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Arrival of Queen Elizabeth I at Nonesuch Palace with her courtiers, guards and dogs
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Arrival of Queen Elizabeth I at Nonesuch Palace with her courtiers, guards and dogs
KDC384163 Arrival of Queen Elizabeth I at Nonesuch Palace with her courtiers, guards and dogs, 1598 (hand coloured copper engraving) (detail of 324184) by Hoefnagel, Joris (1542-1600); Private Collection; (add.info.: illustration based on Hoefnagels drawing of Nonsuch made in 1582 and reproduced in Civitates Orbis Terrarum by Braun & Hogenberg, published in Cologne; ); Flemish, out of copyright
Media ID 23548164
© Bridgeman Images
Chariot Cortege Elizabethan Gloriana Nonesuch Nonsuch Pets Progress Renascence Rulers
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EDITORS COMMENTS
This hand-coloured copper engraving, titled "Arrival of Queen Elizabeth I at Nonesuch Palace with her courtiers, guards and dogs" offers a fascinating glimpse into the grandeur and opulence of the Elizabethan era. Created by Flemish artist Joris Hoefnagel in 1598, this exquisite print showcases the arrival of Queen Elizabeth I at Nonesuch Palace. The scene is filled with intricate details that transport us back to a time when royalty reigned supreme. The queen's chariot, adorned with lavish decorations and pulled by majestic horses, takes center stage as it approaches the palace gates. Her loyal courtiers surround her, dressed in elaborate costumes befitting their noble status. Notably present are the queen's beloved dogs, who accompany her on this momentous occasion. These faithful companions add an endearing touch to an otherwise regal procession. Hoefnagel's attention to detail is evident in every stroke of his engraving. From the expressions on each individual's face to the meticulous rendering of architectural elements, he captures both the splendor and power associated with Queen Elizabeth I's reign. This print serves as a testament to not only Hoefnagel's artistic prowess but also as a historical record of one of England's most iconic monarchs. It allows us to immerse ourselves in a world long gone while appreciating its beauty and significance from our modern perspective.
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