The hand-colored copperplate engraving by Andrea Freschi after Antoine Cardon provides a glimpse into the traditional techniques and craftsmanship that were employed in this ancient practice. The detailed illustration showcases the dedication and precision required to produce high-quality ink for calligraphy, painting, and other artistic endeavors.
Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's work "China, Its Costumes, Arts, Manufactures" sheds light on the rich cultural heritage of China through its depiction of trades such as ink making. This historical document offers valuable insights into the customs and traditions that shaped Chinese society during this period.
As we admire this piece of artistry from 1824 London, we are reminded of the importance of preserving traditional crafts and techniques that have been passed down through generations. The beauty and complexity of Indian ink manufacture serve as a testament to human ingenuity and creativity across cultures.
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