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Disabled soldier begging charity from a rich parson and receiving nothing. The Pluralist and the Soldier. Copperplate engraving by Thomas Sanders after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786)

Disabled soldier begging charity from a rich parson and receiving nothing. The Pluralist and the Soldier. Copperplate engraving by Thomas Sanders after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786)


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Disabled soldier begging charity from a rich parson and receiving nothing. The Pluralist and the Soldier. Copperplate engraving by Thomas Sanders after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786)

FLO4718155 Disabled soldier begging charity from a rich parson and receiving nothing. The Pluralist and the Soldier. Copperplate engraving by Thomas Sanders after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated, John Haywood, Manchester, 1773.; (add.info.: Disabled soldier begging charity from a rich parson and receiving nothing. The Pluralist and the Soldier. Copperplate engraving by Thomas Sanders after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated, John Haywood, Manchester, 1773.); © Florilegius

Media ID 38094984

© © Florilegius / Bridgeman Images

Avarice Beggar Begging Bourgeoisie Charite Charity Default Dessin Satirique Disabled Eglise Hogarthian Human Passions Delineated Hypocrisy Hypocrite John Collier John Necklace Mendiant Mendicant Militaire Misere Misery Moeurs Morals Parson Pauper Pauvrete Pauvre Rich Societe Thomas Sanders Timothy Bobbin Tramp Vagabond Veteran Vice Visage Wood Leg 18eme Siecle Grande Bretagne Homme Hypocritical


FEATURES IN THESE COLLECTIONS

> Arts > Artists > C > John Collier

> Arts > Artists > C > Thomas Collier

> Arts > Artists > W > John Wood

> Arts > Pop art > Satire > Satirical artwork

> Europe > United Kingdom > England > Manchester > Manchester

> Fine Art Finder > Artists > Edmund Dulac


EDITORS COMMENTS
In this poignant copperplate engraving, titled "The Pluralist and the Soldier," we are confronted with a stark depiction of societal inequality and moral hypocrisy. A disabled soldier, representing the marginalized and vulnerable in society, is shown begging for charity from a wealthy parson who callously turns him away empty-handed. The rich parson's indifference to the suffering of the soldier speaks volumes about the prevailing attitudes towards those less fortunate during the 18th century. The artist, Timothy Bobbin (John Collier), uses satire to critique the greed and selfishness that often accompany wealth and privilege. As we gaze upon this scene, we are reminded of the enduring struggle for social justice and compassion in a world where disparities in power and resources continue to exist. The soldier's outstretched hand symbolizes not only his physical need but also his plea for dignity and respect. This engraving serves as a powerful commentary on human nature, exposing our capacity for both generosity and cruelty. It challenges us to reflect on our own actions towards those in need and consider how we can work towards creating a more equitable society where all individuals are treated with kindness and empathy.

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